| Columbia Pictures | Release Date: July 28, 1954 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
15
Mixed:
0
Negative:
0
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Critic Reviews
Outstanding performances are turned in by Karl Malden in the role of a priest who makes the waterfront characters his particular charge, by Lee J. Cobb, as the big bully who bosses the boys, by Rod Steiger, John Hamilton and a couple of well-known pugilists, Tony Galento and Tami Mauriello.
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Kazan succeeds in producing a shrewd piece of screen journalism, a melodrama in the grand manner of Public Enemy and Little Caesar. But he fails to do anything more serious—largely because he tries too hard. In searching for the general meaning in little lives, Director Kazan has trained his lens down fine on small events; he has too often watched his characters through the magnifying glass of special prejudice—the old sentimental prejudice that ordinary people are wonderful no matter what they do.
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We must salute screenwriter Budd Schulberg (his speech for priest Karl Malden in the loading bay is still stirring). Add the acting/writing heroics a restrained score by Leonard Bernstein and a striking, charcoal look by cinematographer Boris Kaufman, and you have an elegiac portrait of labour relations that feels like a kick in the slats.
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