X
- 1991
- R
- Avenue Pictures
- 1 h 43 m
- 1991
- R
- Avenue Pictures
- 1 h 43 m
Summary Stranded in a London hotel due to their excessive spending, an American couple finds that their most valuable artifact has been stolen.
Directed By: Michael Lindsay-Hogg
Written By: Michael Lindsay-Hogg
- 1991
- R
- Avenue Pictures
- 1 h 43 m
- 1991
- R
- Avenue Pictures
- 1 h 43 m
The Object of Beauty
58
User Score
Available after 4 ratings
tbd
Where to Watch
Summary Stranded in a London hotel due to their excessive spending, an American couple finds that their most valuable artifact has been stolen.
Directed By: Michael Lindsay-Hogg
Written By: Michael Lindsay-Hogg
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 16 Critic Reviews
58
38% Positive
6 Reviews
6 Reviews
63% Mixed
10 Reviews
10 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Mixed or Average
Based on 16 Critic Reviews
58
38% Positive
6 Reviews
6 Reviews
63% Mixed
10 Reviews
10 Reviews
0% Negative
0 Reviews
0 Reviews
It's a spirited, sumptuously crafted tale about two spoiled Americans, Jake (John Malkovich) and Tina (Andie MacDowell), who have pushed their credit cards to the limit and now are going bankrupt in a London luxury hotel. Andie MacDowell almost equals her performance in sex, lies, and videotape. Funnier and looser than she was in Green Card, she's on her way to becoming our subtlest screen comedienne. [26 Apr 1991, p.3]
A mild but charmingly off-kilter romantic comedy that gently satirizes love in an era of buy-now-pay-later brinkmanship.
The Object of Beauty might have been practically perfect escapist entertainment if the screenplay had been as smooth as the cast. Mr. Lindsay-Hogg has written some attractive characters and a lot of bright lines, but he needs a script doctor. He has let the plot confuse things.
It's surprising to see John Malkovich and Andie MacDowell together in such a meandering mess as The Object of Beauty. It's also surprising that their being in it doesn't help. [19 Apr 1991, p.E1]
Unwed John Malkovich and Andie MacDowell are living on what amounts to room-service charity in a posh London hotel, waiting for his cocoa crop investment to bankroll their spiralling bill. Neither lead plays a very bearable character, and the pathetic maid (destitute and hearing-impaired) is too obviously conceived as their counterpoint. It's good to see MacDowell loosening up (a little) after her alarmingly stilted dialogue delivery in deadly, dreadful Green Card. But that's all. Sleeping Beauty never awakens from its monotonal slumber. [12 Apr 1991, p.2D]
Perhaps the shrewdest thing the filmmakers have done is call the film The Object of Beauty instead of A Thing of Beauty, which would make much more sense. By doing so they've removed what they must have known was a far-too-tempting opening for reviewers -- of saying A Thing of Beauty is not a joy forever. Even with the change, though, the sentiment fits.
This looks lustrous (thanks to cinematographer David Watkin) but it's bankrupt in terms of ideas and execution and both leads seem uninspired.
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