X
- 2020
- PG-13
- Netflix
- 2 h 10 m
- 2020
- PG-13
- Netflix
- 2 h 10 m
Summary Dee Dee Allen (Meryl Streep) and Barry Glickman (James Corden) are New York City stage stars with a crisis on their hands: their expensive new Broadway show is a major flop that has suddenly flatlined their careers. Meanwhile, in small-town Indiana, high school student Emma Nolan (Jo Ellen Pellman) is experiencing a very different kind o...
Directed By: Ryan Murphy
Written By: Bob Martin, Chad Beguelin, Matthew Sklar, Jack Viertel
- 2020
- PG-13
- Netflix
- 2 h 10 m
- 2020
- PG-13
- Netflix
- 2 h 10 m
The Prom
55
6.3
Where to Watch
Summary Dee Dee Allen (Meryl Streep) and Barry Glickman (James Corden) are New York City stage stars with a crisis on their hands: their expensive new Broadway show is a major flop that has suddenly flatlined their careers. Meanwhile, in small-town Indiana, high school student Emma Nolan (Jo Ellen Pellman) is experiencing a very different kind o...
Directed By: Ryan Murphy
Written By: Bob Martin, Chad Beguelin, Matthew Sklar, Jack Viertel
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 35 Critic Reviews
55
49% Positive
17 Reviews
17 Reviews
37% Mixed
13 Reviews
13 Reviews
14% Negative
5 Reviews
5 Reviews
Metascore
Mixed or Average
Based on 35 Critic Reviews
55
49% Positive
17 Reviews
17 Reviews
37% Mixed
13 Reviews
13 Reviews
14% Negative
5 Reviews
5 Reviews
The Prom is an exuberant love letter to Broadway’s “Let’s put on a show!” ethos that will earworm you till the new year and proves how a great musical – armed with a heartfelt story – unites like nothing else can.
Murphy’s blindingly bright, consistently energetic, never-ever-ever-still approach works more often than it doesn’t. Think of Murphy’s own Glee but with approximately 30 times the budget and star power.
User Score
Generally Favorable
Based on 98 User Ratings
6.3
54% Positive
53 Ratings
53 Ratings
27% Mixed
26 Ratings
26 Ratings
19% Negative
19 Ratings
19 Ratings
User Score
Generally Favorable
Based on 98 User Ratings
6.3
54% Positive
53 Ratings
53 Ratings
27% Mixed
26 Ratings
26 Ratings
19% Negative
19 Ratings
19 Ratings
Murphy keeps the story electric-sliding along so that we don’t have time to linger on some of its shortcomings. His real achievement is making “The Prom” feel like a film rather than a captured-on-camera stage production, one that still retains the let’s-put-on-a-show energy of live theater.
The Prom is a bright yet flawed musical extravaganza that, while holding a vital message about acceptance, sometimes gets lost in its own celebrity.
In Ryan Murphy’s film adaptation for Netflix, the show’s flaws seem accentuated, with its spectacle too mismanaged to distract that The Prom’s brand of sincerity isn’t necessarily tailored for the screen, or at least not in this form.
The starry casting and heavy hand of director Ryan Murphy do the featherweight material few favors, with inert dramatic scenes and overblown musical numbers contributing to the general bloat. The movie's most undeniable value is in the representation it provides to LGBTQ teens via a high school dance that is every emotionally isolated queer kid's rainbow dream.
The Prom would be glitzy, high energy, and for the most part, harmless — if not for James Corden’s laughably cliched performance, and the film’s inability to figure out which narrative should take priority.
Vorhersehbar aber sehr toll. Spannend und witzig und traurig... Also ein sehr sehr sehr guter Netflix Film
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While I must freely confess to not being a fan of movie musicals, I must admit that I came away somewhat pleasantly surprised from this tale **** of self-absorbed Broadway stars stepping in to help a small town Indiana lesbian attend her high school's rigidly regimented heterosexual-only prom. The film's colorful and distinctive production design, clever editing, dazzling choreography, and surprisingly memorable score for a contemporary musical are all unexpectedly impressive, told through a story that combines elements of "The Music Man" (1962), "Footloose" (1984) and any number of **** acceptance stories, as well as heavy influences from the teen musical TV series "Glee" (2009-2015). However, that's not to say this overlong offering is without its share of problems, including sledgehammer moralizing (despite a noteworthy message) and bombastically hammy performances that surpass the inherent exaggeration typically required of cast members in movie musicals (especially those turned in by James Corden, Kerry Washington and the usually-reliable Meryl Streep). Whatever creative equity the film manages to build up in its technical attributes is, unfortunately, undermined by these overbearing shortfalls, keeping director Ryan Murphy's latest from living up to the potential it might have otherwise achieved (and, trust me, that's being kind from someone who seldom has much of anything praiseworthy to say about the movies of this genre). This largely inconsequential serving of cinematic fluff may work fine as modestly entertaining escapist fare, but, as a vehicle for championing a progressive social cause, the message comes across far too heavy-handedly as it seeks to surface from the depths of a suffocating ocean of celluloid glitter.
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The movie is fine, the source of material is not great to begin with, the songs are not that good, the only great thing about this movie is Meryl Streep, Nicole Kidman, Keegan-Michael Key and Andrew Rannells. Meryl Streep and Nicole Kidman have all the fun they can. Keegan-Michael Key is charismatic and convincing. Andrew Rannells just doing whatever he always do. other performance is fine. the early review make me think that James Cordon is so bad, but to me it isn't, he is fine, not the way i imagining how bad he could be. but those dramtic turn of people accepting people to be **** with deeply belief could only ever be happen in musical but reality.
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A brilhantina aparece, espetáculo pronto, musical apresentado mas tudo dá errado!
Um filme musical precisa ter autoridade para ser considerado no mínimo bom, Meryl Streep no elenco já veríamos que o sucesso ia vir mas a fórmula não rolou, com algumas partes meio 'teen' e com vozes que nada se destacavam, músicas a todo momento, sei como funciona filmes assim mas a identidade das canções eram cansativas, todos sabem que Meryl Streep é um talento sem dúvidas mas não para musicais, deveriam ter considerado pelo menos uma das veteranas de musicais como Bette Midler ou a rainha da Broadway atual 'Patti Lupone' quem sabe daria sentido a trama.
Outro fato é a história que me lembra 'A Vida de Inseto' porém de outra ótica, na animação tem os artistas que vão pra aldeia achando que serão contratados para um grande espetáculo, e no fim são enganados, já no musical uma menina tem um grande sonho de ir no baile com sua namorada mas a escola não deixa por serem conservadores e aí o grupo de artistas a ajudam mas não por causa da menina e sim por 'auto' promoção para fazer seu espetáculo.
Achei até muito simples o filme, história mal contada, roteiro previsível, vozes nada interessantes, deveriam em próximos musicais rever o elenco pois não é porque são grandes atrizes/atores como Meryl Streep, Nicole Kidman, Keegan-Michael Key além de James Corden (Carpool Karaoke) que seria um grande filme.
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Production Company
Dramatic Forces,
Storykey,
Netflix,
Ryan Murphy Productions
Release Date Dec 4, 2020
Duration 2 h 10 m
Rating PG-13
Tagline Broadway's new musical comedy
Awards
Golden Globes, USA
• 2 Nominations
Hollywood Critics Association
• 1 Win & 5 Nominations
Satellite Awards
• 4 Nominations
