The Kids Are All Right

Name: The Kids Are All Right
Genre: Drama, Comedy
Released: July 9, 2010
Duration: 106 min
Rating: 86
Cast: Annette Bening, Julianne Moore, Mark Ruffalo

2010

METASCORE

Universal acclaim based on 39 Critic Reviews

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USER SCORE

Generally favorable reviews based on 321 Ratings

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7.2

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7.2	User Score Generally favorable reviews based on 321 Ratings

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The Kids Are All Right

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Movie Details & Credits

Focus Features | Release Date: July 9, 2010 | R

Starring: Annette Bening, Julianne Moore, Mark Ruffalo

Summary: Two children conceived by artificial insemination bring their birth father into their family life.

Director: Lisa Cholodenko

Genre(s): Drama, Comedy

Rating: R

Runtime: 106 min

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Critic Reviews

100

Joe Morgenstern

A thrillingly funny and casually profound film. Read full review

100

Michael Phillips

"All right" doesn't begin to describe it. The Kids Are All Right is wonderful. Here is a film that respects and enjoys all of its characters, the give-and-take and recklessness and wisdom of any functioning family unit, conventional or un-. Read full review

100

Lisa Schwarzbaum

This warm, funny, sexy, smart movie erases the boundaries between specialized ''gay content'' and universal ''family content'' with such sneaky authority. Read full review

Roger Ebert

Moore and Bening are superb actors here, evoking a marriage of more than 20 years, and all of its shadings and secrets, idealism and compromise. Read full review

Peter Rainer

Positioned somewhere between sitcom and piercing human drama, The Kids Are All Right, is both overtly familiar and cutting edge. Read full review

Rex Reed

Some people might blindly and inaccurately accuse this movie of attacking family values, but it has exactly the opposite effect. Touching and funny in their upheaval, the people in The Kids Are All Right open the door to a brand new examination of family values that leaves you charged and cheering. Read full review

Anthony Lane

There are not only glancing moments but whole sequences in this movie when the agony of social embarrassment makes you want to haul the characters to their feet and slap them in the chops. Read full review

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User Reviews

Film_Fanatic_15

Nov 22, 2010

This has to be one of the most fun films in a long time. The movies plot is ever so simple; where two kids meet their sperm donor. Things seem to be okay at first, but it just seems that donating sperm probably wasn't the right choice. He develops a deep relationship amongst the family andThis has to be one of the most fun films in a long time. The movies plot is ever so simple; where two kids meet their sperm donor. Things seem to be okay at first, but it just seems that donating sperm probably wasn't the right choice. He develops a deep relationship amongst the family and tension soon runs high. The way that the movie is told is so plain, where dialogue and the variety of characters takes over and turns the movie into a lighthearted and touching story that is a rarity in hollywood. The movie is sexy, funny, and just pure entertainment with a good story. You'll be able to sit down and really know the characters one by one without becoming so tense on what happens next. Just sit down, relax, and enjoy the show.… Expand

6 of 8 users found this helpful62

JennetP

Jan 28, 2011

This review contains spoilers, click expand to view. Why is everyone trashing the ending of this film and how it treats Paul? I find the end wonderfully subtle: after talking to Paul, Joni changes her mind and takes the gardening hat he gave her to college with her. That tells us--those of us who are paying attention, anyway--that the door is open to what he asked for: to see her again someday. SO much better than the hugs-all-round-and-redemption-for-everyone sledgehammer that usually ends films about family conflict. I mean, think about it: when an affair rocks a marriage but doesn't break it up, how often is the outside lover forgiven and re-embraced by the family? Is "never" a safe estimation? All in all, TKAAR is a wonderfully subtle film about people struggling to understand one another and themselves. It's also that rare film that shows people with genuinely good intentions, though often confused about what goodness is and how to achieve it. The acting is staggeringly good, especially from the two Oscar nominees. Julianne Moore is, as usual, first rate, but hers is an easier role (and we've seen versions of this character from her before) than the other two. Bening plays a less likable character, and she plays her fearlessly, not softening her edges yet offering glimpses of her underlying vulnerability. And Ruffalo, as Paul, was equally complicated: a careless, overgrown boy bedazzled by instant fatherhood--and rather good at it, until he mistakes Jules's sexual acting out for a short cut to the family he suddenly wants. Good stuff, fresh, believable and deeply affecting.… Expand