Thelma & Louise

Name: Thelma & Louise
Genre: Drama, Thriller, Crime
Released: May 24, 1991
Duration: 130 min
Rating: 88
Cast: Geena Davis, Susan Sarandon

1991

METASCORE

Universal acclaim based on 12 Critic Reviews

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USER SCORE

Universal acclaim based on 165 Ratings

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8.2

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8.2	User Score Universal acclaim based on 165 Ratings

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Thelma & Louise

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Movie Details & Credits

Metro-Goldwyn-Mayer (MGM) | Release Date: May 24, 1991 | R

Starring: Geena Davis, Susan Sarandon

Summary: Director Ridley Scott's infamous feminist road movie.

Director: Ridley Scott

Genre(s): Drama, Thriller, Crime

Rating: R

Runtime: 130 min

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Metascore

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Critic Reviews

100

Elvis Mitchell

It reimagines the buddy film with such freshness and vigor that the genre seems positively new.

100

Marjorie Baumgarten

This is a movie to love, that touches you in places you never suspected, that shows you that the road less traveled is the road to your dreams. Read full review

Peter Travers

Begins like an episode of "I Love Lucy" and ends with the impact of "Easy Rider." Read full review

Jack Kroll

Sarandon and Davis give superb, wonderfully interactive performances: funky, fierce, funny and poignant. [27 May 1991]

Rita Kempley

It spins its wheels in a giddy sort of way, then puts the pedal to the mettle, lays rubber and fairly takes wing. Read full review

Brad Laidman

Grade A propaganda of the first order. Read full review

Terrence Rafferty

It's a pretty shameless outlaw fantasy; the feminist justification that the script provides for the heroines' behavior doesn't make their actions any less preposterous. Read full review

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User Reviews

bdjude

Jan 6, 2018

It's a very strange plot to many other movies. No flaws in the run and it's a mare life journey than a drama. The psychological aspect of the story is in the ubiquitous form in many families especially in US.It has addressed a flaw in basic human nature. By and by, brilliant movie making andIt's a very strange plot to many other movies. No flaws in the run and it's a mare life journey than a drama. The psychological aspect of the story is in the ubiquitous form in many families especially in US.It has addressed a flaw in basic human nature. By and by, brilliant movie making and sad the movies had an underrated score.… Expand

0 of 1 users found this helpful01

Gilbert

Nov 19, 2002

Bad things about T&M: the music at the ending is too loud and bombastic, and, with the montage over the credits detracts from the power (and don't worry, oh great "Ed", my lips are henceforth sealed)(Ed: Thanks, Gilbert...nice reviews, by the way). Good things about T&M: everything else.

0 of 0 users found this helpful

FilmClub

Mar 26, 2016

Thelma & Louise is a thumpingly adventurous road pic about two regular gals who shoot down a would-be rapist and wind up on the lam in their 1966 T-bird. Even those who don’t rally to pic’s fed-up feminist outcry will take to its comedy, momentum and dazzling visuals.

Arkansas housewifeThelma & Louise is a thumpingly adventurous road pic about two regular gals who shoot down a would-be rapist and wind up on the lam in their 1966 T-bird. Even those who don’t rally to pic’s fed-up feminist outcry will take to its comedy, momentum and dazzling visuals.

Arkansas housewife Thelma (Geena Davis) and waitress Louise (Susan Sarandon) set out for a weekend fishing trip away from the drudgery of their lives and the indifference of their men; they stop at a roadside honkytonk to blow off steam, and things turn ugly. A guy tries to rape Thelma; Louise can’t take it so she plugs the creep with a .38. Then they hit the highway, dazed and in trouble.

Sarandon is the big sister, more feminine, more focused, smoldering with a quiet determination. Davis is more loosely wrapped; she goes with the flow, follows her whims into trouble. The journey into recklessness is exhilarating, which gives the film its buoyant pull. In an indelible final image, it maintains the sense of reckless exhilaration to the end.

Despite some delectably funny scenes between the sexes, Ridley Scott’s pic isn’t about women vs men. It’s about freedom, like any good road picture. In that sense, and in many others, it’s a classic.… Expand

1 of 2 users found this helpful11

MovieGuys

Apr 5, 2014

Thelma & Louise is an acceptable road movie from director Ridley Scott. Although it might start off a little slow, the action and thrills pick up by the end, ands the messages about friendship and feminism are well-received.

0 of 1 users found this helpful01

beingryanjude

Sep 14, 2014

I would've expected a reversal of roles for these actresses; however, by the film's end, you realize why they are the perfect fit as Thelma & Louise. It hits home--and we root for these gals.

0 of 0 users found this helpful00

Spangle

Jan 9, 2017

Thelma & Louise is a film that is not hard to grasp. Criticized as anti-male upon its release in 1991, it is clear that the feminist message of the film was a bit much for some. However, the film is not as much feminist as it is a film that pulls back the curtain on the patriarchy inThelma & Louise is a film that is not hard to grasp. Criticized as anti-male upon its release in 1991, it is clear that the feminist message of the film was a bit much for some. However, the film is not as much feminist as it is a film that pulls back the curtain on the patriarchy in cartoonish fashion. With every male character essentially a caricature of a certain aspect of the patriarchy, Thelma & Louise is, on the surface, just a female buddy film. A road movie, it is essentially a dual female take on Bonnie & Clyde with Thelma (Geena Davis) and Louise (Susan Sarandon) committing through crimes throughout the southwest United States and trying to outrun the cops. In the film, director Ridley Scott explores various elements of the way in patriarchal thought has corrupted society and highlights the attempts of men to control, possess, protect, abuse, rape, and harass women due to the belief that women are subordinate to men.

To showcase each element, Scott creates plot devices to fulfill each attack on women that men commit. The most apparent is control. With Thelma & Louise on the run, the men around them try to control them, but not as much as the police. As they are criminals, the police issue a manhunt for them to try and find them, with little worry as to whether or not they are dead or alive. Of course, they are criminals, thus they are interested in finding them. However, the greatest crime they commit is stepping out of the acceptable behavior for women. The cops immediately assume the worst of the women, running straight to their husbands and boyfriends to try and reign them in and bring them back to normalcy. It does not hurt either that all of the cops are white men. As white men are seen as the most privileged members of society, they are often the aggressors in crimes against women. Thelma & Louise highlights this element with all of the cops being white men who take these crimes as a personal affront and send an absurd amount of cops to try and capture these two women. As predicted by Louise, the men are unconcerned with the circumstances of her shooting Harlan (Timothy Carhart). Though he was raping Thelma and was acting aggressive towards the women, it is hardly a concern because Thelma was likely "asking for it", thus she could not be raped. The biggest concern is that a fellow white male was executed for simply trying to claim his prize. As such, it is up to all of the white men in the police force to bring these nasty women to task for their crime. However, it is in this section that the film shows how it is not anti-male. With Thelma and Louise having locked up one of their oppressors in a trunk of a cop car, a black male smoking marijuana finds the car and, instead of helping the cop, blows smoke into the car. This scene establishes that while Thelma & Louise may be about women fighting back against white men, it is equally a film about highlighting the oppression that all groups considered "lesser" must endure in modern day America.

The control of the cops transitions well into the protectiveness men feel for women. The lead detective on the case is Detective Hal Slocumb (Harvey Keitel). While all of the other men are gung ho about getting and killing these women, Hal preaches amnesty. He does not want these women harmed and is not afraid to express this opinion. At the end, when they are driving off into the Grand Canyon, he chases after that, hoping to save them from their own demise. An off-shoot of controlling women, men have an inherent nature to protect women. In 2017, this has led to "white knights" or prototypical "nice guys" who see themselves as a sort of savior of womenkind, prepared to show them generosity and kindness that they have not seen before. In the film, Hal very much fills this role. As a cop, he should be trying his best to capture these women, but instead opts to take on a protective role and tries to shield them from the dangers of the men he works with. Unfortunately, his tactic is hardly wholesome as he still wants to arrest them, so at his core, he still wishes to exert control on these wily women.

The reason these women are in this position, however, is because of the attempted rape of Thelma by Harlan. An essential part of any film about the patriarchy and its dangers, rape and rape culture must be discussed. Killed by Louise for his crime, Louise knows that rape culture dictates that Thelma asked for it, considering she has been dancing with Harlan. Thus, the controlling and protective cops are not an option for these two. While Harlan very literally wished to force himself upon Thelma, the symbolic implications of rape are far greater and shows how women are raped by men on a daily basis. Whether it be actual rape, visual rape, or the violent seizure of their independence and rights. Here, Scott opts for the very visceral scene of rape, but Harlan is hardly the only man to rape a woman in this film. By attempting to control them or limit them… Expand

1 of 2 users found this helpful11

ajr9876543

May 15, 2011

Piece of crap, as entertainment it is not in fact "pretty darn good", maybe if you're a dullard. A lame film trying to show some strong female characters that fails miserably and is a sad inferior version of several other, better movies with male stars.

1 of 11 users found this helpful110

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