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The Dead Center

Name: The Dead Center
Genre: Mystery, Thriller, Horror
Released: October 11, 2019
Duration: 92 min
Rating: 63
Cast: Andy McPhee, Bill Feehely, Brandon Boyd, Bridget Berger, Dean Hall

2019

METASCORE

Generally favorable reviews based on 7 Critics

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The Dead Center

Movie Details & Credits

Arrow Films | Release Date: October 11, 2019 | Not Rated

Starring: Andy McPhee, Bill Feehely, Brandon Boyd, Bridget Berger, Dean Hall, Harry P. Castros, J. Thomas Bailey, Jackie Welch, Jared Carter, Jeremy Childs, Poorna Jagannathan, Rachel Agee, Shane Carruth, Shelean Newman

Summary: A hospital psychiatrist's own sanity is pushed to the edge when a frightened amnesiac patient insists that he has died and brought something terrible back from the other side.

Director: Billy Senese

Genre(s): Mystery, Thriller, Horror

Rating: Not Rated

Runtime: 92 min

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Critic Reviews

Chuck Bowen

Oct 9, 2019

The film is in tune with the need to remain lucid and empathetic while in the maw of human extremity. Read full review

Cary Darling

Oct 9, 2019

Obviously, director-writer Billy Senese didn’t have a ton of money to work with, but The Dead Center wisely eschews gore and special effects in favor of setting a dark, malevolent mood. Read full review

Frank Scheck

Oct 10, 2019

What it has going for it in spades is supremely creepy atmosphere. The hospital virtually becomes a major character in the story itself, its washed-out coloring and neon lights making everyone look like they have a sickly pallor. Read full review

Dennis Harvey

Oct 11, 2019

There’s a lot of excellent atmospherics here that are more unsettling than the actual violence, which in turn is all the more effective for largely being kept just off-screen. Read full review

RogerEbert.com Matt Fagerholm

Oct 11, 2019

The plot seems sillier the more one mulls it over, yet it’s a testament to the film that we’re not preoccupied with questions of probability for the duration of its running time. Read full review

Mike McCahill

Oct 10, 2019

What’s crucial is how Senese and cinematographer Andy Duensing film these elements: patiently, attentively, with a feel for space and ambient atmosphere, and a reluctance to offer easy explanations that invites tantalising metaphorical readings, and counts as recognisably Carruthian. Read full review

Katie Walsh

Oct 10, 2019

Carruth’s troubled performance holds the piece together until it loses the thread on its own tenuous mythology, descending into incoherent cacophony. Read full review

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