Philadelphia

Name: Philadelphia
Genre: Drama
Released: December 23, 1993
Duration: 125 min
Rating: 66
Cast: Denzel Washington, Tom Hanks

1993

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Generally favorable reviews based on 21 Critic Reviews

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Generally favorable reviews based on 125 Ratings

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Philadelphia

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Movie Details & Credits

TriStar Pictures | Release Date: December 23, 1993 | PG-13

Starring: Denzel Washington, Tom Hanks

Summary: Hailed as a landmark film that dazzles with deep emotion and exceptional acting, Philidelphia is the story of two competing lawyers who join forces to sue a prestigious law firm for AIDS discrimination. And as their unlikely friendship develops, their courage overcomes the prejudice and corruption of their powerful adversaries.
(Sony Pictures)

Director: Jonathan Demme

Genre(s): Drama

Rating: PG-13

Runtime: 125 min

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Critic Reviews

Christopher Matthews

Jonathan Demme's long-awaited Philadelphia is so expertly acted, well-meaning and gutsy that you find yourself constantly pulling for it to be the definitive AIDS movie. [14 Jan 1994, p.13]

James Berardinelli

The story is timely and powerful, and the performances of Hanks and Washington assure that the characters will not immediately vanish into obscurity. Read full review

Todd McCarthy

On a scene-by-scene basis, in terms of performance and the grave issues under consideration, the film is quite absorbing. Read full review

Rita Kempley

It's less like a film by Demme than the best of Frank Capra. It is not just canny, corny and blatantly patriotic, but compassionate, compelling and emotionally devastating. Read full review

Marjorie Baumgarten

Still, Philadelphia is comprised of enough “little moments” that provide all the richness and grace we need to get us past the film's more inelegant moments. Primary here are the transcendent lead performances by Hanks and Washington, both of whom are, at all times, exciting to watch. Read full review

Staff (Not Credited)

Demme's filmmaking makes up in sincerity what it lacks in originality, and he gets a remarkable amount of emotional mileage from simple close-ups of expressive faces. [24 Dec 1993]

Desson Howe

Directed by Jonathan Demme, and starring Tom Hanks and Denzel Washington, this AIDS courtroom drama is so pumped full of nitrous oxide, you could get your teeth drilled on it. Read full review

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User Reviews

Rumblebeelove

Nov 6, 2011

This movie has raw emotion and stellar performances from all of the actors involved. The subject matter is carried firmly and pulls no punches with the sadness that AIDS brings into people's lives. See this for Tom Hanks' amazing transformation, but also for Denzel Washington who's characterThis movie has raw emotion and stellar performances from all of the actors involved. The subject matter is carried firmly and pulls no punches with the sadness that AIDS brings into people's lives. See this for Tom Hanks' amazing transformation, but also for Denzel Washington who's character has flaws and is perhaps the most realistic personification in the entire production.… Expand

2 of 2 users found this helpful20

Compi24

Nov 28, 2012

"Philadelphia" is the story of Andrew Beckett (Hanks), a promising young lawyer at an upscale law firm. When the homosexual Beckett suddenly contracts AIDS he is fired unfairly fired from his workplace. Beckett then seeks the help of a small time homophobic lawyer, Joe Miller (Washington),"Philadelphia" is the story of Andrew Beckett (Hanks), a promising young lawyer at an upscale law firm. When the homosexual Beckett suddenly contracts AIDS he is fired unfairly fired from his workplace. Beckett then seeks the help of a small time homophobic lawyer, Joe Miller (Washington), to establish a wrongful dismissal case. Now from initial premise and the fact that I had heard Tom Hanks earned a Best Actor Oscar for his performance, I was expecting a fairly memorable movie. And I got one. Tom Hanks delivers one of his best and most moving performances with his portrayal of Beckett. Probably one of the most dynamic roles I've ever seen Hanks take on. He starts out as such a vibrant young man, yet as the film progresses, Beckett's illness does as well. Consequently, the audience witnesses the decline of a seemingly healthy man to a man who's body has been ravaged by an incurable disease. It's really quite heartbreaking. Tom Hanks worked well for this Oscar. Along side Hanks is Washington, who also gives a fine performance as the conflicted lawyer Miller. Like Beckett, Miller goes through a significant change as well - only his soul changes, not his health. It's really quite interesting to see Washington and Hanks work together on screen, as I've never seen it happen in any other film. The film also features a very well written script and a very nice direction from Jonathon Demme. The ending of this film is really quite something, and. . .yeah, I'll say it - the conclusion of this film was really intense for me to watch. Pretty emotional stuff. Overall I felt that "Philadelphia" is a poignant tale that succeeds in addressing many issues that have often been neglected in our time. I felt that it was filled to the brim with fine performances and palpable pathos. It's a great movie that I won't soon forget. Awesome.… Expand

0 of 0 users found this helpful00

MovieGuys

Jun 18, 2014

Philadelphia is a smart, confident AIDS drama that is a very important movie in raising awareness of this horrible disease. Hanks provides a powerhouse performance, and Denzel is amazing as well. However, it's the nuances that make this film a bit off-target sometimes; the awkwardPhiladelphia is a smart, confident AIDS drama that is a very important movie in raising awareness of this horrible disease. Hanks provides a powerhouse performance, and Denzel is amazing as well. However, it's the nuances that make this film a bit off-target sometimes; the awkward transitions from some scenes to scenes are treated like an 80's sitcom would, the beginning of the movie doesn't clearly portray if Hanks' character knows he has AIDS or not, the musical score can be a bit jaunty at times when it should be serious, and even the opening credit typeface acts like this is going to be New Jack City, not a powerful, emotional AIDS drama. Despite these little kinks, this is one must-see film, even if it is just for Tom Hanks' visceral, electrifying, Oscar-winning performance.… Expand

2 of 2 users found this helpful20

DirigiblePulp

Apr 22, 2017

A very topical and important story driven home by two great lead performances, and some muddled court room scenes. The one truly affecting scene is when Andrew can't focus on court stuff with Joe so he starts singing opera instead and the camera is angled close to his face and the house isA very topical and important story driven home by two great lead performances, and some muddled court room scenes. The one truly affecting scene is when Andrew can't focus on court stuff with Joe so he starts singing opera instead and the camera is angled close to his face and the house is suddenly lit with fun house reds. Joe is speechless and rightfully so. It's a defiantly human moment.… Expand

0 of 0 users found this helpful00

amheretojudge

Mar 1, 2019

More Than A Courtroom Drama.

Philadelphia Demme is definitely armed with a sharp script but is unfortunately short on execution. With eerie camera work and enabling a cheesy environment in a professional work environment, this method is off putting and disenchanting the powerful words RonMore Than A Courtroom Drama.

Philadelphia

Demme is definitely armed with a sharp script but is unfortunately short on execution. With eerie camera work and enabling a cheesy environment in a professional work environment, this method is off putting and disenchanting the powerful words Ron Nyswaner; the writer, wrote. And this is how powerful his words are, for despite of having these many flaws, the film is one big powerhouse of drama. With monologues or speeches or even conversation drawn in for satire that are itself free from any whatsoever strings of the storyline.

Personally, among multiple such sequences, I connected the most when Andrew (Tom Hanks) gets lost on listening the Opera and describing the lyrics to Joe (Denzel Washington) with body language so flamboyant that you melt away in his performance. And this is film's major asset; the cast. With A list actors such as Hanks and Washington sharing the screen, there is an elevation in each scene as these two charge heavily on to others. Washington has a powerful three dimensional character to play, primarily because it struggles with his own issues along with a case that he is fighting which is about the very personal conflicts.

Hanks is on the softer side of the door, he is mostly incapable of taking charge with power. He is a pure magic while seducing you, with a slow speech and low voice, he is wiser than others and also humbler. The courtroom drama, as Washington says before the trial begins, is not your usual tear jerking melodrama but a long hard boxing match where you are not going to win by a knockout punch. Philadelphia is exactly as the title song states, advanced and also gullible on the acceptance logistics, either way, this cast lives up to the hype they come up with; style and excellence.… Expand

1 of 1 users found this helpful10

Spangle

Nov 19, 2016

After catching flack for his portrayal of transsexuals in The Silence of the Lambs (still my favorite film), director Jonathan Demme returned two years later with Philadelphia. An urgent and deeply important film about raising awareness to individuals suffering from AIDS and pulling back theAfter catching flack for his portrayal of transsexuals in The Silence of the Lambs (still my favorite film), director Jonathan Demme returned two years later with Philadelphia. An urgent and deeply important film about raising awareness to individuals suffering from AIDS and pulling back the stigma surrounding the illness, Philadelphia is an often powerful film for this very reason. Yet, make no mistake, this film is hardly a full-throated endorsement of gay rights by Demme. Rather, it is a step. It is a step towards acceptance of the lifestyle, as the film essentially argues that it is not unnatural to be gay, nor is it something to be looked down upon. Homosexuals are people like anybody else and deserve to be treated as such, even if you do not approve of their lifestyle. As of 2016, we have obviously come much further with gay rights, but for 1993, Philadelphia was practically a revelation. In spite of its previous timeliness, however, Philadelphia is a largely predictable and typical courtroom drama that rides on great acting to really accomplish anything whatsoever.

As with all courtroom dramas, Philadelphia's conclusion is clear from the beginning. If you do not know that Andrew Beckett (Tom Hanks) will win the case, then you have never seen a courtroom film before. As such, reaching the conclusion is inherently tedious when rarely (if ever?) has a courtroom film ended up by reversing the cliche. The protagonists win and the antagonists lose. End story. Thus, while the film spends a lot of time in the courtroom, this only hurts the end product. The drama is outside of the court, not inside of it and, often, Demme loses sight of this in the film. After a certain point, he just settles into showing us testimony and the prejudiced beliefs of those around him in the office and that was why he was fired. While it was a wrongful termination, the film scores no dramatic points for this.

Also hindering the film is the opening. Slow and meandering, the film really never hits its emotional stride until after Andrew meets with Joe Miller (Denzel Washington). In the opening, Hanks' acting is spotty at best and the film is largely just an introduction to his illness and his life as a whole. While these moments are effectively told, they are simply never that intriguing, as it is merely the foundation of the case which, again, is never that interesting.

However, once that meeting between Andrew and Joe does happen, Philadelphia hits its stride quite solidly. Here, we find Andrew - a gay man suffering from AIDS - opening up the worldview of his lawyer, Joe Miller. Deeply anti-gay and bigoted, Joe has a violent hatred for homosexuals and finds their lifestyle deeply disgusting. Once he meets Andrew, however, his world begins to change and he sees gays completely differently. In many ways, Joe is intended to mirror the audience in 1993 who, entering the film with extreme prejudice, wind up leaving with an understanding and compassion for gays worldwide. While they may not fully accept them yet, there is no longer that hatred, which is an important hurdle to cross. To be clear, Joe does not like gays or understand them by the end of the film, but he is more accepting of their lifestyle and no longer carries the weight of hatred he once held.

Denzel Washington brings Joe to life brilliantly, from the man filled with vile hatred to the man who learns compassion from his encounters with Andrew. Meanwhile, Hanks brilliant as Andrew Beckett. Though initially spotty, once the disease begins ravishing Andrew, Hanks really begins to shine. He compassionately brings to light the suffering experienced by AIDS patients and does a terrific job capturing this pain and torment. This is where Demme's film is so truly important, as it humanizes the suffering and does not make it appear other. It shows the suffering of AIDS patients to be no different than anybody else's suffering. They may be gay, but that is okay and it is not a reason for them to suffer, which was previously a belief held by many. The film does not spare us the gory details of the toll AIDS has on the body and, for this, it makes it far more intimate and hits close to home for everybody in the audience.

Philadelphia is a slight and cliche film about an important topic, which is really unfortunate. Though Denzel Washington and Tom Hanks are terrific in the film, Philadelphia never diverts from courtroom drama cliches enough to really breathe life into the film. Yet, what does breathe some life into the film is Demme's sensitive handling of a very timely and vitally crucial issue: the AIDS epidemic. Bringing to light the suffering of those with AIDS, Philadelphia manages to play an important role in raising awareness to the issue of gay rights in America.… Expand

0 of 0 users found this helpful00

Broyax

Mar 8, 2018

Un film à procès procédurier qui défend une "grande cause" et dénonce les injustices et discriminations comme on peut en voir de temps à autre dans le cinéma américain. C'est donc long, lent et avec pas mal de guimauve même si je trouve qu'ils auraient pu faire mieux en la matièreUn film à procès procédurier qui défend une "grande cause" et dénonce les injustices et discriminations comme on peut en voir de temps à autre dans le cinéma américain. C'est donc long, lent et avec pas mal de guimauve même si je trouve qu'ils auraient pu faire mieux en la matière (c'est-à-dire encore plus de guimauve, car on reste sur sa faim).

Evidemment, le film s'abîme rapidement dans la caricature à l'insu de son plein gré, puis c'est un défilé de clichés et de fausse dignité auxquels les acteurs participent plus qu'ils ne devraient, accentuant encore le côté superficiel de ces chevaliers servants de la justice sociale qui rétabliront l'ordre et les mentalités à coups de millions de dollars d'indemnités.

Pourtant, le dossier reste bancal et ambigü et le film se prend les pieds dans le tapis avec l'avocat nettement homophobe qui s'en va défendre l'homosexuel atteint du SIDA... malgré son homophobie sévèrement ancrée. Oui, on nous prend vraiment pour des jambons dans ce film et on ne s'en cache même pas.

Tom Hanks est comme de coutume excellent mais sombre dans la surenchère alors que Denzel Washington, peu convaincant comme à son habitude, est pris dans les contradictions de son personnage invraisemblable qui n'a pas même l'appât du gain et/ou de l'éclairage médiatique pour excuses.

Voilà donc un film moralisateur à la petite semaine, au mieux abrutissant et au pire tout simplement ridicule.… Expand

0 of 1 users found this helpful01

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