SummaryIn a post-apocalyptic future, The Kid, a young solitary scavenger obsessed with comic books must face his fears and become a reluctant hero when he meets a mysterious girl named Apple. Despite their efforts to keep to themselves, Zeus, the sadistic and self-proclaimed leader of the Wasteland, plagues The Kid and Apple. Armed with little ...
SummaryIn a post-apocalyptic future, The Kid, a young solitary scavenger obsessed with comic books must face his fears and become a reluctant hero when he meets a mysterious girl named Apple. Despite their efforts to keep to themselves, Zeus, the sadistic and self-proclaimed leader of the Wasteland, plagues The Kid and Apple. Armed with little ...
Working from a well-worn template, Turbo Kid nonetheless delivers on all fronts. The one-note characters you’ve seen a million times still surprise with solid performances and refreshing eccentricities thrown in for good measure.
A pitch-perfect pastiche that never mocks its inspirations, the picture is silly fun to warm the hearts of aging fanboys and delight hipsters who weren't yet born the first time Mel Gibson donned Max's leathers.
Made for ironicists, Turbo Kid, in its endearingly goofy way, says good things about the power reserves of our childhood – an inner superhero we can call upon when needed.
The film is, in that sense, the ultimate fan film since it monotonously aggregates previously existing scifi/fantasy tropes. Rejoice, Gen X viewers, for now you can uncritically enjoy your childhood's junk food culture just because you're looking at the past through the rose-colored lenses of the future.
Turbo Kid is a wild enough burlesque that the audience can ignore a few things that don’t seem quite right.... Harder to ignore is that Turbo Kid, which was first made as a short, struggles to sustain its energy for 89 minutes of evisceration.
One of the best movies I have ever seen. Quite simply, the best soundtrack to a movie I have ever heard. Loved all the 80's references and the synth music fits the action scenes perfectly. It's a fun movie and I am so glad I discovered it. All the characters are so likeable and the villains are great. Bring on Turbo Kid 2 (currently in pre-production).
It reminded me of Space Station 76 in that it was a comedy conceived and executed as a movie written and produced in an earlier era.
The filmmakers nailed the look, feel and sound of the 1980s post-apocalyptic low-budget genre.
Turbo Kid would have been right at home on a 1988 drive-in double feature bargain night with Solarbabies or the original Road Warrior.
As with Space Station 76, the visuals are funny but not funny enough to shore up the very basic story that is the movie's core. Once you've chuckled at the bikes and way human arteries spout blood like a Las Vegas fountain, there's not much else to do with this one but wait for the end.
You should see it but don't expect to love it.
While I can understand how this movie got awards, I regret watching this garbage. Apparently faithfully emulating a crappy 1980's low budget B movie is so avant garde and relevant to the zeitgeist that it ceases to be a crappy 1980's low budget B movie and instead is reborn as well-crafted homage to the childhood of a whole generation. If you somehow happen to LIKE crappy 1980's low budget B movies, this will certainly leave you satisfied. If you're expecting a movie that would not have gotten a 3.5/10 had it actually been released in the 80's and reviewed in the 80's, you're going to be sorely disappointed. It speaks to something that the professional reviewers that HAVE been in the business that long say as much in a long suffering fashion.
When the stump off his arm was spraying blood the way a geyser releases heated water without him showing anything for it but a mere grimace and grunt along the lines, I am going to strangle you with my both hands, it was obvious that this movie had reached its high-water mark. And this already after twenty minutes.
I am not talking about the male lead, a boy who could have walked right out any eighties flick, or the female lead, who has an uncanny resemblance to a much younger Jodie Foster, but about a Indiana Jones look alike with the attitude of a Crocodile Dundee thrown in. Although perhaps he might resemble Bruce Willis from Die Hard more. This was that other guy. Not quite the lead but that other guy. You know, the one that grunts them one-liners. Preferably with a cigar or a stick of dynamite in his mouth , but then we all know that smoking anything isn't allowed anymore cause it is unhealthy, even if you do not light them. And certainly not in teen features!
But hold on...Something distracted me while I was watching the movie. Like someone waving a hand just on the periphery of your vision. I was trying to figure out who the target audience was supposed to be. I couldn't quite grasp it. Maybe because I am too silly to think that a movie with teens as protagonists cannot be mixed with a horror movie along the lines of The Texas Chainsaw Massacre 2?
Who was I kidding? With a post-Saw generation almost anything has become mainstream, be your own judge by deciding if that is good or bad.
So confused by this movie I decided to look up the genre. According to the wikipedia this is an action horror comedy film. And it was supposed to be retro as well. So here is a new genre for you: a retro eighties action horror comedy film. Oh yeah.
Retro? Eighties? What was this movie then mimicking? It couldn't be the Breakfast Club or Back to the Future, nor Blade Runner or War **** one thing that sprang to mind was: Mad Max: The Road warrior. I just saw Mad Max: Fury Road and mentally traced the series back to its beginnings, but I never could quite get the connect with the fountains of blood erupting from hacked off body parts. But then slasher movies aren't really my thing: too squeamish.
So I went from:; it's an retro eighties kids movie; no, it's an retro eighties mad max movie with a kid as the lead, to; it's a retro eighties horror mad max movie with a kid as the lead. And after twenty minutes when the full force of flying crap slammed me in the face it dawned on me: this one smells like... a low budget movie that is trying really really hard to get a cult status because that is the only thing that would safe if from being buried in in the waste bin of movie history forever.. Which is the only funny thing about it.
No wait. There is something else. The most absurd thing about this movie is actually that somebody dares to give it a score that puts it it he same range as any of the aforementioned eighties movies.
Now that sir, that... is just plain silly.
I wanted to give this movie a chance after reading a luke-warm review on an obscure, movie, website. This movie was pretty bad. It reeked of low-budget, shoe-string, duct-tape crudeness in it's production. My goodness, how far Michael Ironside has fallen, making movies of this caliber. Well, I'll never get the 90 minutes of my life back that I spent watching this dystopian movie of a rehashed, warmed-over, been-there done-that theme of surviving a nuclear apocalyspe. If you want to see a decent dystopian, post-atomic, apocalyptic move, go see either of the first two Mad Max movies or the recent one called Fury Road. Those movies wrote the book on post-atomic, apocalyptic, dystopian futures.