X
- 2023
- R
- Vertical Entertainment
- 1 h 42 m
- 2023
- R
- Vertical Entertainment
- 1 h 42 m
Summary A composer (Peter Dinklage) with an unfinished opera, a spiritually conflicted psychiatrist (Anne Hathaway), a free-spirited tugboat captain (Marisa Tomei) collide on an unpredictable voyage into uncharted waters.
Directed By: Rebecca Miller
Written By: Rebecca Miller
- 2023
- R
- Vertical Entertainment
- 1 h 42 m
- 2023
- R
- Vertical Entertainment
- 1 h 42 m
She Came to Me
53
6.6
Where to Watch
Summary A composer (Peter Dinklage) with an unfinished opera, a spiritually conflicted psychiatrist (Anne Hathaway), a free-spirited tugboat captain (Marisa Tomei) collide on an unpredictable voyage into uncharted waters.
Directed By: Rebecca Miller
Written By: Rebecca Miller
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 20 Critic Reviews
53
40% Positive
8 Reviews
8 Reviews
40% Mixed
8 Reviews
8 Reviews
20% Negative
4 Reviews
4 Reviews
Metascore
Mixed or Average
Based on 20 Critic Reviews
53
40% Positive
8 Reviews
8 Reviews
40% Mixed
8 Reviews
8 Reviews
20% Negative
4 Reviews
4 Reviews
She Came to Me is beautifully performed and directed with great charm, unexpected wisdom, and sweetness.
We’re invited to laugh at what we’re seeing, yet Miller works in such a heartfelt and unassuming way that we’re never standing outside the quirks.
User Score
Generally Favorable
Based on 13 User Ratings
6.6
62% Positive
8 Ratings
8 Ratings
31% Mixed
4 Ratings
4 Ratings
8% Negative
1 Rating
1 Rating
User Score
Generally Favorable
Based on 13 User Ratings
6.6
62% Positive
8 Ratings
8 Ratings
31% Mixed
4 Ratings
4 Ratings
8% Negative
1 Rating
1 Rating
As an avid movie-goer, I was apprehensive when I read about Carrell and Amy Schumer and Nicole Kidman backing out. But what a joy! I was not familiar with Rebecca Millers work, but plan on looking into her other films now. What a Joy of a movie. Hilarious actually. Making fun of psychology, Psychiatry *and oh yes "art") is a slippery slope. And oh, what the heck, mix stalking and statutory **** into the mix. This bizarre premise is likely what ticked off the professional critics so much. And it does "Read" just awful. But as the movie cleverly makes fun of theatre, psychiatry and even parent hood, I found myself laughing hysterically. Dinklage used his well-known ability to emote with just his expressions and combined it with a sometimes furtive, sometimes caring, sometimes angst-ridden "asrtiste!" persona and had us hooting. Forget what the critics say. Go all in on this one. "Let" yourself enjoy it.
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The combination of a first-rate cast, a rippling, frequently witty score and a highly-strung, madcap plot — which itself wouldn’t be out of place in a comic opera — makes for a quirky, offbeat spin on the relationship drama.
She Came to Me lacks the palpable chemistry of a rom-com and the sobering relatability of a Nicole Holofcener dramedy, but it does find moments of inspiration thanks to its A-lister cast.
This is dicey material for a screwball comedy, even one with dark undertones, and despite the best efforts of the ensemble, She Came to Me drifts further and further away from anything approaching reality or relatability. Nearly every major character in this film is exhausting to be around and/or thinly drawn.
The fatal flaw of the film is that it genuinely believes in the discreet charm of the bourgeoisie.
I snorted with genuine laughter, hard, at this film’s closing notion of what being a comedy even is.
I thought it was hilarious in some parts, and the acting was excellent. Quite good overall. It’s a tough movie to classify.
I found the ending satisfying and a bit emotional. Though, I could see myself not liking it as much if I was in a different mood. Someone in my theatre clapped at the end.
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Peter Dinklage plays an opera composer with writers block until he meets a tugboat captain (Marisa Tomei). Meanwhile, his relationship with his clean-obsessed psychiatrist wife (Anne Hathaway) is troubled. Writer/director Rebecca Miller has created an appealing story with interesting characters and engaging situations. The fine performance add to the quality. This type of simple but smart filmmaking isn't common these days, which makes this movie a delightful little charmer.
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NI LOS PLACERES DE LA VIDA REGALAN FELICIDAD HOY EN DÍA
En la última década y este acercamiento al siguiente lustro, cada vez más experimentamos y le damos mucha atención a la salud mental. Me parece estupendo, otras veces reflexiono sobre quién le da importancia a este problemático y manipulado, en varias ocasiones, estado mental. Nacen, últimamente, ciertas generaciones, a la que unas de ellas pertenezco, que decepcionan a las anteriores y plasman en la vida cotidiana ciertos valores imperdonables. Y generaciones cada vez más vagas, y de paladar seco en los placeres de la vida son las que nacen en estos días, que también se centran en su salud (depende de qué grupo social), algo que estoy totalmente de acuerdo, ya que yo lo experimento día tras día y me hace sostenerme fuertemente para intentar comprenderlo.Y Llegó a mí, trata este problema. Pero reflejada en una mirada más experimentada, en una personalidad adulta. En la piel de Steven, protagonizado por Peter Dinklage, plasmado en un personaje reiterado, pero siempre interesante de conocer, de una manera más graciosa por sus momentos de reacción ante ciertas situaciones, que parecen darle miedo. Con Anne Hathaway como Patricia, una psicóloga de personalidad matrimonial seca y muy religiosa, junto a Marisa Tomei, desde las sombras, de personalidad excéntrica y mucha tasalomanía, Katrina.Todo ocurre alrededor de Steve, que lleva varios años sin aparecer en el mundo de la Ópera, por un bloqueo como escritor. Patricia, por fin, le obliga a tomar el aire en un paseo y reflexionar, pero de repente todo se vuelve agobiante y a la vez pasional después de una noche ocurrente.Nada me resulta abrumador en la melancólica y a la vez agitada película de Miller. Sin embargo, apartando secuencias interesantes y originales, todo lo demás ha sido muy experimentado con otros títulos. Pero no me disgusta, nos volvemos a adentrar en la conciencia del tema tratado aquí. No obstante, el avance de la película me suena débil, noto poco peso en una historia que iba a ser triangular, pero repentinamente ocurre la típica polémica parental del novio de la hija, todo lo relacionado con esta pareja adolescente me resulta prescindible y por muy interesante que me resulte este litigio que, hoy en día sigue ocurriendo (y que casi he experimentado) me apaga totalmente las fibras que me resultaban conmovedoras gracias a Dinklage y Steve. Su guion pretende ser intelectual pero se va por las ramas y necesita las características que plasma Woody Allen en sus personajes parecidos aquí a Steve. También deja huecos sin rellenar, y depende de qué película no me suele angustiar sino más bien enternecer. Aunque en este caso mi corazón y cerebro no son compatibles para saber si realmente Llegó a mí es de esas que hay alabar o simplemente verla una **** aburrida de domingo.-RICHIE VALERO
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I hate to to use the term "artsy-fartsy," but She Came to Me is the kind of indie film that displays excessive self-consciousness about its artistic aspirations and seeks to give the impression that its plot is more "intellectual" than it really is, wandering aimlessly without being able to find not only what it wants to say but where it wants to **** trio of lead actors comprising Peter Dinklage, Marisa Tomei and Anne Hathaway manage to keep this from falling apart and it is they who will get the audience's attention to want to see it, although there is little common ground in both the dramatic and humorous aspects of this story to make it stand out in any way.
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