Postcards from the Edge

Name: Postcards from the Edge
Genre: Drama, Comedy
Released: September 12, 1990
Duration: 101 min
Rating: 71
Cast: Meryl Streep, Shirley MacLaine

1990

METASCORE

Generally favorable reviews based on 18 Critic Reviews

See All

USER SCORE

Generally favorable reviews based on 18 Ratings

See All

7.3

VOTE NOW

0 1 2 3 4 5 6 7 8 9 10

7.3	Your Score
7.3	User Score Generally favorable reviews based on 18 Ratings

Would you like to write a review?

There is a 75 character minimum for reviews. If your review contains spoilers, please check the Spoiler box. Please do not use ALL CAPS. There is no linking or other HTML allowed. Your review may be edited for content. 0/5000

Check box if your review contains spoilers

Play Sound

Please enter your birth date to watch this video:

You are not allowed to view this material at this time.

Postcards From The Edge

Now Playing: Postcards From The Edge

Movie Details & Credits

Columbia Pictures | Release Date: September 12, 1990 | R

Starring: Meryl Streep, Shirley MacLaine

Summary: Postcards from the Edge is a film about a very real mother-daughter relationship set against the backdrop of today's Hollywood. (Sony Pictures)

Director: Mike Nichols

Genre(s): Drama, Comedy

Rating: R

Runtime: 101 min

See All Details and Credits

Watch Now

Stream On

Buy on

Stream On

Expand

Metascore

Positive:

Mixed:

Negative:

Critic Reviews

Owen Gleiberman

There's a slightness to Postcards From the Edge, and a little too much satirical self-help jargon (the story is all about how Suzanne learns to like herself). But the movie captures — and celebrates — how easy it is to turn your problems into show biz. Read full review

Jonathan Rosenbaum

Among the pleasures to be found here are some amusing sidelong glances at how movies get made and the singing talent of Streep as well as MacLaine. There's not much depth here, but Nichols does a fine job with the surface effects, and the wisecracks keep coming. Read full review

Brad Laidman

Their drugs are Cigarettes, Television, and Hostess Cup Cakes. In the end, if I am ever reincarnated and I have my choice between hating my White Trash Mom or hating my movie star Mom. I'm picking the movie star Mom every time. Read full review

Staff (Not Credited)

Mike Nichols' film of Carrie Fisher's novel Postcards from the edge packs a fair amount of emotional wallop in its dark-hued comic take on a chemically dependent Hollywood mother and daughter (Shirley MacLaine and Meryl Streep). Read full review

Hal Hinson

The movie turns maudlin in the end, but still, nothing matters except the jokes. And Streep. She skates through the picture, unscathed by its lapses, glorying in her chance to strut her comic stuff. This alone is cause for celebration. Tragedy's loss is comedy's gain. Read full review

Mike Clark

Mike Nichols may never direct another ground-breaking movie, but even with bit performers he is still Mike Midas. Leads and lesser players alike have pointed things to say in this solid, not great, entertainment; if you think this is a movie for you - it probably is. [12 Sep 1990, p.1D]

Empire Ian Nathan

Fine performances in this highly entertaining biopic confirm Mike Nichol's status as the director Hollywood wants to work with. Read full review

SEE ALL 18 REVIEWS

Write a Review

Negative:

User Reviews

beingryanjude

Aug 25, 2014

A deep, often sad, look at the relationship of Mother and Daughter movie stars, disguised as a comedy. It works immensely and has us craving for more wit and grit from Streep and MacLaine.

0 of 0 users found this helpful00

reviewfrom19842

Jan 21, 2017

Postcards from the Edge is well acted and well written. It's a little forgettable but it's still a good movie .

0 of 0 users found this helpful00

Spangle

May 22, 2017

Adapted from Carrie Fisher's semi-autobiographical book of the same name, Postcards from the Edge finds director Mike Nichols in fine form. While not firing on all cylinders like his best works, the film's down-to-earth writing and acting allows the film to feel truly authentic in tellingAdapted from Carrie Fisher's semi-autobiographical book of the same name, Postcards from the Edge finds director Mike Nichols in fine form. While not firing on all cylinders like his best works, the film's down-to-earth writing and acting allows the film to feel truly authentic in telling its somewhat true story. Though Fisher claims that the characters of Suzanne Vale (Meryl Streep) and Doris Mann (Shirley MacLaine) are not her and her mother, the similarities are plentiful and either deliberately included to make us feel they are Fisher and Reynolds or Fisher was being less than honest in saying they are not them. While perhaps every scenario did not happen, obviously, the rooting of the characters are in her own experiences and this certainly adds to that aforementioned authenticity, but also allows the film to really find the comedy in every situation with great success.

Yet, no matter how authentic Postcards from the Edge may be to Fisher's experience, Nichols never seems to capture the heart and soul of Suzanne's strife. Compared to his magnum opus, The Graduate, the film lacks the understanding and feeling. Perhaps because I am a graduate so that film really speaks to me, but it has an intimacy. It makes you feel the protagonist's problems and Nichols' nifty staging and tight camera work only further instills this feeling. It is a masterpiece of cinematography, music, framing, staging, and overall direction. Yet, unfortunately, Postcards from the Edge has none of this. It is a film that is shot quite plainly and with limited style by comparison. The closest Nichols comes to this pizzazz is in the staircase sequence between Streep and MacLaine. Putting MacLaine at the top of the stairs with Streep yelling up to her about how she ruined her life, Nichols brilliantly stages the sequence to show the power structure here. Suzanne, at the bottom, looks up to her mother, but resents her all the same. She has put her on a pedestal and Doris has certainly found it comfortable with how she looms and hovers over Suzanne's life from the top of the stairs. Looking down upon her as she tries to climb the stairs to reach her heights, Doris hopes she will stay below her, but also wants her to join her at the top of the mountain. It is this conflicting and misguided anger that really tears these two apart, but also what brings them together.

Thus, it is a shame to see scenes like that be matched with others that are largely straight-forward. It shows the struggle of overcoming addiction. It shows overdosing and the pains of alcoholism. However, it lacks the feeling. It never makes it intimate and ever-present. It is just something that Suzanne remembers constantly and has to try to overcome. The film never makes it all feel real, no matter how authentically written and portrayed the film may be. Fisher's script captures the events, but Nichols' direction never captures the horror of dependency on pills and the struggle to loosen its grip on one's soul. Rather, it makes it all look like something that pops up every once in a while or is referenced by characters. It has all the beats, but lacks the connecting thread of emotion to make it all come together.

Fortunately, the film more than makes up for this with impeccable writing and comedic direction by Nichols. While he does not strike the right chord there, subtle jokes in the background of the movie sets or excellently witty dialogue written by Fisher give the film excellent punch and a constant sense of hilarity. Streep and MacLaine's performances are smart when comedic, but powerful when dramatic. The two are able to bridge the two together without cheapening either. This is not a dark film with some light moments or a light film with some dark moments due to their performances and the strength of the direction and writing. Rather, it is a film about life. Life can knock you down, but it can also make you laugh when you least expect it. Yet, there is a certain rhythmic beauty to its consistency. One month you are up. One you are down. Postcards from the Edge captures this ebb and flow beautifully and it is due to the harmony between the two extremes found by the directing, writing, and acting. All three balance this weight on its shoulders and allows the film to achieve that authenticity that it so badly needed.

While not the best film of Mike Nichols' career, Postcards from the Edge just serves as a great demonstration of Nichols' skill as a director. While he may not capture addiction terrifically, he captures life beautifully in the film and is able to bring Carrie Fisher's script to life in those moments. Smart, witty, and excellently acted, Postcards from the Edge is a film that will make you laugh and will make you cry. In the end, that is all that one can ask from a film and it delivers it consistently with emotions going from one extreme to the other within a single scene. What is more real than that?… Expand

0 of 0 users found this helpful00

JLuis_001

Oct 18, 2020

I liked it, that's undeniable but I was surprised by the lack of depth considering the theme.

0 of 0 users found this helpful00

smijatov

Dec 20, 2010

Postcards from the Edge is a rather fun comedy. With the excellent Meryl Streep and Shirley MacLaine, it is definitely a feel-good type of comedy. There is nothing overtly special about this film - it is a rather simple success--utter failure--pick yourself up--and success again, type ofPostcards from the Edge is a rather fun comedy. With the excellent Meryl Streep and Shirley MacLaine, it is definitely a feel-good type of comedy. There is nothing overtly special about this film - it is a rather simple success--utter failure--pick yourself up--and success again, type of story. However, the acting, especially by the two female leads (Streep and MacLaine), is just great, and they definitely are believable as celebrity mother and daughter. The storyline, as mentioned, is rather simple, but is underpinned by a deeper story of a cycle of vice that a family can go through and how it can lead to the deterioration of relations within the family, and possibly even lead to fatalities. Overall, this is a rather good film and definitely worth watching, but do not expect to be blown out of your shoes.… Expand

0 of 0 users found this helpful00

SEE ALL 5 REVIEWS