| Warner Bros. | Release Date: March 4, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
53
Mixed:
12
Negative:
3
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Critic Reviews
Mar 3, 2022
Feb 28, 2022
Mar 5, 2022
The film is strongest in its first half but the double act between Wright and Pattinson sustains throughout: never has the Bat-Gordon partnership been so well-realised. Inevitably the door is left open for sequels, but The Batman stands up as an incredibly satisfying, grown-up vision of its own.
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Mar 3, 2022
The film, playing in theaters, is very long, relentlessly intense, murmured more often than spoken, and photographed, by Greig Fraser, with a glowering gorgeousness that must be seen to be felt. It’s also enthralling and tailored to our time, an extended rumination on finding one’s moral compass in a world of all-encompassing evil.
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CNETFeb 28, 2022
It's more of a detective mystery than previous Bat-flicks, borrowing in particular from David Fincher's serial killer chillers Seven and Zodiac. And it's a gangster movie. Also a '70s conspiracy thriller. And a relentlessly bleak film noir. Most of all, though, The Batman is a horror movie.
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Feb 28, 2022
There’s real filmmaking here in The Batman. Matt Reeves, the director and co-writer, has a serious interest in the tantalizing Batman/Catwoman dynamic. His script, in collaboration with co-writer Peter Craig, parcels out the action sequences carefully, and when they arrive, they’re both visually lucid and excitingly reckless.
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Feb 28, 2022
The Batman isn’t revolutionary. It doesn’t upend the superhero movie dynamic. Heck, people used to the recent superhero movies getting more cosmic and playing around with alternate timelines might not even like this more back to basics approach. But I, for one, found it refreshing. A nice little breather amidst the chaos. And proof that a good story with good characters can go quite a long way.
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Movie NationFeb 28, 2022
It’s too long, and maybe there’s a little too much concern about the way Pattinson’s hair flops over one eye. But from first frame to last, Reeves matches the master, Christopher Nolan in two important regards. As in the last Nolan “Dark Knight,” this Batman is embattled and almost overwhelmed by a city and its institutions coming apart at the seams. And like Nolan’s “Knights,” this beast of a movie looks, sounds and plays as epic.
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Feb 28, 2022
Maybe he doesn’t have the cunning of Keaton or the brawn of Bale, but in his own unique way Pattinson’s Batman feels perfectly adapted for the uncertain and unjust times we are living in, where greed and impunity are the order of the day. And if the film itself isn’t totally original, it at least spreads its latex wings in some fun and surprising ways.
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Feb 28, 2022
I wound up walking out of The Batman with a bit of a sour taste in my mouth. The more I thought about it, though, the more I appreciated Reeves’ ambitions and his willingness to do something that wasn’t just more of the same old Batman. He really did make you see the character in a new way. Even the stuff in the shadows.
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Feb 28, 2022
Feb 28, 2022
The Batman is darkly dour stuff — potent but erratic. It’s as though the filmmakers, working in the very long shadow of “The Dark Knight,” have opted not to rival the moody majesty of Christopher Nolan’s genre-redefining 2008 film but instead to simply go “harder” — blacker, more cynical, a total eclipse.
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