Searchlight Pictures | Release Date: July 2, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
38
Mixed:
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Negative:
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Critic Reviews
It’s not just a blast to watch — and it truly is a blast. It’s another tiny step in reclaiming the full history of America, expanding the context of our present not just for people who remember the past, but people who never knew about it in the first place. We’re fools if we don’t think burying the era-changing import of events like these is as much a part of American history as the events themselves — and movies like Summer of Soul fight back bringing the past vibrantly to life.
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Throughout the film, Questlove deconstructs the sterility of a typical talking heads documentary. The inclusion of interviews isn’t to incorporate some sense of detached expertise. When faces do remain in focus, it’s to highlight the width of their grins, the tears in their eyes, their open mouths while watching the footage, their shock that someone else finally remembers.
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And though the performances are riveting — standouts include Mahalia Jackson and Mavis Staples belting out Take My Hand, Precious Lord and the Edwin Hawkins Singers’ O Happy Day — it’s the shots of the all-ages crowd that makes this film come alive, with the vibrant fashions, the incredible faces, the excitement, the boredom and the humanity of it all packed into every frame.
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On one hand, this is just cinema. On the other, there’s something about the way that the editing keeps time with the music, the way the talking is enhancing what’s onstage rather than upstaging it. In many of these passages, facts, gyration, jive and comedy are cut across one another yet in equilibrium. So, yeah: cinema, obviously. But also something that feels rarer: syncopation.
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Of course, you could just watch this for the performances and it would still be one of the best movies of the year. But why sell yourself short? Watch it for everything that it is, a kind of miraculously unearthed treasure trove of music and politics and culture and soul. So much soul.
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The PlaylistJan 30, 2021
The genuinely revelatory combined effect of the interviews, concert footage, and pure elation aside, there remains an undercurrent of bristling frustration bubbling beneath the film’s surface. 52 years? That’s how long “Summer of Soul” sat unseen, hidden from the public? If work this important can be squirreled away from view for this long, and if we let our imaginations run wild, then who knows how many other stories lie buried in anonymity, or where.
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IndieWireJul 6, 2021
Questlove and editor Joshua L. Pearson lace together footage of stage performances with history lessons (Motown, gospel music, the evolution of Black style, the concept of a common struggle among Black people worldwide), tying it all together with endearing recollections of the single day in 1969 by those who were there. The result fans the flames of Black consciousness.
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Where Summer Of Soul really distinguishes itself is in Thompson’s inspired filmmaking. Making his directorial debut, the Roots drummer and frontman approaches this condensed narrative with a musician’s sense of timing, expertly assembling rhythmic montages with editor Joshua Pearson that transcend flashy music-video devices to relay a sense of conversation, of voices reaching across the decades to be heard.
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You may know Thompson as a member of the Roots and as the musical director for “The Tonight Show Starring Jimmy Fallon.” If you’ve read his book, “Mo’ Meta Blues: The World According to Questlove,” you’re aware that he’s also inquisitive and a first-rate music geek, making him the perfect person to crate-dig through the musical and cultural history documented in this film. His respect and enthusiasm for the material jumps off the screen.
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Thank the cinematic and music gods it was never destroyed or lost, as Summer of Soul is an absolute found treasure of golden onstage moments, interspersed with interviews from participants such as Gladys Knight as well as attendees and cultural commentators, along with celebrity artists such as Chris Rock and Lin-Manuel Miranda.
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Movie NationJun 17, 2021
The interviews are their own historical document, though it's the visceral thrill of being inside all those archival clips — the flick of Simone's wrist, an ecstatic face in the crowd — that makes Summer of Soul comes most fully alive, somehow both as fresh as yesterday and as far away as the moon.
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As a filmmaker, Questlove utilizes his celebrity connections more than he does original directorial vision, trading instead in long-established, standard documentary structure and form. Summer of Soul is polished, but it pales in stark comparison to the raw footage and energy of the Harlem Cultural Festival.
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