X
- 2017
- R
- A24
- 1 h 39 m
- 2017
- R
- A24
- 1 h 39 m
Summary Three generations of the Cutler family live as outlaws in their own anarchic corner of Britain’s richest countryside. Chad Cutler (Michael Fassbender) is heir apparent to his bruising criminal father, Colby (Brendan Gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson (G...
Directed By: Adam Smith
Written By: Alastair Siddons
- 2017
- R
- A24
- 1 h 39 m
- 2017
- R
- A24
- 1 h 39 m
Trespass Against Us
50
4.3
Where to Watch
Summary Three generations of the Cutler family live as outlaws in their own anarchic corner of Britain’s richest countryside. Chad Cutler (Michael Fassbender) is heir apparent to his bruising criminal father, Colby (Brendan Gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson (G...
Directed By: Adam Smith
Written By: Alastair Siddons
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 16 Critic Reviews
50
31% Positive
5 Reviews
5 Reviews
56% Mixed
9 Reviews
9 Reviews
13% Negative
2 Reviews
2 Reviews
Metascore
Mixed or Average
Based on 16 Critic Reviews
50
31% Positive
5 Reviews
5 Reviews
56% Mixed
9 Reviews
9 Reviews
13% Negative
2 Reviews
2 Reviews
While it’s tricky to pin down exactly what Trespass Against Us means to be, it’s easy to enjoy what it actually is.
Director Adam Smith (shooting Alastair Siddons’ inventive script) doesn’t hit the mark with every chance he takes, but for the most part this is an admirable and successful effort.
User Score
Mixed or Average
Based on 14 User Ratings
4.3
21% Positive
3 Ratings
3 Ratings
50% Mixed
7 Ratings
7 Ratings
29% Negative
4 Ratings
4 Ratings
User Score
Mixed or Average
Based on 14 User Ratings
4.3
21% Positive
3 Ratings
3 Ratings
50% Mixed
7 Ratings
7 Ratings
29% Negative
4 Ratings
4 Ratings
Its decent for a euro crime drama, and as I enjoy that genre, I enjoyed it somewhat. It is not a super exciting movie but there is some action, and the two lead actors do well enough with their characters that it keeps you into it. Its pretty much about a group of misfit-criminal types who live in an RV park ? in Ireland somewhere and how the main character is trying to leave that life and do something more with his life, while the pull of his dad goes against that who wants to keep him there with the group. Good, but not great crime-drama.
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Wanting to change the life course, but it's not happening.
This is a British crime-drama, about a family with the criminal background. The happily married son with two children, wants to get out of what his family used to and have a normal life. Since they all live close by, he had a hard time escaping from it. Sooner or later he has to make a decision on behalf of his family, particularly thinking the future of his kids. Yeah, this storyline seems interesting, but not the same as you watch it. Great cast, no doubt on that. Even basic plot, the theme is a confident boosting thing, if anyone watching the film are in one way or another is in the similar position.
The film lacked from developing on what the opening had initiated. Nice characters, though. I expected something to remember about the film, like emotionally or the events with twists and turns. This is not a bad film, but a simple one. So not everybody would get disappointing of it. All I think is a fine opportunity was missed out. That means I blame the screenplay, despite the actors and director tried their best to turn it out as much as possible decent to the better. So don't ignore it as it is rated low and for bad reviews. It's just not a film that everybody would feel they are satisfied with.
6/10
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There’s Fassbender’s charisma, an unhinged Sean Harris and Tom Rowland music.
It’s a so-so affair offering momentary pleasures.
Everything about this picture is at such a deliberate arm’s length that it is hard to know what is meant to be whimsical and what is serious melodrama.
Though many bad movies are simply depressing, Adam Smith’s Trespass Against Us is so exceptionally bad that it at least has this bright sidelight: Unless 2017 turns into a truly disastrous time for movies, it may be the worst of the year is already here.
Dose Fassbender pick movies from a dart board or something?
And did Sean Harris seriously drop out of 'American Gods' to star in this? Because running around with a chicken is quite interesting.
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C'est vraiment un film bizarre sorti d'on ne sait où (du fond, non du fion ou des tréfonds, non des tréfions de quelqu'un ou quelque chose...) écrit par je ne sais pas qui (m'est avis que c'est un alcoolique) et boulotté par n'importe qui (une bande de baltringues à mon avis) quand on voit ces romanouches dans la campagne rosbif qui jouent au chat et à la souris avec les flics ?!...
Le vieux (Gleeson) et son fils (Fassbender) s'engueulent entre deux cambriolages tandis que toute cette smala de traîne-savates meuble dans cette connerie de film sans histoire ni scénario ni dialogues et même s'il donne l'impression que ces trois choses, ces trois ingrédients du "cinéma" existent, il n'en est rien en réalité, car ce tas de merde poussif à dormir debout, ce vague, très vague salmigondis soit-disant psycho-social est un tel étron à suivre qu'on ne le finit même pas, y compris en avance rapide ! bref, faut évacuer cette offense de nullité très offensante dans la benne la plus proche.
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Production Company
Potboiler Productions,
Film4,
Albert Granville,
Animal Kingdom,
DMC Film,
Head Gear Films,
Metrol Technology
Release Date Jan 20, 2017
Duration 1 h 39 m
Rating R
Tagline Blood is a brutal bond.
Awards
International Film Festival & Awards Macao
• 2 Wins & 3 Nominations
British Independent Film Awards
• 3 Nominations
Evening Standard British Film Awards
• 2 Nominations
