Drafthouse Films | Release Date: October 5, 2012 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
21
Mixed:
0
Negative:
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Critic Reviews
As a strictly psychological portrait of destructive masculinity it's a gut-sock, vividly photographed, thrillingly edited and marked by performances (Donald Pleasence and Jack Thompson, most notably) that heave with strange complexity and dark camaraderie.Wake in Fright is true horror.
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It's simultaneously terrifying and hilarious, a full-on shotgun blast to the face of rediscovered 1970s weirdness, something like finding out that there's a classic Peckinpah film you've never seen, or that Wes Craven and Bernardo Bertolucci got drunk in Sydney one weekend and decided to make a movie together.
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The film’s only flaw is a minor one: Some of the stylistic devices, such as the rapid-fire montages of vile and depraved images, have aged poorly. But that in no way detracts from the visceral power of the backslide into the abyss that we experience along with the central character.
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Since Outback is a film I mostly admire, I had better allow that it is not without flaws. But they are flaws—in plotting, in Kotcheff's penchant for using five camera positions at a time where one might do—that may be, not overlooked, but safely admitted in a work that really does move from its strengths rather than its weaknesses.
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