X
- 2019
- Not Rated
- Rialto Pictures
- 1 h 41 m
- 2019
- Not Rated
- Rialto Pictures
- 1 h 41 m
Summary Set in '70s Kingston and '80s Hackney, Yardie centres on the life of a young Jamaican man named D (Aml Ameen), who has never fully recovered from the murder, committed during his childhood, of his older brother Jerry Dread (Everaldo Creary). D grows up under the wing of a Kingston Don and music producer named King Fox (Sheldon Shepherd)....
Directed By: Idris Elba
Written By: Brock Norman Brock, Martin Stellman, Victor Headley
- 2019
- Not Rated
- Rialto Pictures
- 1 h 41 m
- 2019
- Not Rated
- Rialto Pictures
- 1 h 41 m
Yardie
52
6.5
Where to Watch
Summary Set in '70s Kingston and '80s Hackney, Yardie centres on the life of a young Jamaican man named D (Aml Ameen), who has never fully recovered from the murder, committed during his childhood, of his older brother Jerry Dread (Everaldo Creary). D grows up under the wing of a Kingston Don and music producer named King Fox (Sheldon Shepherd)....
Directed By: Idris Elba
Written By: Brock Norman Brock, Martin Stellman, Victor Headley
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 18 Critic Reviews
52
44% Positive
8 Reviews
8 Reviews
44% Mixed
8 Reviews
8 Reviews
11% Negative
2 Reviews
2 Reviews
Metascore
Mixed or Average
Based on 18 Critic Reviews
52
44% Positive
8 Reviews
8 Reviews
44% Mixed
8 Reviews
8 Reviews
11% Negative
2 Reviews
2 Reviews
Yardie is a ripping classic gangster tale done right, but that’s only part of the appeal. It goes beyond the narrative into full cultural immersion with music as the window into a time and place.
Elba’s debut doesn’t belong to the upper echelon of films from well-known actors stepping behind the camera – it holds your attention, but it’s never as gripping as the material should be.
User Score
Generally Favorable
Based on 12 User Ratings
6.5
50% Positive
6 Ratings
6 Ratings
42% Mixed
5 Ratings
5 Ratings
8% Negative
1 Rating
1 Rating
User Score
Generally Favorable
Based on 12 User Ratings
6.5
50% Positive
6 Ratings
6 Ratings
42% Mixed
5 Ratings
5 Ratings
8% Negative
1 Rating
1 Rating
Look into my life...tell me what do you see...cultural story, the tale of the path you choose...great story and anti drug film.."...stay away from dat flake mi boi !"
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Well directed with good performances, engaging plot and a great soundtrack. Faithful to the cultures it portrays at the least the aspects it is about.
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It’s all kiss-kiss, bang-bang and backstabbing, with a twist that, while effective, leads to a denouement of questionable — and not entirely satisfying — moral reckoning. In some ways, Yardie plays out like a film noir, but with a strangely sweet ending, and without that genre’s deliciously bitter aftertaste.
A debut of unarguable promise, though – plenty to build on if Elba can resist the adolescent lure of running round with 007’s PPK.
Headley’s book is a hard nugget crackling with urgency. This feels like soft-boiled pulp.
There’s no question that Elba is a talented actor, but his debut on the other side of the lens falls a bit short. Director needs to make decisions to get a story across, and Elba appears to have been too shy or too reluctant to make them. Yardie suffers for it.
The story, based on a novel by Victor Headley, is pointless and occasionally ridiculous. And the movie is hardly helped by a protagonist that we’re expected to care about, even as he does an unending series of colossally stupid, violent and self-destructive things.
Very little to get your teeth into
Yardie is the directorial debut of Idris Elba, and is about as pedestrian a film as you're likely to see all year; a listless gangland-based drama composed of a litany of gangster-film clichés. There are a couple of elements worth praising, and it's competently directed, but by and large, it's extremely shallow, containing nothing you haven't seen in half a dozen other films. For his first film, Elba seems to have settled on something personal, a story with whose milieu he is already familiar. However, the film is populated by generic characters, themes, and narrative beats; at best, it's fitfully interesting, at worst, it doesn't work at all, plodding along at its own imprecise pace, getting nowhere fast.
Based on Victor Headley's 1992 novel of the same name, and adapted for the screen by Headley, Brock Norman Brock, and Martin Stellman, the film begins in Kingston, Jamaica in 1973, a town in the midst of a bloody gang-war. Sick of the violence, local man Jerry Dread (Everaldo Creary) stages an impromptu block-party. All is going well, with Jerry even coaxing the two rival kingpins up on stage to shake hands. However, a youth in the crowd shoots Jerry dead, leaving his kid brother, D, distraught. Ten years later, D (Aml Ameen) has worked his way up the ranks of music producer/drug lord King Fox (Sheldon Shepherd), who was one of the men onstage when Jerry was killed. Fox packs D off to Hackney with a kilo of cocaine to be delivered to Fox's London connection, Rico (Stephen Graham). D is only too happy to go, as his childhood sweetheart, Yvonne (Shantol Jackson) relocated to London several years earlier with their daughter, and they've been estranged ever since. However, upon meeting Rico, he and D rub each other up the wrong way, and D flees with the cocaine.
Pretty much everything in Yardie looks completely authentic, almost documentarian. Similarly, the soundtrack isn't simply representative of monolithic 70s/80s, but actually gives the film its rhythm, with Elba choosing songs of great cultural significance - tracks such as Lord Creator's "Kingston Town" (1970), The Isley Brothers' "Work to Do" (1972), Max Romeo & The Upsetters' "War Ina Babylon" (1976), Black Uhuru's "Guess Who's Coming to Dinner" (1979), and Grace Jones's "My Jamaican Guy" (1983).
This sense of authenticity is carried into an aspect of the film with which I'm sure a lot of people will have problems - the dialogue is delivered entirely in heavy Pathois, without any subtitles. Personally, I think this is an admirable decision; nothing takes you out of a film quicker than English subtitles for spoken English. And although there is no doubt that it's hard to understand some of what is said, and a few of the character beats are probably lost as a result, David Ehrlich's ludicrous assertion that "40% of the movie is unintelligible" in his damning IndieWire review is absolute rubbish. It's really no different from seeing an English Renaissance play or reading Chaucer - once you acclimate yourself to it, there shouldn't be any major problems.
The mise en scène really evokes a place and culture too, as Elba does a fine job of indoctrinating the viewer into the cadences of the culture. This aspect of authenticity is matched in the props; according to production designer Damien Creagh, almost nothing was custom made for the film, with the vast majority of props being working examples of the period.
Unfortunately, however, the rest of the film is extremely poor. Firstly, we've seen this film before, dozens of times - the gangster with a heart of gold wrestling with his loyalty and his desire to go straight, with only the love **** woman to help guide him - and there's not an original character in the mix, with every single one of the principal cast coming across like they've been assembled from a "make your own" movie clichés modelling kit. The directionless plot also displays no real sense of dramatic intent, jumping from one thing to the next, often with little causality linking the two.
The problem is, simply put, that the narrative is so much weaker than the milieu containing it. Certainly not a problem exclusive to this film (if you've seen anything Ridley Scott has done post-Gladiator (2000), you're already familiar with this issue), but it's especially pronounced here because a) the narrative is so derivative, and b) the milieu is so strongly evoked. The film is too enamoured with the tropes of the gangster movie to work as a genre subversion, nor is it pulpy enough to be enjoyed for its excess, à la something like Scarface (1983) or Romeo Is Bleeding (1993). It occupies this inoffensive, vanilla middle ground, not really doing a huge amount wrong, but not really doing a huge amount right either.
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I don't know what year YARDIE came out in cinemas because Google says 2018 and on here it says 2019 but it was certainly one of those years and I remember watching it in cinemas. Yardie which is a strange title for a film is directed by Idris Elba and none of the actors in this movie I've ever heard of in my life. I don't even remember what the storyline or plot was, if there is one at all it sure is very muddled in the movie. Yardie is just full of black people with no real acting skills and terrible scene after terrible, terrible acting on top of even worse acting. Nothing really impressed the viewers and that's exactly how I felt, it may have some action or violence but can't remember however it's done poorly and this film is directed poorly. None of the characters in the film are likeable and Yardie leaves a horrible taste in your mouth. Not the worst film but it's crap compared to most film standards.
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Production Company
Warp Films,
BFI Film Fund,
Screen Yorkshire
Release Date Mar 15, 2019
Duration 1 h 41 m
Rating Not Rated
Tagline Choose Your Own Path
Awards
National Film Awards, UK
• 1 Win & 3 Nominations
Black Reel Awards
• 2 Nominations
Golden Trailer Awards
• 1 Win & 1 Nomination
