We the Animals

Name: We the Animals
Genre: Drama
Released: August 17, 2018
Duration: 94 min
Rating: 84
Cast: Evan Rosado, Isaiah Kristian, Josiah Gabriel, Raúl Castillo, Sheila Vand

2018

METASCORE

Universal acclaim based on 25 Critics

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USER SCORE

Generally favorable reviews based on 18 Ratings

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6.6

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6.6	Your Score
6.6	User Score Generally favorable reviews based on 18 Ratings

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We The Animals: Kitchen Dance

Movie Details & Credits

The Orchard | Release Date: August 17, 2018

Starring: Evan Rosado, Isaiah Kristian, Josiah Gabriel, Raúl Castillo, Sheila Vand, Terry Holland

Summary: Us three. Us brothers. Us kings, inseparable. Three boys tear through their childhood, in the midst of their young parents’ volatile love that makes and unmakes the family many times over. While Manny and Joel grow into versions of their loving and unpredictable father, Ma seeks to shelter her youngest, Jonah, in the cocoon of home. MoreUs three. Us brothers. Us kings, inseparable. Three boys tear through their childhood, in the midst of their young parents’ volatile love that makes and unmakes the family many times over. While Manny and Joel grow into versions of their loving and unpredictable father, Ma seeks to shelter her youngest, Jonah, in the cocoon of home. More sensitive and conscious than his older siblings, Jonah increasingly embraces an imagined world all his own.… Expand

Director: Jeremiah Zagar

Genre(s): Drama

Rating: R

Runtime: 94 min

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Awards & Rankings

40	#40 Best Movie of 2018

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Metascore

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Mixed:

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Critic Reviews

100

Washington Post - Ann Hornaday

Aug 30, 2018

A film that feels like something conjured out of memory and magic, a poetic, often ecstatic re-creation of childhood that captures its ungovernable pleasures as vividly as its most threatening terrors. Read full review

100

Los Angeles Times - Glenn Whipp

Aug 16, 2018

Zagar, judiciously adapting the book with Daniel Kitrosser, submerges the audience into their world from the outset, presenting a fluid stream of bittersweet and vivid episodes from the family’s life that gradually build into something profound. Read full review

Film Threat - Brian Thompson

Aug 22, 2018

We the Animals, a stirring portrait of youth, is a requiem for innocence lost. Read full review

The Film Stage - Christopher Schobert

Aug 15, 2018

We the Animals is most effective when it breaks free from conventional storytelling and relies on image, sound, emotion, and mood. Read full review

Philadelphia Daily News - Gary Thompson

Aug 22, 2018

The story is nonlinear, a collection of images that can suddenly assemble into an emotion. Read full review

The Globe and Mail (Toronto) - Barry Hertz

Aug 15, 2018

Working mostly with non-professional actors, Zagar also wrings some heartbreaking performances out of his young cast, especially Rosado, whose Jonah seems teetering at the edge of something he may never understand. Read full review

Christian Science Monitor - Peter Rainer

Aug 24, 2018

The movie is all nuance and it continually wafts away into artiness. Read full review

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User Reviews

movieducation

Nov 21, 2018

WE THE ANIMALS is so close to home. It is beautiful, it is poetic, sometimes it is toxic yet I can’t get enough of it. A coming-of-age story that really knows when to be a kid and when everything starts to really matter. It's like Moonlight and Tree of Life have a baby !

0 of 0 users found this helpful00

WonderZ

Oct 17, 2018

Beautiful, beautiful film - definitely one of those that you have to see in a cinema or for free with boxxy software and get full immersed!

2 of 2 users found this helpful20

amheretojudge

Nov 24, 2018

Zagar's exploring drama about the right and wrong thrives on surprisingly being diplomatic and complicated to the core.

We The Animals Zagar's exploring drama about the right and wrong thrives on surprisingly being diplomatic and complicated to the core. As much as simple and linear theZagar's exploring drama about the right and wrong thrives on surprisingly being diplomatic and complicated to the core.

We The Animals

Zagar's exploring drama about the right and wrong thrives on surprisingly being diplomatic and complicated to the core. As much as simple and linear the narration is, its sensibility to be fair, and not feeling obliged to be self-righteous, is what marks this tale in a map. One of the primary strength of the feature is the relationship and equations of the characters. It is balanced. If a husband hits his wife, then so does she. It is not a perfect relationship. And that is what makes it more human. The apt depiction of the current society that we live in is put upfront on the screen which also makes it inedible to watch at times.

The fatal attempts of going towards the storyline is a classic textbook procedure that is adapted in here. The execution is genuinely effective and the work done by the maker foliates it onto the screen with bright colors. Speaking of which, the animation is an essential part of the tale. It speaks a lot that cannot be either shown or acted out. And amidst all the structure of the script, the voids are filled in by the clips of children playing on a field or river or forests. These little tactics of how they run their households on and how they feed themselves is well researched by the team and brilliantly installed in the narration.

In fact, such bits often reminds you of Malick's masterpiece "The Tree Of Life". Aforementioned, the ongoing thoughts of a child like such, that is exploring newer things with the most one dimensional simple thinking, ought to be hard for the writers to write, and it is handled marvelously in here. Ticking for around ninety minutes, the storytelling could have been edited out but considering the time it takes to chew its content and the additional inputs to justify each action, is done with so ingenuity, that in the end it pays off.

With jaw dropping visuals, stunning live locations, caressing the nature with the lens and metaphorical cinematography, this visual galore is a delight to watch. And having said that, it doesn't suggest that it is always easy to watch this family grow. The storyline does wander off into places that scares you with its harrowing innuendos that makes your heart skip a bit. And to make you feel that, Zagar takes you with its lead characters to an emotional journey that fluctuates and depicts all of its sides. The performance by the cast is convincing throughout the course of the feature especially the younger cast that are equally challenging to the elder ones.

Personally I prefer it when the characters in here realizes the fundamental concept and are about to take bold decisions against all odds rather than exploring their options. For actually, whilst writing such an "easy" part of the storytelling, often or not, the writers gets distracted and either misses or skips a few beat or over chews its substance. We The Animals is not groundbreaking on concept, structure or narration, what it gets right is conveying a good old message with a good old tale.… Expand

0 of 0 users found this helpful00

JLuis_001

Nov 24, 2018

A pretty good coming of age story that somehow feels like a distant relative to Beast of the Southern Wild. Maybe it's just me but I don't know, it gave me that feeling

0 of 0 users found this helpful00

netflic

Sep 10, 2018

Another coming of age story, this time about three brothers growing up in a poor family.

The film is made in a very artsy way. There is no straight narrative, it feels more like a dotted line made of impressions. The brothers are very happy together and seem to be inseparable. While twoAnother coming of age story, this time about three brothers growing up in a poor family.

The film is made in a very artsy way. There is no straight narrative, it feels more like a dotted line made of impressions.

The brothers are very happy together and seem to be inseparable.
While two older brothers will probably turn into two copies of their macho father, the youngest one of the three is an artist and puts all his life experiences into his secret sketch notebook.

Outstanding cinematography and very strong acting.

I did not like the ending though. To me it seemed to be an artificial and unnecessary twist.

Overall, I did enjoy watching it but your mileage might very.… Expand

1 of 1 users found this helpful10

TVJerry

Sep 11, 2018

This film starts as 3 young brothers tear thru their summer; running, screaming and full of life. It doesn't develop into a traditional narrative, but offers episodic glimpses of their family with lots of artistic flourishes. Their parents' tumultuous relationship creates most of theThis film starts as 3 young brothers tear thru their summer; running, screaming and full of life. It doesn't develop into a traditional narrative, but offers episodic glimpses of their family with lots of artistic flourishes. Their parents' tumultuous relationship creates most of the conflict, but it's told thru the eyes of the youngest brother. He has an inner life that's expressed in flights of fantasy and intense drawings (animated for extra impact). It takes some time for the story to come into focus, but once it does there's an interesting new layer that makes it sweeter. Still, it's more ambitious, artsy observation than compelling character study.… Expand

1 of 2 users found this helpful11

GreatMartin

Sep 17, 2018

I stopped hating people about 40 years ago just as I stopped hating ‘things’ 30 years ago but I have never stopped hating movies that I walk out of thinking “What the hell was that about?”, going home, reading a dozen critics that raved about the movie and not understanding what they areI stopped hating people about 40 years ago just as I stopped hating ‘things’ 30 years ago but I have never stopped hating movies that I walk out of thinking “What the hell was that about?”, going home, reading a dozen critics that raved about the movie and not understanding what they are raving about!

I hate a 90-minute movie that seems like 3 hours and gets nowhere and worse than all I hate talking about the movie and thinking people will point a finger at me saying I am writing spoilers when how can it be a spoiler when it doesn’t add or diminish from a nonstory?

Is “We the Animals” about 3 brothers constantly running here and there, screaming, robbing a store, at one point having nothing to eat, at another being thrown into the water so he will learn to swim or their beating on their father or being shirtless most of the time? Is it summertime or is it they just don’t go to school?

Or is it about kids running around without supervision just so the director can have camerawork showing kids being kids and being like all kids would like to be when they don’t have to answer to adults?

Is it about a kid realizing he is gay? Is it about a supposed pedophile? Is it an excuse to show some porn?

Is it about a man beating his wife who he loves and her staying because she loves him? Is it about the parents loving their children though both working different jobs at night so the kids have to sleep where the father works?

Is it about life for one family in Utica, New York?

The 3 kids play their roles, the dad is masculine looking, a loser but not shown that way with all he has, the mother acts stronger and weaker than the role calls for and the few supporting characters do what is asked of them except the one that might or not be a pedophile.

I don’t know what “We the Animals” is about so please go and tell me what you saw and heard, aside from some beautiful set scenes with kids being kids, brothers being brothers, when they are left alone.… Expand

1 of 2 users found this helpful11

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