Lies We Tell

Name: Lies We Tell
Genre: Thriller, Romance, Crime
Released: February 2, 2018
Duration: 109 min
Rating: 33
Cast: Emily Atack, Gabriel Byrne, Gina McKee, Harish Patel, Harvey Keitel

2018

METASCORE

Generally unfavorable reviews based on 8 Critic Reviews

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Lies We Tell

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Movie Details & Credits

| Release Date: February 2, 2018 | Not Rated

Starring: Emily Atack, Gabriel Byrne, Gina McKee, Harish Patel, Harvey Keitel, Jan Uddin, Mark Addy, Nicholas Farrell, Reece Ritchie, Sibylla Deen

Summary: A trusted driver must deal with his dead boss's Muslim mistress, her dark past pulling him into a life-and-death showdown with her notorious gangster cousin/ex-husband.

Director: Mitu Misra

Genre(s): Thriller, Romance, Crime

Rating: Not Rated

Runtime: 109 min

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Metascore

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Critic Reviews

Anna Smith

Jan 31, 2018

It’s well performed and a periodically fascinating study of Bradford’s seedy underbelly that’s rarely seen on film Read full review

RogerEbert.com Glenn Kenny

Feb 2, 2018

Lead actors Byrne and Deen do grounded, stalwart work, and director Mitu Misra occasionally succeeds in making the characters’ milieu’s register with force. But the storytelling is rickety. Read full review

Nick de Semlyen

Jan 31, 2018

A well-meaning look at the issue of arranged marriage, garnished with some Hollywood star power, but it’s too meandering and sluggish to grip. Read full review

Stephen Dalton

Jan 31, 2018

Any meager pleasures that Lies We Tell offers are purely technical. Read full review

Michael Rechtshaffen

Feb 1, 2018

Truth be told, Lies We Tell is a pretentious and muddled dud of a melodrama. Read full review

Craig D. Lindsey

Feb 5, 2018

As much as director–co-writer Mitu Misra wants to show the oppression and repression that still have a stranglehold on Muslim communities in Britain, he does what a lot of first-time filmmakers do their first time out — he overplays his hand. Read full review

Jessica Kiang

Feb 3, 2018

Very much to its detriment, Misra’s ambitious, overflowing soap opera of a debut is not content with being the character portrait that Byrne’s inherently interesting Donald deserves. Read full review

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