X
- 1958
- Approved
- Paramount Pictures
- 2 h 8 m
- 1958
- Approved
- Paramount Pictures
- 2 h 8 m
Summary Vertigo creates a dizzying web of mistaken identity, passion and murder after an acrophobic detective rescues a mysterious blonde from the bay. [Universal Pictures]
Directed By: Alfred Hitchcock
- 1958
- Approved
- Paramount Pictures
- 2 h 8 m
- 1958
- Approved
- Paramount Pictures
- 2 h 8 m
Vertigo
8.6
Where to Watch
Summary Vertigo creates a dizzying web of mistaken identity, passion and murder after an acrophobic detective rescues a mysterious blonde from the bay. [Universal Pictures]
Directed By: Alfred Hitchcock
Where to Watch
Top Cast
Metascore
Universal Acclaim
Based on 32 Critic Reviews
100
97% Positive
31 Reviews
31 Reviews
3% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
Metascore
Universal Acclaim
Based on 32 Critic Reviews
100
97% Positive
31 Reviews
31 Reviews
3% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
Guilt and obsession combine to create the most personally revealing effort of his career. [Restored version; 13 Dec 1996, p.5]
From the very first images of Saul Bass' credit sequence, the whorls and patterns revolving in darkness, the huge eye bathed in red, the movie lets us feel the heartbeat and divided soul of its hero. And its creator. It is a movie about desire, darkness and the pull toward destruction. Most of all, it is about impossible love and overwhelming fear--conveyed with consummate control and art. Watching it, we feel the fear, suffer the desire. [Restored version; 18 Oct 1996, p.1]
User Score
Universal Acclaim
Based on 421 User Ratings
8.6
90% Positive
378 Ratings
378 Ratings
7% Mixed
29 Ratings
29 Ratings
3% Negative
14 Ratings
14 Ratings
User Score
Universal Acclaim
Based on 421 User Ratings
8.6
90% Positive
378 Ratings
378 Ratings
7% Mixed
29 Ratings
29 Ratings
3% Negative
14 Ratings
14 Ratings
Just Perfect. Absolutely incredible music from. Bernard Herrman, Acting is Superb, Chef’s Kiss
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A former San Francisco cop terrified of heights falls in love with the woman he's supposed to protect, but appearances hide reality.
Few words to describe this noir masterpiece. Only Hitchcock could make a film like this.
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Brilliantly schematic, endlessly fascinating...this prescient 1958 spellbinder can now be admired as the deepest, darkest masterpiece of Hitchcock's career. [Restored version]
A thematic analysis can only scratch the surface of this extraordinarily dense and commanding film, perhaps the most intensely personal movie to emerge from the Hollywood cinema.
This dizzyingly intricate film reveals new facets each time you see it. We leave Vertigo unsettled, like Scottie, who ends up on the edge of a precipice. Hitchcock is daring us to leap. He has prepared the ultimate fix for a cinema junkie: a movie to get lost in.
Vertigo, which is one of the two or three best films Hitchcock ever made, is the most confessional, dealing directly with the themes that controlled his art.
The old master, now a slave to television, has turned out another Hitchcock-and-bull story in which the mystery is not so much who done it as who cares.
Another masterpiece from the master of cinema: Hitchcock.
The film can be said to have the best direction in history with a wonderful camera and unique techniques and excellent form.
Bernard Herrmann's music, which conveys dizziness to us, is perfect and beautiful.
The main point of the film is its suspense, which Hitchcock performed perfectly in this film, the perfect acting of Novak and good Stewart.
In the end, it can be said that Vertigo is a masterpiece in the history of cinema, but it is not the best film in history!!!
Because it is a short distance away from the best movie in history, Rear Window.
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Sempre gostei muito das obras do Hitchcock, mas Vertigo se supera em vários sentidos!! O diretor imprime com maestria o suspense e a tensão passado pela atriz principal.
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I don't get it. Looking past its technical/historical significance, it falls flat for me. As a thriller, I found it nonsensical and hard to relate, therefor losing any kind of suspense that may have built. Definitely one of those classics that didn't age too well (and I do love plenty of old movies, mind you). Unless I completely misunderstood something here, I think it's very overrated and not a must-see at all.
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rewatching Hitchcock movies in a row, this one does not for me stand up to the best. He mastered the disaster movie (The Birds), the slasher (Psycho-the first slasher movie), the spy movie (North by Northwest), film noir (Shadow of a Doubt), the thriller (Strangers on a Train), the voyeur (Rear Window) but to me this one is boring. lots of cool scenery, postcard backgrounds. I loved Kim Novak as the love starved pretty girl when I was younger but now a hot girl who cannot find love seems implausible. I get tired of Jimmy Stewart, he is always skeptical about something. The opening is amazing, you can see it referenced in The Matrix, how better to be scared of something than see somebody die that way. I also did not like "Dial M for Murder" or "Rope" but the 39 steps was great.
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Production Company
Alfred J. Hitchcock Productions
Release Date May 28, 1958
Duration 2 h 8 m
Rating Approved
Tagline A Hitchcock thriller. You should see it from the beginning!
Awards
Academy Awards, USA
• 2 Nominations
San Sebastián International Film Festival
• 2 Wins & 2 Nominations
Online Film & Television Association
• 2 Wins & 2 Nominations
