STX Entertainment | Release Date: January 11, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
11
Mixed:
23
Negative:
6
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Critic Reviews
The pairing of Bryan Cranston and Kevin Hart in the lead roles pays off big time, with more laugh-out-loud moments than the original and some particularly hilarious work from Hart, who steps up his game after his fun if broad-minded performances in Get Hard and the Ride Along movies.
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The racial politics feel almost willfully retro, but the actors’ charisma cuts through: Forced to work strictly from the neck up, Cranston is just the right amount of gruff; Hart, aside from a deeply unnecessary catheter scene, gives a gratifyingly prickly and vulnerable performance. Somewhere beneath this passable-enough Upside, there’s a better, sharper movie for them both.
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That more or less is The Upside in a nutshell. It’s a film that contains complicated, sad, interesting ideas rarely expressed on screen — even Kidman’s scold character unfolds into a more intriguing person, full of contradictions — but whose package is fundamentally unsuited to showcase those ideas, like a sweater with the holes in all the wrong places.
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For what it’s worth, The Upside is exactly what you think it is: the latest Hollywood effort that aims to show that a black man and a white man with seemingly nothing in common can see past their differences and develop a mutual friendship. It’s just as pat and basic as it looks and sounds.
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The rest is feel-good painted unenthusiastically by numbers: a repetitive series of artificially inflated character conflicts and tossed-off resolutions, interspersed with slapstick and jokes about prissy rich snobs, ultimately adding up to far less than the sum of its well-worn parts.
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Nicole Kidman, as good as she is, is given little to do in a one-note role, but fares better than Julianna Margulies who appears merely in a one-scene role. Kevin Hart’s huge number of fans may push this film to early box-office success but eventually they are likely to toss it into the untouchable pile.
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Jumping, jerking and bellowing all over the screen, the same cannot be said for Kevin Hart. He may have garnered a few laughs telling homophobic jokes in his old stand-up comedy routine, but when it comes to playing a completely realized character in a full-length film, he’s as funny as a case of shingles.
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