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- 2020
- Samuel Goldwyn Films
- 1 h 39 m
- 2020
- Samuel Goldwyn Films
- 1 h 39 m
Summary A hardened immigration officer decides the fate of a dangerous asylum seeker.
Directed By: Anthony Woodley
Written By: Helen Kingston
- 2020
- Samuel Goldwyn Films
- 1 h 39 m
- 2020
- Samuel Goldwyn Films
- 1 h 39 m
The Flood
56
User Score
Available after 4 ratings
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Where to Watch
Summary A hardened immigration officer decides the fate of a dangerous asylum seeker.
Directed By: Anthony Woodley
Written By: Helen Kingston
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 6 Critic Reviews
56
33% Positive
2 Reviews
2 Reviews
67% Mixed
4 Reviews
4 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Mixed or Average
Based on 6 Critic Reviews
56
33% Positive
2 Reviews
2 Reviews
67% Mixed
4 Reviews
4 Reviews
0% Negative
0 Reviews
0 Reviews
Headey starred in "Game of Thrones," but also works with the International Rescue Committee as a human rights activist. She executive produced The Flood, and it is clearly an issue important to her. Her performance is quiet and controlled.
The flashbacks, the “everybody has a story” part of The Flood, puts it over.
A relatively modest, low-key tale about global refugee issues that are usually portrayed in a higher dramatic key, The Flood makes a somewhat underwhelming first impression. But it gradually overcomes that to arrive at a potent (if still quiet) cumulative impact, bolstered by strong performances from leads Ivanno Jeremiah and Lena Headey.
Despite the fine performances by leads Lena Headey (Game of Thrones), who has herself long been active in refugee causes, and Ivanno Jeremiah (AMC's Humans), The Flood lacks the narrative urgency needed to make watching it feel like more than a slog.
The Flood nearly sinks under the weight of its contrivances, but is barely kept afloat by its two central performances.
The film is well-intentioned and rooted in harrowing real-life stories. Unfortunately, it’s made in the style of British television, with cinematic clichés that telegraph outcomes. The heavy-handed use of music, in particular, is intrusive.
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