X
- 1981
- R
- Orion Pictures
- 2 h 20 m
- 1981
- R
- Orion Pictures
- 2 h 20 m
Summary The legend of King Arthur and the Knights of the Round Table receives its most impressive screen treatment in Excalibur. All the elements of Sir Thomas Malory's classic Le Morte Darthur are here: Arthur (Nigel Terry) removing the sword Excalibur from the stone; the Round Table's noble birth and tragic decline; the heroic attempts to rec...
Directed By: John Boorman
Written By: Thomas Malory, Rospo Pallenberg, John Boorman
- 1981
- R
- Orion Pictures
- 2 h 20 m
- 1981
- R
- Orion Pictures
- 2 h 20 m
Excalibur
56
7.8
Where to Watch
Summary The legend of King Arthur and the Knights of the Round Table receives its most impressive screen treatment in Excalibur. All the elements of Sir Thomas Malory's classic Le Morte Darthur are here: Arthur (Nigel Terry) removing the sword Excalibur from the stone; the Round Table's noble birth and tragic decline; the heroic attempts to rec...
Directed By: John Boorman
Written By: Thomas Malory, Rospo Pallenberg, John Boorman
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 10 Critic Reviews
56
30% Positive
3 Reviews
3 Reviews
70% Mixed
7 Reviews
7 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Mixed or Average
Based on 10 Critic Reviews
56
30% Positive
3 Reviews
3 Reviews
70% Mixed
7 Reviews
7 Reviews
0% Negative
0 Reviews
0 Reviews
Excalibur is exquisite, a near-perfect blend of action, romance, fantasy and philosophy, finely acted and beautifully filmed by director John Boorman and cinematographer Alex Thomson.
What a wondrous vision Excalibur is! And what a mess.
User Score
Generally Favorable
Based on 23 User Ratings
7.8
83% Positive
19 Ratings
19 Ratings
13% Mixed
3 Ratings
3 Ratings
4% Negative
1 Rating
1 Rating
User Score
Generally Favorable
Based on 23 User Ratings
7.8
83% Positive
19 Ratings
19 Ratings
13% Mixed
3 Ratings
3 Ratings
4% Negative
1 Rating
1 Rating
One of the best movie adaptations of the legend of King Arthur and an epic medieval fantasy experience. Also it has a fantastic soundtrack based on Richard Wagner and Carl Orff. The Carmina Burana was made famous to a lot of people or at least the awesome O Fortuna Part (You immediately recognize it when you hear the song as it was used countless times since then). It is a no nonsense adaptation as they show blood and gore as war is hell and nudity. A fitting description I read is that they turned on all fog machines, filmed a matured tale and put an epic soundtrack that enhances everything on top of it. The Arthurian legend is one of the greatest myths of all time (I say myth as it is still not know if there is some small truth behind the legends). I like that all heroes, nobles and the king himself are humans underneath with flaws. Look how Lancelot who is probably the greatest of all knights and a true hero struggles. Same goes for all others like King Arthur or even Percival. It is an impressive adaptation as they do not shy away from blood, nudity, human flaws, desires and tragedy. So far so good. Lets go to the cast. We have Nigel Terry as King Arthur. He impressed me a delivered the full range of his character be it a squire or king and noble benevolent hero or flawed human with desires. Helen Mirren as Morgana Le Fay is absolute in the same category and fully delivers (I fear I will repeat this a lot in this review). Nicholas Clay as Sir Lancelot is remarkable and I specially praise how he performed the torn parts of his role. Paul Geoffry is Sir Perceval whose role differs a bit form the source materiel but does also an awesome job. As Sir Gawain we have a back at the time unknown actor named Liam Neeson. Incredible which career he made since then. Same is true for Patrick Steward as King Leodegrance. Nicol Williamson as Merlin won me over. I first thought he was unfitting but over time he became one of my favorite Merlins in fiction. I will shorten it here and say the cast is excellently chosen for their roles. It does not stop here as the visuals and locations are breathtaking. They have so much beautiful scenes in remarkable locations like for example Cahir Castle, Wicklow Head and many counties in Ireland. The costumes, armors and weapons are also magnificent and look realistic (This can be far of historical correctness but I am not expert enough to evaluate this). Then there is the soundtrack I already praised. It is one of the most fitting soundtracks of all times and I am still impressed today. It looks like the music from Richard Wagner, Carl Orff and Trevor Jones was destined to be used for this movie. Overall this is a great and matured experience. I recommend it but warn you that it is a tragic as the source material. It is the King Arthur movie each new incarnation is compared to.
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One of the greatest films of all time. John Boorman has brought extraordinary, magical and tender beauty to this tale, and brought it alive as never before or since. This is a theatrical work of great genius, crafted with passion and profound insight, on a tiny budget. Though the budget clearly constrained some of the sets and effects, so that some of the lesser, connecting scenes present essentially like stage theater, we don't care, because interspersed with those scenes, are spellbinding, gorgeous episodes -- the most visually enthralling, mesmerizing sword-and-sorcery scenes in the history of cinema.
It's that alternation of minimal dreaminess, which evokes an aura of fantasy and theatrical storytelling, with these dramatic eruptions of photo-realistic, vividly immersive beauty, magic, and drama, that build the power of this film like a steadily chanted spell.
IF ONLY Boorman could have been the one to direct Lord of the Rings! IF ONLY! He has the precise eye, heart and vision, style, and craft for it -- and no one else even comes close. The irony is, he WAS on deck to do just that, back in the 70s, but something went wrong, it never happened. "Excalibur" gives us just a glimpse at the utter glory that could have been LOTR, if they had given him the green light and a big budget. Instead we got the tacky bluetone CGI and Peter whatisname directing a shameful shadow of Tolkien's vision.
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Boorman is both a romantic and a realist, an idealist and a skeptic, and Excalibur is an impressive but uneasy attempt to marry these opposites. [13 April 1981, p.82]
John Boorman's 1981 retelling of the Arthurian legends is a continuation of the thematic thrust and visual plan of his Exorcist II, though the failure of that bold, hallucinatory, and flawed film seems to have put Boorman into partial retreat.
It must be said that the closing sequence, in which Arthur meets the misbegotten Mordred on an orange battlefield illuminated by a shield-sized red sun, is an epic, Oedipal masterpiece of authentic mythic power, a sequence so strong it shakes the torpor from one's shoulders and induces regret that the rest of the saga has been so juvenile, so lifeless and so lacking poetry or Shakespearean sweep. [11 April 1981]
For all its audacity, a misguided folly.
Mr. Boorman takes these myths very seriously, but he has used them with a pretentiousness that obscures his vision.
From what I know is that Excalibur is actually a King Arthur story which is really rather usual because I'm a gigantic fan of The Sword in the Stone with all our favourite characters. Excalibur is an epic fantasy adventure film. It has adventure, sword fights, wizards and gory moments which is violent but it was a great drama film. I'm such a huge fan of these medieval type of location which is awesome. I love it so much. I'm so surprised to see what happened to the knights and all of your favourite characters. You won't get to see Archimedes because he's an owl and he's a fictional character and he does the comic relief. In fact I'm even surprised that Nicol Williamson as Merlin did all the comic relief in this film. There's Guenevere, King Arthur's wife. There's Lancelot who is the best of all knights and the Knights of the Round Table. He doesn't appear in the Disney classic because of the sword fights. There's also Perceval who seems to appear after an hour in who joins the Knights of the Round Table and finds the Holy Grail. Monty Python and the Holy Grail did that in a very comedic way! The last character is Morgana who is an evil enchantress who is sort of an Madam Mim kind of character. Yeah, I get the basics of it. Well, you will recognise the actors that you'll know. There's Helen Mirren, Patrick Stewart and a young Liam Neeson and Gabriel Byrne. The chant that Merlin says is the chant that speaks to wake the dragon. The chant is in the different language which says "Anál nathrach, orth' bháis's bethad, do chél dénmha." It means "Serpent's breath, charm of death an life, thy omen of making." in English. The only thing I love about this film is the music. It brings the mood to the point where it feels epic, beautiful and powerful! The ending of the film is very evocative and get you in the strong mood for what you have experienced. This is everything that you want as a fantasy epic with sword battles that are violent, a powerful story that tells King Arthur is a true king of all England and a powerful wizard who tells Arthur to become king after he pulled the sword from the stone and an impeccable and powerful music that brings the mood of bringing the atmosphere to life. Everything about Excalibur is awesome and very evocative. For fans of a Disney classic, The Sword in the Stone, If you love the King Arthur stories about wizards, knights, squires and magic. This is the one to check out. Excalibur is an awesome epic fantasy adventure drama and I still enjoy The Sword in the Stone even more and two of them will get you in a Higitus Figitus mood!
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On re-watch it is not as polished as I remembered and quite rough around the edges by today's standards. However it is still my favorite of all the screen adaptions of the Arthurian Legend. Best Merlin like ever for sure.
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Moving fantasy imagery combines with an interesting cast (incl a young patrick stewart, helen mirren and liam neeson) and moving soundscape to create something of a strange cinematic creature... The acting is just laugh out loud awful in places, pacing that feels off coupled with many badly choreographed fight sequences, and yet, there is something of a heart to the film that just works for me. Excalibur has a very dream like quality to it which I greatly enjoyed and connected with. Kinda reminds me of 1992's bram stokers dracula in that so-bad-its-good kind of way. Very entertaining overall.
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Now considered to potentially be the best adaptation of the legend of King Arthur, director John Boorman's Excalibur is one of many films to have risen out of the ashes of negative reviews upon release. However, whether it was fully deserving of this critical turnabout is an entirely different matter. As a fantasy adventure film, Excalibur is undeniably a faithful adaptation of the legend and one with excellent operatic sensibilities and great battles. Unfortunately, it is maligned by one deadly disease that strikes at the very heart of the film and can often turn its imaginative fantasy and serious battles into pure, unintentional comedy. This film left me in stitches more often than it ever should have and part of that is due to the dialogue, but the vast majority of it is due to its horrific acting.
This horrific acting is pretty much the worst part of this film and what leads to its undoing as a film. In the lead role, we have the horrific Nigel Terry who turns in a confused and oddly tongue-in-cheek performance as King Arthur. Alongside him, Nicol Williamson's Merlin is a clear inspiration for Morgan Freeman's Tiberius in The Lego Movie. He delivers his lines with a odd blend of comedy and serious mysticism with the end result being him appearing to ham it up far too much. The rest of the cast is largely awful for reasons beyond their own control and can be described as Boorman's misstep. Having everybody yell their lines, along with their unconvincing delivery, makes the film and its characters appear wholly unaware of the fact that this is really a Monty Python movie. The actors deliver their lines with no confidence or sense of belief that this is really happening. The worst sinner here is Boorman's daughter Katrine who plays Igrayne, Arthur's mother. As her son is stolen from her by Merlin, her pained screams of "Get him!" are absolutely hysterical with her shrill shrieks being the work of comedy genius. Unfortunately, they were lines intended to be painful, real, and tragic to hear. With horribly unconvincing delivery that makes it seem like the whole cast was just sitting through a table read and going over their lines for the first time when Boorman figured he would just have them read it with the some conviction in the real shoot, Excalibur winds up being unintentional comedy of the highest order.
Blended with its fantastical plot, the film's horrible acting is really unfortunate. Instead of a mystical and magical adventure, the film winds up feeling like a funny drug-fueled romp through the minds of a stoner. It is a weird blend of Monty Python and Time Bandits, except played entirely straight to the point that you have no idea whether the film realizes it is so funny. As Lancelot (Nicholas Clay) and Guenevere (Cherie Lunghi) have sex in the forest with Arthur nearing their location and Morgana (Helen Mirren) and Merlin watching on, the scene is entirely comical due to the horrible acting. Mirren and Williamson ham it up as the wizards while the rest of the cast all act horrified, shocked, and ashamed in a way that makes it appear as though this is the first time these actors have ever felt these emotions. The film would be markedly better if its acting were wooden. Instead, it worsens the matter with everybody appearing to be robots or aliens attempting to mimic human behavior.
This acting concern is often found in the dialogue, to be fair, as the actors struggle to feel their way through the dialogue that just comes off as far too cheesy to match the film's serious struggle between good and evil. This is even more unfortunate with how well developed the film's themes really are. With Arthur being a Jesus-like figure in this adaptation of the legend, he is tempted and put through the ringer all to prove that he is the true chosen one. Along the way, he offers forgiveness to his wife, his best friend, and seeks to unite his kingdom under a religious center. Honoring his father and family, Arthur is a man that is united by his disciples, fearlessness, and willingness to bring peace and prosperity throughout the land. Including the theme of lust throughout the film that tempts men of every walk of life and serves to be their very undoing, the film may be one of the most soundly written and developed adaptations of Jesus in a non-Jesus film ever put to film. Boorman keeps the film focused upon this theme and always develops it, adding various layers to it that makes it a compelling tale of a man seeking redemption after falling from grace and having to fight his way back through defending his soul from those that want its perfection.
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Awards
Academy Awards, USA
• 1 Nomination
Academy of Science Fiction, Fantasy & Horror Films, USA
• 1 Win & 6 Nominations
Cannes Film Festival
• 1 Win & 2 Nominations
