Superman

Manages to capture the pure heart and spirit of this comic book Americana. Read full review

Boasts a smart screenplay by Robert Benton and David and Leslie Newman, striking cinematography by Geoffrey Unsworth (especially in the Smallville sequence), bright comic turns by Margot Kidder and Gene Hackman, and of course, that winning performance by Christopher Reeve in the title role. Believe a man can fly? You bet! Read full review

Superman is a pure delight, a wondrous combination of all the old-fashioned things we never really get tired of: adventure and romance, heroes and villains, earthshaking special effects, and -- you know what else? Wit. Read full review

If not the best superhero movie ever, it's definitely in the top 3. Reeve will forever be Superman to most of us.

Estimates of the movie's costs range between $35-and $70-million; whatever the price, it was not too much to pay. As gods go, Superman is one of the godliest; his movie is one of the best. Read full review

Magnify James Bond's extraordinary physical powers while curbing his sex drive and you have the essence of Superman, a wonderful, chuckling, preposterously exciting fantasy. Read full review

A movie that is pure escape and good, clean, unadulterated fun. Read full review

There's no doubt that it's a flawed movie, but it's one of the most wonderfully entertaining flawed movies made. Read full review

Effective both as Superman and as the bumbling Clark Kent, Christopher Reeve still seems ideal for the part, if for no other reason than his ability to summon up a convincing sense of intensity when charged with saving the world. Read full review

Despite a lull here and a lapse there, this superproduction turns out to be prodigiously inventive and enjoyable, doubly blessed by sophisticated illusionists behind the cameras and a brilliant new stellar personality in front of the cameras -- Christopher Reeve. Read full review

it's the simple, earth-bound quality of the film that makes this comic-book fantasy soar. Read full review

Superman turns out to be a surprisingly infectious entertainment, nicely balanced between warmth and wit, intimacy and impressive special effects, comic-strip fantasy and several elements that make the movie eminently eligible for Deep Thinking about rescue fantasies, cherubic messiahs and other pieces of popcorn metaphysics. [1 Jan 1979, p.46]

Superman is a bastion of blockbuster innocence, a movie that’s a studio product, certainly, but also something that could have grown from one of Smallville’s sun-kissed cornfields. Read full review

The film is best when it takes itself seriously, worst when it takes the easy way out into giggly camp--as it does, finally and fatally, when Lex Luthor enters the action; Gene Hackman plays the arch-villain like a hairdresser left over from a TV skit. Read full review

Superman is good, clean, simple-minded fun, though it's a movie whose limited appeal is built in. Read full review

A highly entertaining, though undemanding mixture, of sci-fi, romance and comedy, which could hardly have come off at all at any lower artistic level, nor without such a happy choice for the central part as Christopher Reeve. Read full review

The film allows naiveté and knowingness to coexist. Only when it goes all out for cold Batmanesque villainy in the second half does it narrow its focus and lose its way. Read full review

The film burdens itself with too many story lines and an overlong (though beautifully photographed) prologue, but things really get moving when Reeve takes the screen. Read full review

Superman doesn’t have enough conviction or courage to be solidly square and dumb; it keeps pushing smarmy big emotions at us—but half-heartedly. It has a sour, scared undertone. Read full review