United Artists | Release Date: August 28, 1975 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
6
Mixed:
0
Negative:
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Critic Reviews
This magnificent, often anarchic pastiche of Russian literature’s portentous habits with a side order in Bergmanesque death wallowing actually finds Allen at his silliest. Which also means it is extraordinarily clever silliness, with designs deliberately stolen from Chaplin, Keaton and the Marx Brothers. It is film that explores comedy’s infinite variety via the medium of the existential philosophy of those big Russian sagas slumped in history like sulking teenagers.
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Another episode in Allen's Jewish-neurotic romance with Diane Keaton, this time with Napoleon's invasion of Russia interfering. This allows a string of terrific visual gags using battles, Death the Grim Reaper, swords, grand opera, village idiots, snow, Napoleon and Olga Georges-Picot. As less than half-a-dozen lines are bum, Love and Death is an almost total treat.
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