CJ Entertainment | Release Date: October 11, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
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Mixed:
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Critic Reviews
This is a film of such dramatic power and innovative comedy and romantic poetry and melancholy beauty that upon exiting a screening, you might well feel the urge to tell everyone in the lobby of the multiplex to delay their plans to check out some mainstream offering because if they truly love cinema, they should see THIS movie, immediately.
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Like Jordan Peele’s “Get Out,” Bong’s Parasite expresses consequential ideas that matter to the filmmaker about the way we live today, and the prejudice and malice we create for ourselves and others. The best social satires, like this one, dwell in the underworld where the sinister, the sobering and the bitterly funny swirl in the same stream of consciousness.
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Parasite won the top prize at Cannes, and it’s South Korea’s entry for the Best International Feature Film Oscar. There are good reasons why it’s poised to resonate worldwide. It tells a story you could probably follow without subtitles, or any dialogue at all: the faces of these actors show with piercing clarity how it feels to be outsiders in a world of wealth and privilege.
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The story begins as a social satire of rich and poor, as witty and sophisticated in its fashion as vintage Preston Sturges or Ernst Lubitsch. Remarkably, though, it gets funnier as it grows more serious, then savagely funny and finally…but we mustn’t get ahead of a movie that stays ahead of its audience every frame of the way.
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IndieWireMay 23, 2019
[A] furious and fiendishly well-crafted new film. ... Giddy one moment, unbearably tense the next, and always so entertaining and fine-tuned that you don’t even notice when it’s changing gears, “Parasite” takes all of the beats you expect to find in a Bong film and shrinks them down with clockwork precision.
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In a year when the coy social mores of upstairs and downstairs have been filtered once again through the aristocratic monocle of "Downton Abbey," it's a relief that there's a film this year that tackles the servant/master relationship with the straight-for-the-jugular malice of Parasite.
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In a masterful bit of cinematic sleight of hand, Bong, the writer and director behind 2013’s "Snowpiercer" and 2017’s "Okja," harnesses the precise anxieties everyone of us is currently sharing — top of that list, the growing income gap and the crumbling planet — and uses them to make every scene in this blackhearted comic thriller crackle with energy and purpose.
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Like much of Bong’s work, Parasite is cumbersomely plotted and heavy-handed in its social commentary. The largely naturalistic treatment here may also alienate some of his fantasy fanboy constituency. That said, this prickly contemporary drama still feels more coherent and tonally assured than Snowpiercer or Okja, and packs a timely punch that will resonate in our financially tough, politically polarized times.
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