Twentieth Century Fox Film Corporation | Release Date: January 9, 2015
4.7
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Mixed or average reviews based on 334 Ratings
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Positive:
89
Mixed:
129
Negative:
116
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2
EludiumQ36Apr 30, 2016
Pathetic second sequel, and hopefully the final one. Appears to have been made on the basis of a single discussion with no care for production values or plausibility. Yes, this was phoned in. And worst of all, was that this comes off as aPathetic second sequel, and hopefully the final one. Appears to have been made on the basis of a single discussion with no care for production values or plausibility. Yes, this was phoned in. And worst of all, was that this comes off as a daddy-daughter tale, so yeh, they totally flipped off their main demographic. Thank gawd this was free on an HBO preview weekend. Expand
1 of 1 users found this helpful10
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3
DartboardMar 11, 2015
This movie might have been remotely enjoyable if there weren't a ridiculous amount of cuts per second. The script is implausible, the editing is amateurish, and the directing leaves no style or flair. Neeson and Whitaker maintain solid screenThis movie might have been remotely enjoyable if there weren't a ridiculous amount of cuts per second. The script is implausible, the editing is amateurish, and the directing leaves no style or flair. Neeson and Whitaker maintain solid screen presences, but that can only go so far. Do not recommend. Expand
1 of 1 users found this helpful10
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2
davidhorakApr 22, 2015
Waste of time, broken vision of old concept. Anyway they shouldn't done the second movie too. Liam Neeson is very charismatic actor and has many good qualities but gosh, he's old for jumping, running and fighting as youngster. The vision ofWaste of time, broken vision of old concept. Anyway they shouldn't done the second movie too. Liam Neeson is very charismatic actor and has many good qualities but gosh, he's old for jumping, running and fighting as youngster. The vision of an old guy with belly who's doing those amazing stuff seems to be comic more than stylish. And dead bodies without holes and blood after they had been shot, is ridiculously funny. Expand
1 of 1 users found this helpful10
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2
IGardenMay 13, 2015
Let us make no effort on being original, let us take snippets of overplayed and once successful cliche's, let us create a dialogue that a 5 year old would find insulting in how it contradicts reality, let us direct the actors with such littleLet us make no effort on being original, let us take snippets of overplayed and once successful cliche's, let us create a dialogue that a 5 year old would find insulting in how it contradicts reality, let us direct the actors with such little attention that the actors themselves seem to be mocking their own performance, and let us collect some money from this....hopefully. An awful film. Expand
1 of 1 users found this helpful10
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3
FilmClubMar 27, 2016
Running out of kidnapped relatives for Liam Neeson’s ex-CIA killing machine to rescue, scribes Luc Besson and Robert Mark Kamen turn him into a fugitive framed for murder in “Taken 3,” a mind-numbing, crash-bang misfire that abandons chicRunning out of kidnapped relatives for Liam Neeson’s ex-CIA killing machine to rescue, scribes Luc Besson and Robert Mark Kamen turn him into a fugitive framed for murder in “Taken 3,” a mind-numbing, crash-bang misfire that abandons chic European capitals for the character’s own backyard.

In “Taken” (2008), helmed by Pierre Morel, Neeson’s Los Angeles-based Bryan Mills went after Albanian slave traders who kidnapped his 17-year-old daughter in Paris. Made as a low-budget B-movie that sent up U.S. politics and values even as it emulated American genre films, it grossed $227 million worldwide. The sequel, made four years later, reversed the pattern by having the Albanians’ vengeful relatives kidnap Mills and his ex-wife, Lenore (Famke Janssen). Despite the more elaborate action setpieces and heightened casualties, the premise remained just as basic and clear: The shocking way in which the hostages are taken, and the methodical manner in which the retired CIA agent tracked them, generated tremendous excitement.

Without someone to save, the concept of a race against time is seriously weakened. While family matters were kept short and sweet in the other two installments, “Taken 3” stretches out the kitchen-sink drama endlessly: Mills’ daughter, Kim (Maggie Grace), who was 17 when she was first kidnapped, is now a college student facing serious adult problems. Her dad, however, still believes that, after having hurled a few hand grenades and driven a stolen car through a shower of bullets, she’d still be content to play with a stuffed panda on her birthday.

Equally troubled is Lenore, who seeks consolation as her marriage to filthy-rich Stuart (Dougray Scott) is on the rocks. The possibility of Lenore and Mills rekindling their relationship is put on hold, however, when he’s forced to go on the run for a crime he didn’t commit. As he said to Lenore in the previous film: “I’ll be OK. It’s the people following me who’re gonna have a problem.”

Given that Mills walked away Scot-free from double-figure body counts in Europe, watching him evade arrest by Inspector Frank Dotzler (Forest Whitaker) doesn’t yield much in terms of suspense or surprises. Mills describes Dotzler as “very clever,” though the latter’s theory that anyone who buys warm bagels can’t be a cold-blooded killer ranks among the more illogical police deductions in recent memory. Elsewhere, detecting and blocking each other’s tracking devices is pretty much the extent of their mental sparring.

One of the series’ talking points has been its extremely negative portrayal of Albanians; “Taken 2” closed on a note suggesting the the blood feud would live on, and it would have made sense here for it to continue here, or for Mills to finally set foot in the hermit country. Alas, those characters have been ditched in favor of Russian mafiosos, who come across as pale imitations of the tattooed fiends in David Cronenberg’s “Eastern Promises.”

What has made the “Taken” franchise such a guilty pleasure so far is its take-no-prisoners stance toward bad guys and its no-holds-barred brutality, especially coming from Neeson, an actor who radiates gravitas and nobility no matter what. Although less graphic in its representation of violence than its predecessors, “Taken 3” retains a gutsy realism in scenes where Mills matter-of-factly cracks bones and splatters brains, and the shoot-’em-ups, car wrecks and explosions are noisier and more bombastic than ever. They’re also unimaginatively choreographed, with zero forward momentum. Even as the scale of each production has increased, the scope of the action has diminished: Compared with scattering hand grenades all over Istanbul, it’s mere child’s play for Mills to blow up a classroom at Kim’s college.

Without a doubt, the first “Taken” movie gave Neeson, then in his 50s, a new lease on life as an action hero. Now 62, the actor still has an imposing presence, but more often than not, he looks pretty beat and impatient to get things over with. Kim has evolved from an exasperatingly clueless brat to a feisty rescuer over two films, but there isn’t any real progression in character development or in Grace’s performance here.

Stuart, a slimy wimp as played by Xander Berkeley in the first “Taken,” served as a neat foil for our straight-talking, straight-shooting hero. Replaced here by Scott, he behaves like a badass dude who is supposed to be Mills’ equal in gun-toting prowess; it’s a wholly unconvincing transformation. As Russian mafioso Malankov, Sam Spruell behaves like a cardboard James Bond villain, showing some vicious individuality only in the action scenes.
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1 of 1 users found this helpful10
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1
moviexpertsJan 14, 2015
Taken 3 is sucks,Liam neeson is more DIE HARD than Bruce willis in the movie . Taken 2 is far more better than Taken 3
The worst sequels ever.Some scenes is definitely make no sense
4 of 5 users found this helpful41
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0
imthenoobApr 2, 2015
Absolute garbage. A majority of the film being focused on Maggie and not Liam. Not much in terms of action either for a majority of the film either. They tried far too hard to make it into a some-what serious drama/action and the terribleAbsolute garbage. A majority of the film being focused on Maggie and not Liam. Not much in terms of action either for a majority of the film either. They tried far too hard to make it into a some-what serious drama/action and the terrible plot/dialogue simply didn't work. What a terrible way to end a series, Should have just left it with the first one. Expand
2 of 3 users found this helpful21
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0
leaveitJan 22, 2015
The first movie was Commando, starring Arnold Schwarzenegger, but with the guy that died in Star Wars and Batman instead of Arnold Schwarzenegger. This is the third movie in that series. What do you expect? I've seen better written copy pasta.
2 of 3 users found this helpful21
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0
DontBeSaltyJan 22, 2015
Taken 1 was at best a cliche revenge movie, but it was fast and punchy and it was simple, it was something new and when it came on at 8pm on Channel Ten ya mum watched it and made it most of the way through before she fell asleep. Taken 2Taken 1 was at best a cliche revenge movie, but it was fast and punchy and it was simple, it was something new and when it came on at 8pm on Channel Ten ya mum watched it and made it most of the way through before she fell asleep. Taken 2 came out shortly after and sprayed diarrhea so hard even the simple people didnt enjoy it, Taken 2 was such a shameless cash grab it's astounding that retards paid money again, this time to see Tak3n. So people never learn and this movie took the top spot at the box office perpetuating the cycle of cheap **** movies, and more specifically **** rehashes which take up over 90% of recent releases (no actually, this is a real statistic) to make money off idiots.

This movie is bad in the same way the Star Wars Christmas Special is bad, no-one wanted to see it, no-one wanted to make it, no-one gave a ****
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3 of 5 users found this helpful32
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1
ThegodfathersonJan 10, 2015
Taken 3 is a mess. A mess that could have been a solid sequel to the trilogy. After Taken 2, I lost all hope of the Taken sequels being any good, becuase Taken 2 was a mess as well. Taken 3 applies the same formula that made the first TakenTaken 3 is a mess. A mess that could have been a solid sequel to the trilogy. After Taken 2, I lost all hope of the Taken sequels being any good, becuase Taken 2 was a mess as well. Taken 3 applies the same formula that made the first Taken so good, and cuts, copies and pastes the same acting and writing skills used. By this time, the formula has already been worn out, but the makers DONT care about it, they just want the money. And yes, they succeed, becuase all shows were sold out. When everyone watched the movie, 79 percent of them were sleeping and the other percent of the people were talking about Liam Neeson stopping acting altogether. And I have to agree with them because, the story was boring. Not a moment, did Taken 3 fully realize it's potential and kick ass. Even the action scenes lack a sense of joy that should have made this atleast enjoyable. Well, Forest Whitaker gives a solid performance as a by the book cop, and Famke Jessen- well, you'll have to see to find out. Or, just don't see it altogether, some taut moments aside, this franchise has gotten it's rotten apple of the bunch. Expand
5 of 9 users found this helpful54
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2
GangialfJan 19, 2015
This movie could be easily improved destroying every single copy on the market.
The action scenes (3/4 of the movie) are shoot in such a weird way that it is literally impossible to follow.
To see Liam Neeson running is a pain: let's face
This movie could be easily improved destroying every single copy on the market.
The action scenes (3/4 of the movie) are shoot in such a weird way that it is literally impossible to follow.
To see Liam Neeson running is a pain: let's face the truth, he is getting older like everybody else.
The plot is meaningless and split.
I would like to find the director and "use a certain set of skills" on him.
I won't mark it as a 0, because it is the last movie, hopefully, and they won't make more damages to the history of cinema.
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2 of 4 users found this helpful22
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0
uguranFeb 5, 2015
This review contains spoilers, click expand to view. worst movie i ever see it, taken 1 awesome movie, taken 2 its okay, but to much cgi und story awful, und taken 3`???????????????????????????? its looks like rambo mode, whats wrong with this movie. please no look this trash here. Expand
2 of 4 users found this helpful22
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3
NerdConsultantJan 10, 2015
With terrible action sequences and poor story Taken 3 is a mess that is somehow worse than Taken 2 It’s decently acted and the story has some bright ideas when it’s not ripping off the fugitive, it just never fully executes them. I thinkWith terrible action sequences and poor story Taken 3 is a mess that is somehow worse than Taken 2 It’s decently acted and the story has some bright ideas when it’s not ripping off the fugitive, it just never fully executes them. I think this film could have been a lot worse than it was, but with the product that we have now, it’s not one that I would really recommend, except to huge Taken fans. The tag line of Taken 3 is “it ends here”, well thank god it ends here because it is very clear from Taken 2 and Taken 3, that this film should never have been a franchise. This whole thing kind of feels like a studio mandate, because the studio were insisting that this had to be a trilogy. I wouldn’t be surprised if I found that out. But as it stands Taken 3 is a pretty disappointing start to 2015 for me. It may have more of an identity than it predecessor, but it’s worse than its predecessor purely on the fact its action sequences are a lot worse and it’s plot has a lot more contrivances that it is very difficult to get past. I really wanted Taken 3 to bring the franchise back, but as it stands, it doesn’t work. This is a film I would recommend only renting when it comes out on DVD. If you must see it in cinemas, don’t bother with IMAX, it’s a waste of £4.00. Expand
4 of 10 users found this helpful46
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0
SmeeFeb 1, 2015
Script-1/10
Editing -1/10
Acting-4/10
CGI-1/10
Directing-2/10
Plot twists-None

Worth to watch in Cinema -NO
Worth to buy Blueray -No

overall ratings-1/10
2 of 5 users found this helpful23
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3
diogomendesJan 24, 2015
This review contains spoilers, click expand to view. Redundancy is strong in "Taken 3", an unneeded sequel of the unneeded sequel that while contains a few moments performed by Liam Neeson and Forest Whitaker worth watching, its plot is banal and the action sequences are too frenetically edited to provoke excitement. Some people say that it's better than the second film. Well, that's no large feat. The previous movie sucked, and this one is not an exception.

Liam Neeson returns as ex-covert operative Bryan Mills, whose long awaited reconciliation with his ex-wife is tragically cut short when she is brutally murdered. Consumed with rage, and framed for the crime, he goes on the run to evade the relentless pursuit of the CIA, FBI and the police. For one last time, Mills must use his "particular set of skills," to track down the real killers, exact his unique brand of justice, and protect the only thing that matters to him now - his daughter.

Now, the movie opens with some armed guys who work for this veteran operative named Oleg Malankov, basically a generic antagonist whose plan is absurd. After Lenore's husband kills her, Bryan Mills does what he is best at: Goes after them, while also escaping from the cops. The action, just like in the second movie, sucks. Shaky cameras, quick zoom-in and cuts... it's bad and hurt my eyes just by seeing them. Olivier Megaton clearly doesn't understand what made the original Taken a hit. As for the actors, they're fine. Can't say they did "an extraordinary" job, but they were okay. Liam Neeson's presence prevents myself from giving a much lower score than this and I like Forest's performance. In fact, I love him as an actor.

One thing I don't understand is that the police thinks Bryan murdered his ex-wife Lenore, but they don't know he risked his whole life to save her in the previous film (not to mention, he f*cking killed hundreds of people and travelled far to save his daughter in the first film). And suddenly, Stuart is part of some illegal business with a dangerous veteran... whatever.

"Taken 3" reminds me of "The Next Karate Kid" and "A Good Day to Die Hard", it shouldn't have been made. It shouldn't have been a franchise. It's an obvious cash grab that offers little to the movies aficionado. If you're going to make a movie that serves only to generate cash, at least do it right. Stop wasting audience's time, for God's sake.

Final Score to Tak3n (God the title is so dumb): 3/10. It was a little enjoyable, but it's diminished by its moronic script, terrible direction and bad action scenes, even if Liam Neeson and the rest of the cast gave everything to make this movie right.

(Hey, at least the movie wasn't Transformers: Age of Extinction).
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1 of 3 users found this helpful12
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1
duncan1964Jan 23, 2015
Although still called Taken, this is really false advertising as no one actually gets 'taken' this time. Instead what we have is a remake of The Fugitive, well what we really have is a really, really, REALLY bad remake of the Fugitive.Although still called Taken, this is really false advertising as no one actually gets 'taken' this time. Instead what we have is a remake of The Fugitive, well what we really have is a really, really, REALLY bad remake of the Fugitive. Accused of killing his wife, Leeson goes on the run, presumably to his nearest bank to cash his pay cheque, closely followed by Forrest Whittaker. Shameful, lazy filmmaking that treats the audience with the utmost contempt Expand
0 of 1 users found this helpful01
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0
FranzHcriticAug 3, 2015
The first film had used up all its puff and zang, and there was little there to begin with. This is more convoluted, more incomprehensible. The action scenes are, in all honesty, boring and lacking any suspense the first film managed toThe first film had used up all its puff and zang, and there was little there to begin with. This is more convoluted, more incomprehensible. The action scenes are, in all honesty, boring and lacking any suspense the first film managed to (barely) generate. I'm thankful that this will be the last of the 'Taken' films. Expand
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1
LowbrowCinemaApr 22, 2015
TAKEN 3 is not even a movie. I love the first TAKEN. Really love it. This flick is totally incomprehensible. Did no one making this film realize that it is Neeson and his interactions that make his films work? Instead he's like theTAKEN 3 is not even a movie. I love the first TAKEN. Really love it. This flick is totally incomprehensible. Did no one making this film realize that it is Neeson and his interactions that make his films work? Instead he's like the terminator. Action, action, action, but nothing you ain't seen before and done much better. Expand
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2
moviemayhemApr 28, 2015
The neatest thing about Taken, the French-made chase flick that launched the action-star phase of Liam Neeson’s career, is the way it bundles together a whole lot of parental and urban fears, then sublimates them into pummeling action. It’s aThe neatest thing about Taken, the French-made chase flick that launched the action-star phase of Liam Neeson’s career, is the way it bundles together a whole lot of parental and urban fears, then sublimates them into pummeling action. It’s a movie of relentless and reckless momentum, premised on a middle-age paranoid kook’s worst case scenario.

Taken 2 tried to one-up the original’s “kidnapped abroad” setup, but ended up producing something that only felt louder, uglier, and a lot less fun. Kudos to Taken 3, then, for at least trying something new. Instead of rescuing a family member from Albanian mobsters in yet another world capital, Bryan Mills—the throat-punching, elbow-chopping ex-CIA operative most people think of as simply “Liam Neeson”—finds himself framed for murder in L.A. It’s a conventional riff on The Fugitive, complete with Forest Whitaker in the Tommy Lee Jones role, but at least it’s tapping into a set of fears and fantasies—about divorce and being replaced by a step-parent—that are distinct from those of the original.

What makes Mills compelling—aside from Neeson’s performance, naturally—is the fact that his cartoonish over-preparedness and ability to escape from any situation are rooted in anxiety. He’s the perfect father for a kid who’s been kidnapped by armed thugs, but over-protective and awkward otherwise—a fact that Taken 3 underscores when Mills, who can effortlessly elude the best and brightest of the LAPD, slumps over after learning that his now grown-up daughter Kim (Maggie Grace) is pregnant. He’s an invulnerable action hero for the same reasons why he’s a difficult parent and partner.

So what, exactly, is wrong with Taken 3? A lot of things, most of which can be attributed to the fact that director Olivier Megaton—who also helmed Taken 2—couldn’t mount an action scene if his life depended on it. Pierre Morel, the cinematographer-turned-director behind the original Taken and the parkour flick District B13, at least had the good sense to move the camera with Neeson, playing off of his size and heft to create momentum. Making good on his name, Megaton takes the quantity-over-quality approach, executing a flurry of cuts across as many sloppy angles as possible, producing a gurgling brownish soup of photochemical textures and handheld jitters. This is the sort of movie where it takes a half-dozen shots for a man to jump over a fence. It’s busy, but lacks any sense of movement, and is too visually monotonous to work on an abstract level.

Because Mills’ hyper-competence never seems exciting, it instead becomes giggle-inducing. While, at this point, co-writers Luc Besson and Robert Mark Kamen are clearly milking the character’s tendency to speak in super-serious declaratives for intentional laughs (how else can one explain lines like, “I put something in the yogurt to make you nauseous,” and, “I have low blood sugar because I haven’t eaten since yesterday”?), it’s safe to presume that the high point of a sequence where Mills breaks into an LAPD garage isn’t supposed to be the shot of our towering, sixtysomething hero casually sliding out of the trunk of a car. Running a solid reel longer than either of its predecessors and featuring the worst car chase in recent memory, the movie amounts to little more than generic action slop, enlivened only by brief glimmers of intentional and unintentional comedy.
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1
dyshpoMay 29, 2015
Hard to watch without feeling ashamed of Liam Neeson's career choices after doing this uber flop . How could any one even say this was ok for the box office. The villain was a cartoon running around in underwear and the other villain wasHard to watch without feeling ashamed of Liam Neeson's career choices after doing this uber flop . How could any one even say this was ok for the box office. The villain was a cartoon running around in underwear and the other villain was aged down 30 years to be barely more credible . The story was a cluster fck . All involved were set to zombie and clearly had to be liquored up to stand in front of the camera. Expand
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3
JoshLuck1995Jun 2, 2015
Went into this film hoping for the best but expecting the worst. Safe to say i ended up getting what i expected, this film is just more of the same of Taken 2 but worse, its incredibly boring, the story is dull and full of no surprises. DontWent into this film hoping for the best but expecting the worst. Safe to say i ended up getting what i expected, this film is just more of the same of Taken 2 but worse, its incredibly boring, the story is dull and full of no surprises. Dont waste your hard earned money on this, there is much better films to spend your money on. Expand
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1
vikesh2206May 29, 2015
Ploddingly paced, chopping edited, lazily written and wholly unoriginal, Taken 3 is an abomination in every sense of the word and a low point in Liam Neeson's career.
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2
Movi3R3vi3werOct 25, 2015
Where to even begin? It's ridiculous, convoluted and just plain stupid. The action is nearly impossible to follow, I actually got a headache trying to watch this movie, it's one of the worst edited movies I've ever seen. I'll in fact sayWhere to even begin? It's ridiculous, convoluted and just plain stupid. The action is nearly impossible to follow, I actually got a headache trying to watch this movie, it's one of the worst edited movies I've ever seen. I'll in fact say this: It's one of the worst movies of the year and t's one of the worst action movies I've ever seen. Liam Neeson might be the only redeemable aspect of this movie but that isn't say much. Expand
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1
idanidan123Feb 28, 2015
This movie was boring, and even worse than Taken 2. I only give the score of 2 because the chasings and fightings were kinda funny. I must say one thing though: this has got to be one of the worst movies to come out in 2015.
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3
MattBrady99Mar 10, 2015
The Taken series is the new Hangover films, they just never going to stop.

The story is about Bryan Mills, whose reconciliation with his ex-wife is tragically cut short when she is brutally murdered. Consumed with rage, and framed for the
The Taken series is the new Hangover films, they just never going to stop.

The story is about Bryan Mills, whose reconciliation with his ex-wife is tragically cut short when she is brutally murdered. Consumed with rage, and framed for the crime, he goes on the run to evade the relentless pursuit of the CIA, FBI and the police. For one last time, Mills must use his "particular set of skills," to track down the real killers, exact his unique brand of justice, and protect the only thing that matters to him now - his daughter.

I can't believe a good film like the first Taken then get squeal's that can turn into a train wreck of a cash grab. I remembered in the first film how brutal the fight scenes where and that's due to the sound in the movie. Every punch sounds rock hard and you can hear all the bones breaking in they bodies, but then Olivier Megaton took the directors chair and I wish he haven't, because Taken 2 was terrible and so was this one.

Olivier Megaton should just stop directing action films. He can't do them right and he's direction for action always feels badly edited and sloppy paste. I thought he learned his lesson by now since everybody talked about how crappy the action was in the second film, but nope, he has learnt anything from his first mistakes.

The action in this movie is some of the worst action I've so far this year. It's the quick cut editing so that means you can't see a damn thing when a action scene comes on. Quick cut after quick cut, it's just painful to watch. How I am I suppose to enjoy the action when most of the time I can't see it and I would blame it on the editing which is just shockingly bad, I mean wow.

The only good thing in this movie: Liam Neeson in this movie is just playing the basic Liam Neeson, once again. He doesn't do terrible job in this film but I can tell that he doesn't want to be in this, it's all about the money to him. The other cast has well don't do a bad performance.

But overall Taken 3 is just a lazily edited, horrible directed and poorly executed action film with zone brain shells and more dumbness to it.
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2
DilholeTheGreaMar 27, 2015
I went to see this movie on the cheep with some friends last weekend. I have never seen any of the other movies in the series, but I'm familiar with the premise. Luckily, I felt like I missed nothing, as after a short scene of the villainI went to see this movie on the cheep with some friends last weekend. I have never seen any of the other movies in the series, but I'm familiar with the premise. Luckily, I felt like I missed nothing, as after a short scene of the villain being a villain the movie goes into a long, boring, walk through a typical day for our hero. It went on for so long, and was so dull I thought of getting up and leaving. Sadly, the worst was yet to come.
As soon as the action starts the movie officially breaks down. I feel as though whoever directed this movie went to order 4 cameras on Amazon, but ordered 40 on accident. There is not a single action scene that holds a shot for more than 1.5 seconds. The camera is constantly changing angles in the jumpiest, most distorting manner. My friends and I left with droning headaches from trying to follow the action in the jumpy mess.
Avoid this movie at all costs, it is just plane awful. It fails on every level of film making.
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2
jafifiApr 9, 2015
whilst the attempt at a suprise plot twist is welcomed, given the sappy storyline in Taken 2, this instalment tries to become an edge of your seat action thriller, but fails dismally to deliver the goods. wholly misdirected and poor actionwhilst the attempt at a suprise plot twist is welcomed, given the sappy storyline in Taken 2, this instalment tries to become an edge of your seat action thriller, but fails dismally to deliver the goods. wholly misdirected and poor action scenes utterly ruined what should have been an epic conclusion to a great introduction Expand
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2
MovieManiac83Apr 22, 2015
After “Non-Stop,” “Unknown” and three installments of the “Taken” thrillers, I’m not sure that Liam Neeson’s signature avengers are actually good people to know. On the plus side, they’ll use any means necessary to rescue you from kidnappersAfter “Non-Stop,” “Unknown” and three installments of the “Taken” thrillers, I’m not sure that Liam Neeson’s signature avengers are actually good people to know. On the plus side, they’ll use any means necessary to rescue you from kidnappers and killers. But if you’ve been kidnapped or are facing death, it’s probably directly related to knowing Mr. Neeson’s character in the first place, or just being nearby.

In “Taken 3” — Olivier Megaton’s embarrassingly flat sequel about the retired government agent Bryan Mills (Mr. Neeson) — the agent’s daughter, Kim (Maggie Grace), and his former wife, Lenore (Famke Janssen), run into grief yet again. One dies; the other cries; and it all has something to do with a pale Russian gangster (Sam Spruell) and the latest rich-jerk husband (Dougray Scott) to succeed Bryan.

But there’s little story to speak of, beyond Mr. Neeson’s racing around fighting for the truth, pursued by a Los Angeles detective (Forest Whitaker).

A running fantasy of wronged divorced-dad nobility, the series here continues its ritualized plot points. Mr. Neeson babies Kimmy with a childish gift and balks at some completely normal step in her adulthood. He has a barbecue with the fellas (also veterans of covert ops). He makes a very serious cellphone call or two, announcing that someone is being taken, or giving very clear directions. He becomes a righteous fugitive whose rampages (up to and including waterboarding) are rationalized through fatherhood.

More important, Mr. Megaton’s direction of action sequences borders on atrocious. Ragged camerawork and editing ruin freeway car chases and hand-to-hand combat alike.

The logy screenplay, by Luc Besson and Robert Mark Kamen, sags under head-clutchingly banal dramatic scenes. Only Mr. Neeson’s appeal somehow survives unscathed, perhaps the most impressive stunt of all.
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SaleemDec 8, 2015
Almost apologizing statement in the theatrical poster 'It Ends Here' indicates that makers know that the taken series is already dead. Why the hell Mills escape arrest in the first place when modern science offers so many ways to establishAlmost apologizing statement in the theatrical poster 'It Ends Here' indicates that makers know that the taken series is already dead. Why the hell Mills escape arrest in the first place when modern science offers so many ways to establish the guilt of person. When Mills could download LAPD data and see CCTV footages, all the while when the police is in his hot pursuit, don't you think that the police would do a far better job in lesser time. As it is already said by many critics it is we who are taken for a ride. Mills survives two explosive accidents even without a limp or scar not to mention how trained body guards miss Mills with their bullet spray with Uzi sub machine guns when Mills effortlessly downs all of them with his popping pistol with an endless supply of bullets. We can forgive such stupidities in superman movies but this? Oh God, when would Hollywood grow up. Expand
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ReelViews94Mar 23, 2016
The third and presumably final installment of the Liam Neeson action franchise is a mind-numbing, crash-bang misfire.

In “Taken” (2008), helmed by Pierre Morel, Neeson’s Los Angeles-based Bryan Mills went after Albanian slave traders who
The third and presumably final installment of the Liam Neeson action franchise is a mind-numbing, crash-bang misfire.

In “Taken” (2008), helmed by Pierre Morel, Neeson’s Los Angeles-based Bryan Mills went after Albanian slave traders who kidnapped his 17-year-old daughter in Paris. Made as a low-budget B-movie that sent up U.S. politics and values even as it emulated American genre films, it grossed $227 million worldwide. The sequel, made four years later, reversed the pattern by having the Albanians’ vengeful relatives kidnap Mills and his ex-wife, Lenore (Famke Janssen). Despite the more elaborate action setpieces and heightened casualties, the premise remained just as basic and clear: The shocking way in which the hostages are taken, and the methodical manner in which the retired CIA agent tracked them, generated tremendous excitement.

Without someone to save, the concept of a race against time is seriously weakened. While family matters were kept short and sweet in the other two installments, “Taken 3” stretches out the kitchen-sink drama endlessly: Mills’ daughter, Kim (Maggie Grace), who was 17 when she was first kidnapped, is now a college student facing serious adult problems. Her dad, however, still believes that, after having hurled a few hand grenades and driven a stolen car through a shower of bullets, she’d still be content to play with a stuffed panda on her birthday.

Equally troubled is Lenore, who seeks consolation as her marriage to filthy-rich Stuart (Dougray Scott) is on the rocks. The possibility of Lenore and Mills rekindling their relationship is put on hold, however, when he’s forced to go on the run for a crime he didn’t commit. As he said to Lenore in the previous film: “I’ll be OK. It’s the people following me who’re gonna have a problem.”

Given that Mills walked away Scot-free from double-figure body counts in Europe, watching him evade arrest by Inspector Frank Dotzler (Forest Whitaker) doesn’t yield much in terms of suspense or surprises. Mills describes Dotzler as “very clever,” though the latter’s theory that anyone who buys warm bagels can’t be a cold-blooded killer ranks among the more illogical police deductions in recent memory. Elsewhere, detecting and blocking each other’s tracking devices is pretty much the extent of their mental sparring.

One of the series’ talking points has been its extremely negative portrayal of Albanians; “Taken 2” closed on a note suggesting the the blood feud would live on, and it would have made sense here for it to continue here, or for Mills to finally set foot in the hermit country. Alas, those characters have been ditched in favor of Russian mafiosos, who come across as pale imitations of the tattooed fiends in David Cronenberg’s “Eastern Promises.”

What has made the “Taken” franchise such a guilty pleasure so far is its take-no-prisoners stance toward bad guys and its no-holds-barred brutality, especially coming from Neeson, an actor who radiates gravitas and nobility no matter what. Although less graphic in its representation of violence than its predecessors, “Taken 3” retains a gutsy realism in scenes where Mills matter-of-factly cracks bones and splatters brains, and the shoot-’em-ups, car wrecks and explosions are noisier and more bombastic than ever. They’re also unimaginatively choreographed, with zero forward momentum. Even as the scale of each production has increased, the scope of the action has diminished: Compared with scattering hand grenades all over Istanbul, it’s mere child’s play for Mills to blow up a classroom at Kim’s college.

Without a doubt, the first “Taken” movie gave Neeson, then in his 50s, a new lease on life as an action hero. Now 62, the actor still has an imposing presence, but more often than not, he looks pretty beat and impatient to get things over with. Kim has evolved from an exasperatingly clueless brat to a feisty rescuer over two films, but there isn’t any real progression in character development or in Grace’s performance here.

Stuart, a slimy wimp as played by Xander Berkeley in the first “Taken,” served as a neat foil for our straight-talking, straight-shooting hero. Replaced here by Scott, he behaves like a badass dude who is supposed to be Mills’ equal in gun-toting prowess; it’s a wholly unconvincing transformation. As Russian mafioso Malankov, Sam Spruell behaves like a cardboard James Bond villain, showing some vicious individuality only in the action scenes.
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MovieMasterEddyApr 3, 2016
After “Non-Stop,” “Unknown” and three installments of the “Taken” thrillers, I’m not sure that Liam Neeson’s signature avengers are actually good people to know. On the plus side, they’ll use any means necessary to rescue you from kidnappersAfter “Non-Stop,” “Unknown” and three installments of the “Taken” thrillers, I’m not sure that Liam Neeson’s signature avengers are actually good people to know. On the plus side, they’ll use any means necessary to rescue you from kidnappers and killers. But if you’ve been kidnapped or are facing death, it’s probably directly related to knowing Mr. Neeson’s character in the first place, or just being nearby.

In “Taken 3” — Olivier Megaton’s embarrassingly flat sequel about the retired government agent Bryan Mills (Mr. Neeson) — the agent’s daughter, Kim (Maggie Grace), and his former wife, Lenore (Famke Janssen), run into grief yet again. One dies; the other cries; and it all has something to do with a pale Russian gangster (Sam Spruell) and the latest rich-jerk husband (Dougray Scott) to succeed Bryan.

But there’s little story to speak of, beyond Mr. Neeson’s racing around fighting for the truth, pursued by a Los Angeles detective (Forest Whitaker).

A running fantasy of wronged divorced-dad nobility, the series here continues its ritualized plot points. Mr. Neeson babies Kimmy with a childish gift and balks at some completely normal step in her adulthood. He has a barbecue with the fellas (also veterans of covert ops). He makes a very serious cellphone call or two, announcing that someone is being taken, or giving very clear directions. He becomes a righteous fugitive whose rampages (up to and including waterboarding) are rationalized through fatherhood.

More important, Mr. Megaton’s direction of action sequences borders on atrocious. Ragged camerawork and editing ruin freeway car chases and hand-to-hand combat alike.

The logy screenplay, by Luc Besson and Robert Mark Kamen, sags under head-clutchingly banal dramatic scenes. Only Mr. Neeson’s appeal somehow survives unscathed, perhaps the most impressive stunt of all.
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spacebear1Jan 15, 2018
Olivier Megaton's Tak3n is a disappointing end to a trilogy. I really liked Liam Neeson once again, I liked the story and I'm also glad that they made Maggie Grace's character less annoying. But this film is full of a poor script, poorlyOlivier Megaton's Tak3n is a disappointing end to a trilogy. I really liked Liam Neeson once again, I liked the story and I'm also glad that they made Maggie Grace's character less annoying. But this film is full of a poor script, poorly directed action sequences, and a lot of the film is just predictable as well as very, very dull. Expand
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TheRussianatorApr 12, 2018
After the horrible second film they decide to make another one. And they kept the same director. WHY? Because they don't care. The last one made money, so they're gonna keep milking the franchise. It's as stupid if not more stupid than theAfter the horrible second film they decide to make another one. And they kept the same director. WHY? Because they don't care. The last one made money, so they're gonna keep milking the franchise. It's as stupid if not more stupid than the previous one. The shaky quick-cut camera work is present here as well. The guy who directed this movie - STOP DIRECTING ACTION MOVIES. YOU SUCK DICK AT IT! Expand
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ErikTheCriticOct 11, 2018
Is it necessary to use six different camera shots for a two second scene of Liam Neeson jumping over a gate? The film is so choppily edited, and it really boggles me that this garbage was released theatrically.
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PauloReviewsMar 6, 2019
The scene where Bryan Mills hops over a fence magnificently illustrates what kind of movie you're going to get in "Taken 3". Watch this only for comedic purposes.

0/10.
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