Apple TV+ | Release Date: December 2, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
13
Mixed:
23
Negative:
4
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Critic Reviews
While the haunting aspect of the photograph grounds “Emancipation” in reality, there’s a pronounced Hollywood-ized feel to the finished product, one that doesn’t compare favorably with other projects that have covered similar territory, among recent examples the biographical “Harriet” and Amazon’s fictionalized miniseries “The Underground Railroad.”
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Unfortunately, Smith’s would-be comeback vehicle is hamstrung by a weak script, paper-thin characters, and gets caught too often being overly earnest rather than emotionally honest, something that ultimately taints the integrity of the endeavor and will leave audiences disappointed.
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Emancipation, Antoine Fuqua’s well-meaning and graphic depiction of an enslaved man who escapes in search of Lincoln’s army and freedom for himself and his family, is a mostly affecting, no-holds-barred look at degradation, inhumanity and, ultimately, inspiration. But at times — too many times — Emancipation also plays like an action-adventure movie.
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As stark corroboration that this country was built on hatred and death, Emancipation successfully rattles you, but it can hardly be described as revelatory. Still, some could argue that today, as segments of society willfully wish to ignore the past and to prevent new generations from learning about it, a ruthlessly straightforward reminder is needed.
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IndieWireNov 30, 2022
American movie-watchers are used to consuming their history lessons with a heavy layer of artificial butter on top, but William N. Collage’s script filters Gordon’s saga through so many creaky Hollywood tropes that the over-cranked genre stuff begins to feel more honest by comparison.
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ColliderDec 8, 2022
Even though the brutality is seemingly never-ending, we never dull to the constant barrage of pain—both physically and emotionally. Yet when Fuqua and Collage aren’t focusing on the cruelty of this world, the film stops dead, lumbering through the motions, complete with derivative choices, characters, and dialogue.
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Emancipation is never dull, but it’s rarely without its box office instincts for falsification front and center, alongside its star. And while it has been built on the scarred back of a real man, the movie is too busy with the business of entertainment to focus on the “real” part for long.
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