Henry: Portrait of a Serial Killer

Name: Henry: Portrait of a Serial Killer
Genre: Biography, Drama, Thriller, Horror, Crime
Released: January 5, 1990
Duration: 83 min
Rating: 80
Cast: Michael Rooker, Tom Towles, Tracy Arnold

1990

METASCORE

Generally favorable reviews based on 22 Critics

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USER SCORE

Generally favorable reviews based on 7 Ratings

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7.4

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7.4	User Score Generally favorable reviews based on 7 Ratings

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Henry: Portrait Of A Serial Killer

Movie Details & Credits

Greycat Films | Release Date: January 5, 1990 | Unrated

Starring: Michael Rooker, Tom Towles, Tracy Arnold

Summary: Henry (Michael Rooker) is a psychopathic drifter who has coldly murdered a number of people for no particular reason and without any remorse. Leaving scores of bodies in his wake, Henry makes his way to Chicago, where his murderous streak continues and he settles into the rundown apartment of his drug-dealing former prison friend Otis (TomHenry (Michael Rooker) is a psychopathic drifter who has coldly murdered a number of people for no particular reason and without any remorse. Leaving scores of bodies in his wake, Henry makes his way to Chicago, where his murderous streak continues and he settles into the rundown apartment of his drug-dealing former prison friend Otis (Tom Towles). Also moving into the space is Otis’s younger sister Becky (Tracy Arnold), who is fleeing from her abusive husband. Henry soon reveals his troubled childhood background to Becky, which resulted in Henry’s murder of his mother, the crime that landed him in prison. Unbeknownst to Becky, Henry continues to commit a series of random killings along with Otis, who has quickly developed a taste for murder. [Dark Sky Films]… Expand

Director: John McNaughton

Genre(s): Biography, Drama, Thriller, Horror, Crime

Rating: Unrated

Runtime: 83 min

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Critic Reviews

100

Sheila Benson

Henry: Portrait of a Serial Killer is as fine a film as it is a brutally disturbing one. Read full review

100

Mike Clark

Nothing in John McNaughton's script and direction is exploitative; there isn't a frame of wasted action in what may well remain the year's most tightly constructed movie. As such, you're with this qualified classic all the way, you believe in it all the way, and you're thus forced to take its sporadic atrocities seriously. How many movies (and how long has it been since we've seen one) have really pulled this off? [20 April 1990, p.4D]