X
- 2017
- PG-13
- CBS Films
- 1 h 48 m
- 2017
- PG-13
- CBS Films
- 1 h 48 m
Summary Tony Webster (Jim Broadbent) leads a reclusive and quiet existence until long buried secrets from his past force him to face the flawed recollections of his younger self, the truth about his first love (Charlotte Rampling) and the devastating consequences of decisions made a lifetime ago.
Directed By: Ritesh Batra
Written By: Julian Barnes, Nick Payne
- 2017
- PG-13
- CBS Films
- 1 h 48 m
- 2017
- PG-13
- CBS Films
- 1 h 48 m
The Sense of an Ending
61
5.9
Where to Watch
Summary Tony Webster (Jim Broadbent) leads a reclusive and quiet existence until long buried secrets from his past force him to face the flawed recollections of his younger self, the truth about his first love (Charlotte Rampling) and the devastating consequences of decisions made a lifetime ago.
Directed By: Ritesh Batra
Written By: Julian Barnes, Nick Payne
Where to Watch
Top Cast
Metascore
Generally Favorable
Based on 24 Critic Reviews
61
58% Positive
14 Reviews
14 Reviews
38% Mixed
9 Reviews
9 Reviews
4% Negative
1 Review
1 Review
Metascore
Generally Favorable
Based on 24 Critic Reviews
61
58% Positive
14 Reviews
14 Reviews
38% Mixed
9 Reviews
9 Reviews
4% Negative
1 Review
1 Review
Directed with polish and restraint by Ritesh Batra, this is a gripping film that seizes your focus and never lets go. If this one fails to move you, then you don’t really care much about the power of movies.
The inherent superiority of the written word notwithstanding, Batra has done a credible and even commendable job of translating Barnes’s intricate prose to the screen, opening up some of its corners, burrowing into its time shifts and, most gratifyingly, elaborating on a few otherwise marginal characters.
User Score
Mixed or Average
Based on 21 User Ratings
5.9
43% Positive
9 Ratings
9 Ratings
38% Mixed
8 Ratings
8 Ratings
19% Negative
4 Ratings
4 Ratings
User Score
Mixed or Average
Based on 21 User Ratings
5.9
43% Positive
9 Ratings
9 Ratings
38% Mixed
8 Ratings
8 Ratings
19% Negative
4 Ratings
4 Ratings
Thoroughly engrossing drama based on a good story by Julian Barnes has some top class British actors giving great characterisations. Jim Broadbent shakes off his usual predictable mannerisms and is actually very good here and the story keeps you guessing right up to the poignant end. It's always good to see Charlotte Rampling on screen and the film also makes very good use of familiar London locations. A small gem of a film which is my favourite of the year so far.
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This is a slow moving drama about grief, loss and self reflection. It includes references to suicide, so I thought I should point that out in terms of it being a trigger warning. Its quite nostalgic and somewhat thought provoking and Jim Broadbent gives a particularly good performance as the main character, Tony Webster, who recalls his younger days and wonders what may have been. Its not especially maudlin (i.e. overly sentimental), which I appreciated as I'm not really a big fan of over the top sentimental type films, I have to say. This is a fairly understated film.
I found this a quite engrossing and thoughtful watch and would recommend it to others.
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Batra kills the mystery part of the story and instead pushes the adaptation toward that humanism, which renders a good chunk of the plot a wash. Good thing Batra’s really adept at the human portraits, though.
Even though this “ending” is a lot less surprising than it must have been on the pages of Julian Barnes’ novel, Broadbent humanizes the mystery and makes us care long past the point where we’ve solved it.
A handsome and well-acted rumination on memory, boyhood and ageing that sees Ritesh Batra deliver a solid rather than inspired interpretation of Julian Barnes’ prize winner.
Had this well-meaning movie been more willing to directly embrace its origins in Barnes’s luminous prose, it’s quite possible The Sense of an Ending might be something special rather than something worthy.
Ritesh Batra's film is a tale of white nostalgia that should have found its footing on dramatic grounds.
“The Sense of an Ending” is based on the prize winning novel written by Julian Barnes. Adapted for the screen by Nick Payne and directed by Ritesh Batra, the film boasts a stellar cast headed by Jim Broadbent, Helen Walter, Michelle Dockery, Emily Mortimer and Charlotte Rampling. Unfortunately, not even a star studded cast giving wonderful performances can save this film from the difficulty the audience experiences as it tries to follow this complicated story told in flashback and present day events. There are just too many characters attempting to go in and out of the lives of the others to make this film easy to comprehend as it weaves its way in and out of the decades it spans. Even the most difficult and lengthy films can be enjoyable to watch and to understand but this one is neither.
Recognizing the tremendous talent one sees on the screen it is difficult to give the film less than a 2 and ½ star rating although the reader should be warned that 2 or 3 cups of regular coffee might be needed to help his or her concentration process.
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Strangely enough, an ending is precisely what this meandering, bloated, self-important melodrama needs, but its lack thereof, one might suppose, aptly enables the film to authentically live up to the essence of its title. It's truly unfortunate also that the picture features a bevy of excellent performances in search of a story in which to place them. Ultimately, however, fine acting and stylish production values aren't enough to save a film that fundamentally doesn't bring its narrative to satisfying or even ironically ambiguous closure.
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As the latest entry into the indie sub-genre that is "afternoon leisure watch for grandma and grandpa", Ritesh Batra's The Sense of an Ending is alright. Playing like the elderly version of a young adult film, but looking at those moments in retrospect rather than living them again, the film is a nostalgic, regretful, and largely pleasant experience. It is a film with a good mystery element to it, even if it takes far too long to get there and has a twist that was rather obvious the moment a particular character was introduced. Toss in a "what does it all mean" monologue at the end and The Sense of an Ending is certainly a film that feels adapted from a novel. Trying to capture everything that is in there, thus accidentally turning itself into an abbreviated version of the source material, the film adaptation is rather messy and unfortunately lackluster.
Set in the present day with flashbacks to Tony's (Jim Broadbent) time at university, The Sense of an Ending often lacks flow in its flashback transition, but aside from that, this flashback element is often what makes the film so engrossing. Without, the film just be about Tony trying to get a diary from ex-girlfriend Veronica (Charlotte Rampling) that was willed to him by her late mother Sarah (Emily Mortimer), while he also deals with the pregnancy of daughter Susie (Michelle Dockery). Thus, not particularly interesting. By introducing the flashbacks, Batra tosses in that element of mystery. Dating Veronica in school until his best friend Adrian (Joe Alwyn) steals her from him, Tony writes a scathing letter to the both of them only for Adrian to slit his wrists not long after. Now, confronted with a letter he had long forgotten, Tony must come to grips with whether or not he is responsible in some way for Adrian's death and Veronica's unhappiness. Given that the diary willed to him is Adrian's, Tony sees it as his only chance to get clarity from this moment in his life.
As suspected, the main attraction here is often the actors. It is what grabbed my attention initially and the cast certainly all deliver. In a rare starring role Jim Broadbent is not as kooky as he often become accustomed, but is actually a rather sturdy element of the film. He really captures the essence of Tony and shows how, after putting this time in his life out of his mind, he is still embodying many aspects of that troubled young man. He gets easily agitated and begins stalking Veronica to try and get the diary, after of course getting quite agitated with the law firm handling Sarah's will. Broadbent plays these convincingly enough that it becomes clear he is not just some old man prone to fits of rage based on perceived injustice, but a troubled man who has a lot of anger and confusion stored within him. Alongside him, Charlotte Rampling gets a disappointingly minimal amount of screentime, but similarly shows that the scattered and decidedly odd Veronica has never really changed. She is still quite impulsive and all over the place, eluding definition. Rampling captures this flighty element perfectly and serves as a perfect counter to Broadbent.
However, the film is far too on-the-nose. At the end of the film, Tony just goes through a monologue where he explains how it is true that he is nostalgic. However, that is not a bad thing. Nostalgia is good as long as one does not get lost in that dream world. Furthermore, it is only logical that he would not know elements around Adrian's suicide or other events that happened in his life, as his history is merely a story he tells himself. Coming right out and saying these things, director Ritesh Batra leaves no chance for any mild interpretation of the meaning of the film and instead just spoon feeds the audience. Its on-the-nose and exposition-laden nature is really what makes it feel like a young adult film but for retirees with the film feeling obligated to do a lot of hand holding to get its audience across the finish line. Additionally, the film is far too **** and nostalgic. It is a film that far too often plays like a cliche "old man tries to make amends" story, instead of focusing o its compelling mystery element. The two often go hand-in-hand, but given the focus on the setting right of things with Veronica and flippant reveal of the secret behind their past together, it is clear that the film is one that is more concerned with allowing Tony to make things right than anything else. Toss in that spoon feeding at the end and it is a film that never really clicks with the on-the-nose treatment of its themes and the wrong focus for the story and characters. Had it focused on the mystery side with Tony trying to uncover what had been long ago lost to the passage of time, The Sense of an Ending could have been a far better film. As it stands, it is just a remorseful and often dull film about an old man wishing he could go back and change all of the things he did wrong to Adrian and Veronica out of guilt.
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Watched it on pay per view w/friend. We spent about 25 minutes trying to figure out all the connections and we never got clear. Went to Wikipedia and its still not clear. I hope this is not a trend...giving you not quite enough info.When the emotional climax took place wtf?
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[SPOILER ALERT: This review contains spoilers.]
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Production Company
Origin Pictures,
BBC Film,
CBS Films,
FilmNation Entertainment
Release Date Mar 10, 2017
Duration 1 h 48 m
Rating PG-13
Tagline Unravel the Truth.
Website
http://longride.jp/veronica/
Awards
Palm Springs International Film Festival
• 1 Win & 1 Nomination
