SummaryThis gritty crime drama from director Martin Scorsese takes us into the lives of two cops: Colin Sullivan (Matt Damon), smart and unabashedly ambitious, appears to be on the fast track in the Massachusetts State Police Department's elite Special Investigations Unit, whose prime target is powerful Irish mob boss Frank Costello (Jack Nicho...
SummaryThis gritty crime drama from director Martin Scorsese takes us into the lives of two cops: Colin Sullivan (Matt Damon), smart and unabashedly ambitious, appears to be on the fast track in the Massachusetts State Police Department's elite Special Investigations Unit, whose prime target is powerful Irish mob boss Frank Costello (Jack Nicho...
It is intriguing to wonder what Scorsese saw in the Hong Kong movie that inspired him to make the second remake of his career (after "Cape Fear"). I think he instantly recognized that this story, at a buried level, brought two sides of his art and psyche into equal focus.
Martin Scorcese's "The Departed" is one of the best crime dramas to ever exist. A huge cast with an interesting story and two leads who bring their A-game. Huge mention to Mark Wahlberg, who may have stolen the show and the Oscar nomination of how funny and clever he was.
The Departed is one of the Best movies from the best director in the world. Matt Damon, Leonardo DiCaprio, Martin Sheen, Jack Nicholson and especially Mark Wahlberg are making a fantastic job. To see like a police man is "departed" to the mafia and feel his emotions is absolutely amazing. The script is full of surprising twists and a satisfying end. Thanks for this genius remake Mr. Scorsese
It isn't in the same league as the director's best work, chiefly because it lacks the bravura flourishes of cinematic craft that helped make his name. But it's so vital and bloody and funny and wicked and tense and unapologetic that it feels kin to those films, which little of the director's work of the past decade has managed to pull off.
This is a dream cast for both Scorsese and the viewer, and everyone is working at the peak of their craft. Nicholson's flawless performance as the increasingly unhinged crime boss is a marvel of manic, paranoid ruination.
Crackles right along, stopping only long enough for Scorsese's signature bursts of explosive violence. Those brawls feel a bit rote, but what's different here is a newfound playful humor.
It's nice to see Scorsese back in the saddle and a treat to find a cops-and-robbers thriller with some energy and wit. But even so, it's a stylish head rush of a movie that flies by, even at two-and-a-half hours, and keeps turning the knife (and your stomach) up to the final scene.
Is Scorsese desperate? This screenplay has the scent of it, as if he is scraping for material to feed his basic filmic interests. But the risk in this case--not evaded--was that his need led him close to painful strain. I can't remember another Scorsese moment as shockingly banal as the finishing touch here.
As Cape Fear's remake was not as good as the original movie, this one simply is not as good as the original "Infernal Affairs". It's not even comparable. This is just a barely watchable movie.
This movie is pretty much an overrated remake of Infernal Affairs. When I first saw this movie I thought it would be AMAZING since it had won the oscar fo best picture and all. I was very disappointed and all I remember was mostly people saying the F word over and over again. Some parts of the movie tries to have crude humor but it fails miserably. Now I saw this movie before I saw the original infernal affairs I saw infernal affairs about a year after an thought the original was much much MUCH better. This movie lacks proper character development and we feel no emotion for the characters. The only thing better about this remake is the mob boss played by Jack Nicholson. This movie is WAY overrated and I really don't recomend watching it. I however can recomend watching the original movie. The orginal movie "Inferna Affairs" has what this movies missing(a heart).
Have people not seen Scorsese's masterpiece 'Goodfellas'? I struggle to understand how they could have and then rate this formulaic film so highly. Right from the start it's obvious that Scorsese was lazily reworking much of the Goodfellas formula, using Jack Nicholson as the foundation character, somewhat more like Pesci than De Niro though - as he isn't likeable - and even less mentally stable. As the story evolves, Nicholson's character's personality quickly becomes a very poorly researched (unresearched) mixture of bipolar, schizophrenic, and psychotic mental illnesses - poorly, and confusingly portrayed by Nicholson, no thanks to Scorsese's lack of help and direction (because Scorsese clearly only read the tabloid version of these mental illnesses). Another problem with Scorsese lazily dialing in his direction and reworking the Goodfellas formula is that the era the film's set in is a bizarre mix of '70s to modern day, but with little actually changes to the time frame. The pacing and structure of the film is so poor that when the main plot point occurs in the middle of the film you're left confused, thinking, "Is this really the moment the plot was leading up to, or is it just more build-up." But no, the main event really is halfway through the film and very anticlimactic. As, with most directors, Scorsese isn't the brightest of individuals so there's plenty of plot holes or illogical elements for you to force yourself to ignore, too. The second half of the film feels more like it should've been the first half's sequel - resultantly, in effect, seeming like two weak films being glued together. The first half is too short and the second half is too long, leaving you asking yourself, "Didn't the film end an hour ago?" Also, the second half reveals and exploits the extremely 'long game' played by one of the mobsters, which is obviously completely ridiculous - they don't just bribe people instead, still? Outside of Nicholson's poor and unbelievable performance, most other actors do a good job, especially DiCaprio. Mark Wahlberg, however, despite looking a bit out of place, is one of the few likeable characters. The first half of 'The Departed' is like a heist movie, and the second half is a vendetta, which features so many over the top, shock value, killings it's clearly ripping off 'The Godfather' in the style of 'To Live And Die In L.A.' To Live And Die In LA, despite the low production values, is far superior to this mess, plus it has an authentic retro ('80s) setting and soundtrack. Alternatively, just re-watch Goodfellas or the first two Godfather films instead. Overrated, weak reworking of the Goodfellas formula, with terrible structure, and lazy direction. 2/10* *It's probably a 4, but I'm trying to make up for all the "10/10!!!!!1" uncultured reviewers.