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- 1956
- Not Rated
- Lopert Pictures Corporation
- 2 h 41 m
- 1956
- Not Rated
- Lopert Pictures Corporation
- 2 h 41 m
Summary Shakespeare's powerful tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.
Directed By: Laurence Olivier
- 1956
- Not Rated
- Lopert Pictures Corporation
- 2 h 41 m
- 1956
- Not Rated
- Lopert Pictures Corporation
- 2 h 41 m
Richard III
88
User Score
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Where to Watch
Summary Shakespeare's powerful tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.
Directed By: Laurence Olivier
Where to Watch
Top Cast
Metascore
Universal Acclaim
Based on 11 Critic Reviews
88
91% Positive
10 Reviews
10 Reviews
9% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
Metascore
Universal Acclaim
Based on 11 Critic Reviews
88
91% Positive
10 Reviews
10 Reviews
9% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
As director and star, Olivier succeeds with the soliloquies as neither he nor anyone else ever did on film before; they're intimate, yet brazen.
Of all Olivier's Shakespearean films, Richard III is, to my way of thinking, the most satisfying, the most surprising and - it has to be said - the funniest. [24 Apr 1981, p.C6]
Olivier has made a superbly dramatic film, in which by variations of tempo, by superb acting on the part of the awe-inspiring cast, and by a wonderful knack of indicating the side-shows while maintaining the main theme of Richard's own drama, he has cheated the clock. His long film never, or hardly ever, seems long.
Olivier’s spidery Richard — shuttling around with a black pageboy haircut and sleeves dangling to his knees — revels in his eloquence yet remains deliciously wicked.
Laurence Olivier's classic rendition (1956) of Shakespeare's total villain contains one of his most engaging performances and reveals some of his best spatial manipulation of action.
Whether you take [Olivier's] central performance on its own terms (as a 'definitive' reading of the part) or as high camp, it's undoubtedly interesting as a phenomenon.
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