The movie is as blunt an instrument as the poster, but it’s also crammed with enough moving parts and unexpected distractions (Winona Ryder as a “meth whore”) to make it an indefensibly enjoyable piece of exploitation hackwork.
An awesome movie with a bit of good acting in parts (mostly from Statham), and some great action sequences. The plot carries a real sense of justice. Several actors didn't perform too well though, I'm afraid (cough cough James Franco).
Statham is always good as the silent butt-kicking type and is fine here. Franco, as is often the case, seems to be acting in his own private movie and having a grand old time doing so; results for the audience may vary. Bosworth is good, scary skinny and wired for trouble as a menacing mom.
The Jason Statham vehicle Homefront is such a generic tough-guy-against-the-odds ’80s style actioner that you’d swear Sly Stallone starred in it. He did, back in the day. Or versions of it.
This one, Stallone just scripted.
Sylvester Stallone's screenplay of a Chuck Logan film adaptation is rising at it's own bad ass level. We know that Jason Statham likes to be on the "action genre," he wouldn't even care if the script is a mediocre or it ****! he wouldn't care he just loves the action. In "Homefront" a former agent moves to this town with his daughter, he doesn't know what he is getting himself into! then he tangles with a meth dealer (James Franco), if there is one we love is how director Gary Fleder makes Statham looks wild and crazy on the camera, with the camera. The film can be entertaining ah the daughter is annoying and there can be times when characters are just to dumb. Grade B
This movie will probably be a forgettable entry in Statham's film legacy, but it gets the job done in terms of action and eye candy on screen. As for James Franco as a villain, it is hard to take him seriously.
I suppose it's not surprising that Sylvester Stallone wrote the screenplay, since the plot is so ancient it might have been etches as hieroglyph on Rambo's machine gun. There's an appeal to simple action movie, but it's nowhere to be found on the uninspiring Homefront, and even the capable cast can't save it from mediocrity. Either it's from the poor casting or lackluster predictable content, audience will most likely have little to none enjoyment watching Jason Statham bludgeoning random thugs, again.
Jason Statham plays Phil Broker, a former undercover cop who retires into the countryside after his testimony incarcerated a drug lord. Little did he know that his past, and untidy file saving, will haunt him and his daughter. The concept is to portray the antagonist as a man involuntarily dragged into fights as he defends a frail looking little girl. Statham has done this concept in last year movie Safe, and to approximately the same undistinguished effect. The movie doesn't offer anything novel; in fact Arnold Schwarzenegger's Commando back in '80s has more flair and arguably more personality.
There are several big names here, but they are underutilized or badly cast. James Franco brings plenty credibility, and originally I thought he'd offer more challenge in acting department for Statham, however his role as Gator just doesn't work. He doesn't convey the menacing threat to Statham, and if the movie opted for more cerebral contest, it could've been better, but instead his actions just seem random and unorganized. It is far from clever scheme the backwater hoodlum runs, it more resembles panicked redneck rampage with money as incentive.
Winona Ryder is looking messy and not in intentionally thought provoking or sympathetic way. Honestly, I didn't even recognize her at first, she's too hectic to give more impression than just Gator's confused lackey. Kate Bosworth goes full hillbilly crackhead, profanity firing in all cylinders. Another thing that's wrong with the movie; it spews curses constantly. There are many ways to make profanity works, peppering it as ham-fisted way to lure any reaction from audience is not one of them.
Screenplay builds up inconsistently as it gives the illusion that something dramatic might happen soon, although it unfortunately turns into average brawl yet again. Music and sound effect try too hard to sell the dynamic, in which there's barely any, they function more as loud distractions if any. Perhaps the nicest thing in the movie is how the action is done. These scenes are pretty well done; they have rough impact and believably pain-inducing, although there is only modest amount of it.
Homefront doesn't bring anything new. The cast is talented and action is passable, but for extremely abysmal plot which audience can find at cheap bargain or rerun at Cinemax, it’s hardly worth anyone's time.