X
- 2015
- PG-13
- Lionsgate Films
- 1 h 43 m
- 2015
- PG-13
- Lionsgate Films
- 1 h 43 m
Summary A decorated New Jersey police detective, Laurel Hester (Julianne Moore) is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner, Stacie Andree (Elliot Page) . However the county officials, Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells (Michael Shannon), and ac...
Directed By: Peter Sollett
Written By: Ron Nyswaner
- 2015
- PG-13
- Lionsgate Films
- 1 h 43 m
- 2015
- PG-13
- Lionsgate Films
- 1 h 43 m
Freeheld
50
7.5
Where to Watch
Summary A decorated New Jersey police detective, Laurel Hester (Julianne Moore) is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner, Stacie Andree (Elliot Page) . However the county officials, Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells (Michael Shannon), and ac...
Directed By: Peter Sollett
Written By: Ron Nyswaner
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 30 Critic Reviews
50
37% Positive
11 Reviews
11 Reviews
50% Mixed
15 Reviews
15 Reviews
13% Negative
4 Reviews
4 Reviews
Metascore
Mixed or Average
Based on 30 Critic Reviews
50
37% Positive
11 Reviews
11 Reviews
50% Mixed
15 Reviews
15 Reviews
13% Negative
4 Reviews
4 Reviews
It’s a poignant, relevant and beautifully made film that must not be missed by anyone with a heart and a social conscience.
Beneath the clichés of prestige filmmaking beat the hearts of a couple it's a privilege to get to know.
User Score
Generally Favorable
Based on 40 User Ratings
7.5
73% Positive
29 Ratings
29 Ratings
23% Mixed
9 Ratings
9 Ratings
5% Negative
2 Ratings
2 Ratings
User Score
Generally Favorable
Based on 40 User Ratings
7.5
73% Positive
29 Ratings
29 Ratings
23% Mixed
9 Ratings
9 Ratings
5% Negative
2 Ratings
2 Ratings
Not another lesbian romance, but a fight for the equal rights!
Not long ago I saw 'Carol', thankfully it is not another that and better than that. It was based on the documentary short of the same name about a real life same sex couple who fought for the equal rights and the pension benefits, while one of them was treated for cancer. It is a great drama about fighting for justice than the romance as it states, but that part as well very impressive.
Ellen Page and Julianne Moore, both were awesome, except Moore was a bit old. By seeing them I felt being a lesbian is sweetest than straight, hetero and even ****. The first half was all about the relationship, but very decently narrated romance tale. And in the next half once Steve Carell enters the scene, the film diverted to another side of the story. All the actors were very good, including Michael Shannon.
Obviously the story was predictable and that is expected often in a biography. Because if they want to alter it, then they should pen a very cleverest script the audience never saw one like that before. I think telling a true story as it is is the point and that's what this filmmaker did. So don't complain about the storyline, just consider whether it is inspiring or worth a watch for other reasons.
For me it was almost a sentimental piece, but the second half story compromised and then I realised what this film was trying to say. Underrated film of the year for sure. Anytime I suggest it, especially for the grown ups and with a neutral mindset, because it is not all about the same sex romance, but the battle for equality in society.
8/10
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“Freeheld” is first and foremost a love story beautifully portrayed by Julianne Moore and Ellen Page. The former plays Laurel Hester, an in the closet police officer for 23 years who meets and falls in love with the latter who plays the much younger Stacie Andree. After being diagnosed with stage 4 cancer Laurel wants to fight for equality so that when she does die Stacie would get her pension as the surviving spouse in a heterosexual marriage would, and Stacie would be able to keep the house the house and home they have made together.
“Freeheld” is based on the Oscar winning 2007 documentary and in ways ‘Hollywoodizes’ it but the core romance between the two women is always there. While Laurel isn’t a **** activist and comes out for the equality and justice that made her a first rate police officer on her way to becoming a lieutenant, Steven Goldstein (Steve Carell) a self described ‘loud, ****, Jew from New Jersey’ sees this as a chance to fight for **** marriage. Dane Wells (Michael Shannon), as Laurel’s partner on the police force for many years, is at first annoyed that she had kept this secret from him but quickly ‘covers her back’ as a good partner always does on the force and joins the couple in their fight. He, in a way, represents the **** audience while Goldstein is pretty much of a stereotype as a **** activist though the two men have a couple of very funny exchanges.
We meet Laurel’s sister (Kelly Deadmon) and Stacie’s mother (Mary Birdsong) who seem to accept their relationship and fight without any qualms just as the sister accepts the fact that her sibling will die. In either case it would have been better if the screenplay by Ron Nyswaner had spent a little more time with that instead of representing all different views of why Stacie should or should not get the pension from preserving ‘the sanctity of marriage’ to ‘what does the bible say about **** right--nothing’. Along the way there is Todd Belkin (played by Luke Grimes) an in the closet cop along with the **** cops, the righteous Ocean County Board of Chosen Freeholders along with the one, played by Josh Charles, who doesn’t feel their voting against it is the right thing to do.
The direction by Peter Sollett is straight forward and though he should have spent less time on the political side and more on the Laurel and Stacie relationship the actresses bring your feelings, and tears, to the screen without being manipulated. Both deserve to be nominated for awards but though Moore brings a different take to a sick person than she played in her Oscar winning role in “Still Alice” she may not be recognized for the beauty of her performance as Laurel.
Behind the politics it is the love story of the two women that made the former possible and that aspect of the movie is handled naturally.
“Freeheld” is a must see movie for those who like a good love story, for those who are into politics and, yes, those who profess they believe in equality and the steps it takes to have it.
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If Freeheld cuts corners to get its point across, Moore and Page never do. You'll be with them all the way.
Good intentions can only take you so far. So it is with Freeheld, a well-meaning movie whose sterling intentions, timely and provocative subject and terrific cast are muted to near oblivion by uninspired storytelling and direction.
Unfortunately, while Julianne Moore and Ellen Page go great lengths to make the central romance convince, Nyswaner's undercooked script and Peter Sollett's direction have the opposite effect, reducing Freeheld to a tired formula.
Despite a credible and moving love story driven by strong performances from Julianne Moore and Ellen Page, director Peter Sollett’s film is an oppressively worthy and self-satisfied inspirational vehicle that views its story primarily as a series of teachable moments.
A film that should feel urgent and of its time, but instead is rendered cliched and dull by Sollet’s amateurish handling of the material.
A rather formulaic but nevertheless heart-tugging story about righting an inherent wrong, with fine acting across the board. It capably chronicles an event that helped bring about a seminal change in American society and does so with powerful emotion, especially in the film's second half. For those who care about seeing justice and fairness triumph, this is a must-see.
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Freeholders are the officials who run the New Jersey locality that refused to allow a decorated detective (Julianne Moore) to pass her pension benefits to her domestic partner (Ellen Page). The couple meets cute and ends up buying a house, but cancer cuts short their happy relationship and results in the conflict with the county. Like most movies about social injustice, there's plenty of outrage at their plight (albeit mild in this case) and the inevitable brave stands required by others (again, lacking fervor). Moore keeps a lid on her portrayal, letting Page be the sweet center of this movie. Her performance is truly touching. The film unfolds effectively (although it could have ended earlier), but the direction is rather bland. It doesn't develop the dramatic punch that would have driven home the emotional impact of the film's message.
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[SPOILER ALERT: This review contains spoilers.]
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Freeheld started off promising, with two solid performances from Moore and Page (Even when I didn't care for the chemistry between the two until the very end of film). But then the movie quickly dissolves away and turns into this flat, mediocre movie. I wish the movie had more of a focus with the relationship and let things between them grow so we can relate to them more, but sadly the movie never dose that. What could have been a good movie, took a lot of things too safe.
I highly recommend seeing the 2007 Documentary short "Freeheld", which is far better than this.
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Freeheld – Pushes a half-filled Barrow Based loosely on true events, Freeheld is a sad story, and we can feel for the plight of lesbians Laurel Hester and Stacie Andree in their quest to choose their financial beneficiaries on death. Yet for all its makers’ intentions, what comes through is just another flat agenda pushing production, consisting of stereotypical performances and telegraphed movie-making. The obvious casting choices were all designed to make the viewer ‘sympathetic’ to the cause, and the lazy script simply expected everyone to be on-board with its strained, one sided message. Steve Carell’s performance as the **** Jewish rabbi was so over the top as to be more of a cartoon caricature, generating more annoyance than sympathy. Then there’s the somewhat ill-informed priest, who comes forth to give evidence in court to convince us that Jesus said ‘nothing’ against ****. He clearly never read Christ’s very own forthright claim that; “He never came to change one iota of his father’s law”. That means nothing, not even the dot of an i or the cross of a t; all which went before, holds. Some might attempt to reduce these down to technicalities, but when being presented in a court of law, they count. What have we witnessed since same sex marriage became law? Is love still love or has the hate increased amongst so many other diverse groups now clamoring to be ‘accepted’? By all means yes, change the contractual equality laws between couples - Presently, we even have a call to accept the perversions of pornographic ‘comic book style’ literature and cross-dressing men graphically grooming children in schools and libraries across the land. What’s to be ‘proud’ of in these activities? Maybe it’s even time to reel in some of these watered down laws and accept that obscenity is now thriving and attempting to take over many of our vital human qualities - all so particular selfish individuals can overindulge their perversions in the name of ‘Diversification & inclusion’. Laws can only be pushed so far then sadly, they fall over, serving no good cause. The failure of this picture to find an appreciative audience speaks for itself and while there will always be those who will
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Production Company
Double Feature Films,
Endgame Entertainment,
High Frequency Entertainment,
Summit Entertainment,
Head Gear Films,
Incognito Pictures,
Metrol Technology,
Orange Studio
Release Date Oct 2, 2015
Duration 1 h 43 m
Rating PG-13
Tagline All love is equal
Awards
Women Film Critics Circle Awards
• 3 Nominations
San Sebastián International Film Festival
• 1 Win & 2 Nominations
Alliance of Women Film Journalists
• 1 Nomination
