X
- 2001
- R
- Metro-Goldwyn-Mayer (MGM)
- 2 h 11 m
- 2001
- R
- Metro-Goldwyn-Mayer (MGM)
- 2 h 11 m
Summary Hannibal continues the story begun in "The Silence of the Lambs." Ten years have passed since Dr. Hannibal Lecter (Hopkins) escaped from custody, ten years since FBI Agent Clarice Starling (Moore) interviewed him in a maximum-security hospital for the criminally insane. The doctor is now at large in Italy, gloriously at liberty in an u...
Directed By: Ridley Scott
Written By: Thomas Harris, David Mamet, Steven Zaillian
- 2001
- R
- Metro-Goldwyn-Mayer (MGM)
- 2 h 11 m
- 2001
- R
- Metro-Goldwyn-Mayer (MGM)
- 2 h 11 m
Hannibal
57
8.6
Where to Watch
Summary Hannibal continues the story begun in "The Silence of the Lambs." Ten years have passed since Dr. Hannibal Lecter (Hopkins) escaped from custody, ten years since FBI Agent Clarice Starling (Moore) interviewed him in a maximum-security hospital for the criminally insane. The doctor is now at large in Italy, gloriously at liberty in an u...
Directed By: Ridley Scott
Written By: Thomas Harris, David Mamet, Steven Zaillian
Where to Watch
Top Cast
Metascore
Mixed or average
Based on 36 Critic Reviews
57
50% Positive
18 Reviews
18 Reviews
47% Mixed
17 Reviews
17 Reviews
3% Negative
1 Review
1 Review
Metascore
Mixed or average
Based on 36 Critic Reviews
57
50% Positive
18 Reviews
18 Reviews
47% Mixed
17 Reviews
17 Reviews
3% Negative
1 Review
1 Review
It's unmissable, flaws and all, because riveting suspense spiced with diabolical laughs and garnished with a sprig of kinky romance add up to the tastiest dish around.
''The Silence of the Lambs'' was a classic; Hannibal is only a good movie of its type.
User Score
Universal acclaim
Based on 2,297 User Ratings
8.6
89% Positive
2035 Ratings
2035 Ratings
4% Mixed
87 Ratings
87 Ratings
8% Negative
175 Ratings
175 Ratings
User Score
Universal acclaim
Based on 2,297 User Ratings
8.6
89% Positive
2035 Ratings
2035 Ratings
4% Mixed
87 Ratings
87 Ratings
8% Negative
175 Ratings
175 Ratings
It's gory, really gory, gratuitously and often inelegantly.
Though the movie is clearly meant to work on its own, the relationship between Starling and Lecter plays best if you're familiar with "Lambs."
Has almost none of the nail-biting suspense and fascinating character interplay that made the original so authentically terrifying.
Hopkins' Hannibal is no longer mysterious, Clarice is no longer vulnerable, and the overextended Florence scenes dash any hopes of early momentum, even if Giancarlo Giannini is perfect as the cop.
Hannibal, which is very likely the worst film of this year and quite possibly the next, achieves what no movie I can recall ever even attempting: It somehow manages to be both repugnant and boring.
Perfection, Stunning Visuals, Flawless Acting, Superb Writing, one of the best shows ever.
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The most arresting television series I've ever seen, both visually and psychologically.
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I am an enthusiastic admirer of Hannibal Lecter. I enjoyed all Thomas Harris's Lecter books, despite the fact that I normally hate prequels. I also thought Anthony Hopkins's portrayal of Lecter in Silence of the Lambs and Hannibal was excellent and even added to Lecter's character. So I am mystified as to how the TV series Hannibal could garner such universal praise. It bears only the most superficial relation to Harris's iconic character. But first, let's start with the casting. Mikkelsen may be a good actor; he was an adequate Le Chiffre. But the man's physical appearance and speech are distracting, especially his mouth. It's weird. He has an overbite and duck lips. His accent is thick and his delivery lacks feeling. There's nothing compelling about the man's presence, though his face is interesting and rather handsome. But this is in no way Hannibal Lecter. This was a case of bad casting but I suppose it might be overlooked, though not by anyone who appreciates acting. Now lets discuss a more important flaw with this series: the writing. The situations are mostly preposterous. Hannibal's motives are so obsure, even he seems to have no idea what he's doing or why. But the worst thing is Will Graham. He walks into a crime scene and plays it backward in vivid and presumably hyper-accurate detail. Yes, we get to see this, but we have no idea how. With Sherlock Holmes, we get an explanation of his deductive process, of the clues and their meanings. But Will Graham's process is opaque. He sees what he sees as from some supernatural gift. He makes sudden pronouncements that are almost always right, but seem to emanate from some inner sibylline voice rather than from his reconstructive or even intuitive powers. They're passed off as intuitive, but real intuition is fueled by experience and observation. This insistence on giving Graham super powers leads to endless absurdities. He can imagine perfectly how a scene played out based on the placement of furniture and the spray of blood, yet he misses a hundred signs that Hannibal Lecter is a killer. So many, many signs missed. And everything has to be cloaked in layers of ponderous music and entire episodes that add up to nothing. Then there's the relationship between Jack Crawford and Graham. It's so inconsistent and turbulent that one is left with the feeling that Crawford is just messing with Graham's head because he enjoys it. I could go on about this show's flaws, but it would only depress you and me. The most depressing thing being that it was so well-received. I can only attribute this to the nostalgia we all feel for the character. He's a once-beloved uncle whose flaws we could now see if the imago were not so vital to our sense of the world. How easy it is to exploit our old affections and loyalties; how sad it is that so-called creators would desecrate our enthusiasm. They promise us the thing we love, and give us a deformed and diminished substitute. And so many are happy with it. It makes me wonder if those people ever really liked Hannibal Lecter for the right reasons.
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[SPOILER ALERT: This review contains spoilers.]
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Production Company
Metro-Goldwyn-Mayer (MGM),
Universal Pictures,
Dino De Laurentiis Company,
Scott Free Productions
Release Date Feb 9, 2001
Duration 2 h 11 m
Rating R
Tagline Break The Silence
Awards
Fangoria Chainsaw Awards
• 2 Wins & 8 Nominations
Academy of Science Fiction, Fantasy & Horror Films, USA
• 1 Win & 5 Nominations
MTV Movie + TV Awards
• 3 Nominations
