Columbia Pictures | Release Date: February 18, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
33
Negative:
4
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Critic Reviews
Since making his debut with “Zombieland,” director Ruben Fleischer has developed an aptitude for cheerful proficiency (if not a ton of discernible personality) that he deploys to great effect in this brisk pastiche, especially with Tom Holland and Mark Wahlberg bickering their way through one set piece after another.
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There still hasn’t been a truly great film based directly on a video game, and the characterisations here are more likely to annoy than delight the hardcore fans, but the jetsetting and sunshine here is a welcome break from more serious action movies, and Holland will just about hold the interest.
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With plenty of potential and a door swung wide open for a future sequel, Uncharted makes a decent play for filling an Indy-shaped hole in the movie market right now. But the series will need to beef up its reserves of charm and swagger to be in the same league as cinema’s favorite archaeologist.
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Uncharted drops toward the wrong end of the chart every time Holland and Wahlberg engage in juvenile bickering, which alas is all too often. The one strange thing is that the funniest insult they exchange appears in the trailer but not the actual movie, and any good dialogue here is too rare to wind up on the cutting-room floor.
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Part intellectual-property barrel-scraping, part pumped-up star vehicle and part fumbling bid for Sony to cross media-revenue streams, Uncharted isn’t the worst attempt to bring a beloved video game to the screen — just the latest bit of evidence that these things are really a zero-sum game.
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What is lacking in the script is made up in the action sequences and scene compositions thanks to Fleischer’s vision. Though the main cast struggles to overcome the limitations of the screenplay, their banter and playfulness are enough to make me willing to sit through another installment of this potential franchise.
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The buddy movie balance of “Uncharted” never clicks. Wahlberg, who was once attached to play Holland’s part, plays Sully like Nathan’s roguish, less tech-savvy elder. But they lack the needed chemistry and the script, by Rafe Lee Judkins, Matt Holloway and Art Marcum, doesn’t give them enough comic material to do much with.
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Tom Holland and Mark Wahlberg are a likeable duo, and there are some spectacularly overblown set pieces, but this video-game adaptation ultimately feels too familiar, borrowing heavily from Raiders Of The Lost Ark and National Treasure when it’s not riffing on heist films and buddy comedies.
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RogerEbert.comFeb 15, 2022
The PlaylistFeb 15, 2022
Fleischer channels the tenor of the influences his film wears on its sleeve: the manipulative music demanding awe, the lighthearted spirit of the action, the smirking star-power needed to sell quippy banter. But his tonal fidelity cannot entirely cover the seams of this sloppily assembled script.
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IndieWireFeb 15, 2022
Perhaps the film’s Walmart approach to its action would’ve been more forgivable if the Uncharted games weren’t so frequently suffused with Spielbergian flair, just as the film’s archetypal characters may have been less underwhelming had the games not managed to establish 10 times the pathos with none of the same flesh and blood.
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The TelegraphFeb 10, 2022
Every frame is so obviously green-screened, airbrushed and otherwise climate-controlled that it unfolds without a squeak of peril – the stakes couldn’t have felt lower if an extra-life counter were sitting in the corner of the screen. As for the script, you can almost hear the words NEEDS TO BE FUNNIER written in capital letters in the margins at least once per scene.
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Movie NationFeb 15, 2022
Holland’s kinetic turn as the young pickpocket/historian and bartender turned adventurer is emphatic proof that it’s not just digital effects and stuntmen in that spider suit. But the movie? It’s as edgy as a Scooby Doo mystery, as plausible a “National Treasure” mashup with “Pirates of the Caribbean.”
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