| Paramount Pictures | Release Date: March 28, 2014 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
34
Mixed:
11
Negative:
1
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Critic Reviews
Mar 27, 2014
Overall, Noah represents a respectful take on an old story by filmmakers who pose a pertinent question. The Creator promises never again to wipe humanity off the face of the Earth, signing that covenant with the cheering image of a rainbow. Does that mean he won’t let us wipe ourselves out millennia later, if we’re hell-bent on doing so?
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Apr 9, 2014
Noah may not make much sense, but only an artist could have made it. [7 April 2014, p.74]
EmpireMar 24, 2014
Mar 27, 2014
Viewers may not agree about what they’ve seen when they come out of Noah. But there’s no doubt that Aronofsky has made an ambitious, serious, even visionary motion picture, whose super-sized popcorn-movie vernacular may occasionally submerge the story’s more reflective implications, but never drowns them entirely.
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Mar 27, 2014
Will Noah anger some rigid purists and scholars because of the liberties it takes? Perhaps. But the point to take home is the message the movie leaves you with, which works regardless of your faith (or lack thereof). Humans are inherently flawed. How we deal with those defects is what truly matters.
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McClatchy-Tribune News ServiceMar 26, 2014
It isn’t “The Ten Commandments” and Crowe is no Charlton Heston. But Noah makes Biblical myth grand in scope and intimate in appeal. The purists can always go argue over “God Isn’t Dead.” The rest of creation can appreciate this rousing good yarn, told with blood and guts and brawn and beauty, with just a hint of madness to the whole enterprise.
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Mar 28, 2014
All of which makes the film Noah psychologically credible — his behavior is very much what you might expect of a man who has just condemned millions of screaming souls to watery graves. And it makes the film unpredictably suspenseful, which is dramatically the most welcome thing you could ask of a biblical epic.
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Apr 2, 2014
Aronofsky’s story of Noah and his ark is far-removed from our collective recollections of Sunday school pageants and Cecil B. DeMille extravaganzas. Instead, this film opts for the sort of human-scaled realism that almost allows us to smell the dank stench of a menagerie cooped up for 40 days and nights on a water-swept barge.
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The GuardianApr 2, 2014
Mar 28, 2014
Noah is a movie about big ideas (environmentalism, heavenly obedience versus earthly love) and even bigger directorial ambitions (how to tell a personal story on the grandest of grand scales). But, in the end, it's also a disappointment. Maybe not one of Biblical proportions, but a disappointment nonetheless.
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The PlaylistMar 27, 2014
When focused on the natural world and the internal thoughts of its characters, Noah positively crackles with the energy of a filmmaker inspired by a new perspective on classic material... But the latter half of the film, turgid and hamfisted throughout, cripples the film so severely that it makes one thankful for the added elements to Noah’s story.
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IndieWireMar 21, 2014
The director's murky, ill-conceived take on the world's oldest disaster story contains some of the most pristine visuals produced on a mass studio scale in some time. But it's also constantly tethered to a dull, melodramatic series of events out of whack with any traditional interpretation of the material.
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Mar 27, 2014
What could have made Noah work is the same sense of urgency – of fateful craziness – that made "Pi" so memorable, and which also factored into the fatal obsessions of "The Wrestler" and "Black Swan" (two very flawed movies that admittedly benefited from stronger lead performances than the one here).
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