X
- 2020
- R
- Searchlight Pictures
- 1 h 26 m
- 2020
- R
- Searchlight Pictures
- 1 h 26 m
Summary Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
Directed By: Nat Faxon, Jim Rash
Written By: Jesse Armstrong, Ruben Östlund, Nat Faxon, Jim Rash
- 2020
- R
- Searchlight Pictures
- 1 h 26 m
- 2020
- R
- Searchlight Pictures
- 1 h 26 m
Downhill
49
4.2
Where to Watch
Summary Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
Directed By: Nat Faxon, Jim Rash
Written By: Jesse Armstrong, Ruben Östlund, Nat Faxon, Jim Rash
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 39 Critic Reviews
49
33% Positive
13 Reviews
13 Reviews
64% Mixed
25 Reviews
25 Reviews
3% Negative
1 Review
1 Review
Metascore
Mixed or Average
Based on 39 Critic Reviews
49
33% Positive
13 Reviews
13 Reviews
64% Mixed
25 Reviews
25 Reviews
3% Negative
1 Review
1 Review
I loved Downhill for precisely what it meant to be—a character-driven comedy working its way through a painful and real conflict.
The value of Downhill comes from merging this story with these two distinct comic personas, and seeing what they do with it (and each other). That’s probably not enough of a reason for it to exist. But it’s not nothing, either.
User Score
Mixed or Average
Based on 51 User Ratings
4.2
22% Positive
11 Ratings
11 Ratings
39% Mixed
20 Ratings
20 Ratings
39% Negative
20 Ratings
20 Ratings
User Score
Mixed or Average
Based on 51 User Ratings
4.2
22% Positive
11 Ratings
11 Ratings
39% Mixed
20 Ratings
20 Ratings
39% Negative
20 Ratings
20 Ratings
Super beautiful ski shots and Julia Louis-Dreyfus is amazing. It’s a subtle and really true to life film
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Like a lot of remakes, Downhill doesn’t quite make the argument for its existence. But career-topping performances from Ferrell and Louis-Dreyfus and an unusually frosty comedic tone make this a mostly rewarding day on the slopes.
In Downhill, it disintegrates because both parties turn out to be such unsalvageable bores — a misfire, in a feature-length movie, that is worse than stale popcorn.
Downhill never makes much of an impact as it moves from one mildly amusing cringe-comedy set piece to the next.
Downhill is a misfire, unable to show either of its stars to their best advantage. Neither the actors nor the film can decide how to balance humor with drama and that is the heart of the problem.
When the best thing about a movie is the title, that’s never a good sign. It’s all downhill from there? Exactly, and that’s the case with Downhill.
–– PROs & CONs. First the PROs:
• Not a goofy comedy but still has plenty of laughs as well as insight into the complexities of married life. • Julia Louis-Dreyfus virtually make-up free, in an honest, open and clean-faced performance. Gorgeous, multi-layered, and just overall wonderful to watch.
• Will Ferrell shows all the varied colors of a husband and father trying his best but still disappointing his wife, and his efforts to make up for his mistakes are priceless. Funny and multi-dimensional performance.
• Breathtaking scenery. Makes me want to learn to ski!
–– CONs: Can't think of any. I enjoyed every minute.
–– THE UPSHOT: Loved it! Smart, funny, well-written, well-acted.
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Even though the trailer sells this as a comedy, that is primarily a drama (like Force Majeure, the Swedish film on which it's based). Guessing both of these accomplished comic actors (Julia Louis-Dreyfus and Will Ferrell) cherished the opportunity to go dark, as a married couple on a ski vacation in the Alps. When an avalanche unsettles things, it causes a reevaluation their marriage. Both of them do a fine job handling something serious, but the script never delves deep enough to be as affecting as it could have been. Interesting, but not exceptional.
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Downhill seems to have come from out of nowhere. Suddenly, there is a Will Ferrell movie in the theaters opening on Valentine's Day weekend; and, multi-Emmy-winning comedienne, Julia Louis-Dreyfus is co-lead. One would think that there is comedy gold here, so why isn't there more promotion. Well, there's a little misdirection, here. Downhill is a Hollywood remake of an acclaimed Swedish film, Force Majeure, which was more of a drama than a comedy; and Downhill sets itself apart by adding more obvious comedy elements here, whether or not they are necessary is a separate issue. Nevertheless, the synopsis is as follows: a married couple on a family ski vacation in the Austrian Alps after narrowly escaping an avalanche deal with the simmering tensions and the reality of life and their relationship.
Actually, the premise is quite fascinating. I won't say exactly what happens with the avalanche, but it's pretty well depicted in the trailer. It is a funny situation, but it also is very serious. The problem is that the balance of the tone of the film is not well calibrated. The producers cast comedy stars and asked them to perform in this uneven mix of drama and comedy. Julia Louis-Dreyfus is great. She's captivating. Her performance mines the wry wit of all that happens, and she hits the emotional depth of the drama. Will Ferrell, on the other hand, is ill-equipped to meet the gauntlet that Louis-Dreyfus throws down. Some of the comedy and reactions of Ferrell are good; but, ultimately, his skill with the dramatic elements is lacking. The push and pull of the couple is the main source of comedy and dramatic tension, and the fact that Ferrell and Louis-Dreyfus are so unmatched make it ultimately unsatisfying. It really feels like Ferrell was only cast so that Downhill can be marketed as a Will Ferrell comedy, which it is not.
Additionally, Miranda Otto shows up intermittently as a resort guide, who is ingratiating herself with the main couple. She is boldly only there for comic relief. I felt she was completely unnecessary. Otto is having such a ball as this boozy, free-loving lady that she seems dropped in from another movie. There was no genuine laugh coming from anything she did.
On a positive note, the scenery is beautiful. The film is well-shot and may make you consider going to the Alps on a ski vacation. It's not something that I would want to do, but it looks great. Downhill's other saving grace is the modest runtime. Although it takes a while for the film to get to the meat of its action, it doesn't feel belabored. It gets to its point. I only wish it had actually been either funnier, or that Louis-Dreyfus had a more capable comedic and dramatic actor to work with.
So, Downhill has a good premise, but an uneven cast. The film is short and it looks good for those who want to go skiing. It is not as funny as it pretends to be and the dramatic tension feels weak. I suggest waiting for this one to be on your favorite streaming service. There is a compelling conversation to be had after seeing what happens here if you give it a chance. Actually, give Force Majeure itself a viewing. It’s already available on Hulu.
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For actors I love it was very frustrating, almost confrontational to watch.
It got better but it is kind of a sad comedy not a funny story.
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I remember watching Maya Rudolph talking about Will Ferrell in the documentary series: The Movies and she said she was watching a genius working but I've gotta be honest I haven't laughed with Farrell's work in a long, long time and I can't remember a notable film from his since the last decade.
This one is just another disposable addition to his decaying filmography.
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Production Company
Filmhaus Films,
Likely Story,
Searchlight Pictures
Release Date Feb 14, 2020
Duration 1 h 26 m
Rating R
Tagline A Different Kind of Disaster Movie.
Awards
St. Louis Film Critics Association, US
• 1 Win & 1 Nomination
Women's Image Network Awards
• 1 Nomination
Young Artist Awards
• 1 Nomination
