Giorni e nuvole
Film Movement | Release Date: July 11, 2008 CRITIC SCORE DISTRIBUTION
69
METASCORE
Generally favorable reviews based on 9 Critic Reviews
Positive:
7
Mixed:
2
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
90
The New York TimesStephen Holden
A brave film simply for daring to portray a nightmare lurking in the minds of middle-aged workers, people who might fear a film that addresses their insecurities this bluntly. Read full review
83
The A.V. ClubSam Adams
At times, Soldini gets so wrapped up in his characters' suffering that the movie loses perspective; it's a little hard to sympathize when the couple's needs grow so great that they're forced to sell their boat. Read full review
75
NPRBob Mondello
For Soldini, even bleakness has a poetic side, and his imagery is occasionally breathtaking here -- never more so than in the film's final tableau, which elegantly connects a Renaissance fresco Elsa had been working on before the couple's fall from grace with a strikingly similar real-life image suggesting the possibility of a renaissance in their marriage. Read full review
75
Boston GlobeWesley Morris
In American movies, the iconic question usually is, can men and women be friends without the sex part getting in the way? Here it's, can a husband appreciate his wife as a woman? The movie's success in Italy is partly a matter of frustration: Women need their men to grow up. Read full review
70
The Hollywood ReporterNatasha Senjanovic
At times "Days" seems more of a social commentary on the shrinking middle class than the will-they-or-won't-they-make-it story at the heart of the film. Read full review
70
Los Angeles TimesGary Goldstein
An intelligent adult drama that's especially relevant in these harsh economic times. Read full review
70
Washington PostJohn Anderson
Sometimes art imitates life; sometimes it is life. If the market gets any worse, Days and Clouds could kill realism outright. Read full review
50
Village VoiceVadim Rizov
Without grounding in specific causes-and-effects, the film is just another dreary wallow in self-pity. Read full review
50
L.A. WeeklyElla Taylor
It plays out more like a 12-step program than a human drama. Read full review
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