• Record Label: RCA
  • Release Date: Mar 22, 2020

Universal acclaim - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 14
  2. Negative: 0 out of 14
Buy On
  1. Mar 24, 2020
    3.15.20 captures the tumultuous contemporary moment. As society contends with sickness, anger, and fear, Glover remedies the malignancy while fueling the anguish. 3.15.20 signals an important shift for Childish Gambino and secures the album's spot as one of the best of the year.
  2. 100
    3.15.20 is as spell-binding, illuminating and honest as any of the great albums in recent history. Aspects hold themselves as hard and brutal as Kanye West's Yeezus, yet these moments are tempered by ones of beauty and elegance as enthralling as anything you’d find on Solange’s recent records, or Tame Impala’s for that.
  3. Mar 23, 2020
    It is an ambitious album that can turn from hedonism to hope on a dime. And with its genre-hopping ethos, bold orchestral choices and pleasing tunefulness, it is the first truly boundary-pushing record of the 2020s, cementing its creator as a daring virtuoso.
  4. Mar 27, 2020
    Glover is fearless and definitely not afraid to fall flat in the quest for something new or real. 3.15.20 is both of those things and is the second classic, timeless and timely Childish Gambino record in a row.
  5. 83
    3.15.20 truly showcases Glover’s talents as a musician, producer, and songwriter. It’s a balanced body of work, not through its similarities, but rather its extreme contrasts.
  6. Apr 1, 2020
    If one could argue that 3.15.20 reveals a growing penchant for Kanye-esque dilettantism—dipping its toes into Death Grips-style abrasion on one end, reaching out for touches of Tropical House, Frank Ocean, and sun-dappled Disney singalongs on the other—it’s all carried off with Glover’s winking confidence, not to mention a damn sight less narcissism than Yeezy.
  7. Mar 30, 2020
    If 03.15.20 is a full stop to one of the most dynamic, inventive, frustratingly inconsistent discographies of the last decade. I'm not convinced Glover's multi-hyphenate brain could ever stop working away, creating shows and songs and short films and botching album rollouts to a ridiculous degree.
  8. Mar 23, 2020
    There’s something oddly reassuring about these songs — not just “12.38,” a laidback R&B slow jam about a drug-addled sexual encounter, or the sweetly romantic “24.19,” but all 12 of them, even those in which Glover sounds close to overwhelmed by his many misgivings.
  9. 80
    The impressive ‘3.15.20’ [is] well worth the wait.
  10. Mar 31, 2020
    Though Gambino takes himself a bit too seriously at times, 3.15.20's pleasant moments make up for his missteps.
  11. Mar 31, 2020
    Like an episode of Atlanta, 3.15.20 takes us in various, episodic directions that are snapshots into the thought process of Donald Glover. He ties it all together with the unifying, timeless theme of love. It’s just a shame his vision was marred by musical risk-taking that falls flat almost as much as it soars.
  12. Mar 31, 2020
    At its best, the grooves have the funky plasticity of an electro-Prince, sprinkled with baffling but thought-provoking lyrics. At its laziest, it sounds like a mumble rapper warming up over a jam whilst doing throat exercises. It's got groove though, and enough mysterious depths to warrant further investigation if you should somehow find yourself stuck at home with nothing better to do.
  13. Mar 26, 2020
    At its best, 3.15.20 Trojan horses some of that terror into happy surroundings. ... Glover is not always successful at adding dimension to these songs.
  14. Mar 23, 2020
    ‘42.26’ - unmasked as the previously released ‘Feels Like Summer’ - and ‘47.48’ (which features his son Legend Glover) are the only other enjoyable tracks on the project. The other songs seem to fade and ultimately becomes background noise with no proper substance compared to Donald Glover’s other projects. Lacking the strong narrative thrust so apparent on his past albums, the project is incredibly disappointing.
User Score

Generally favorable reviews- based on 186 Ratings

User score distribution:
  1. Negative: 26 out of 186
  1. Mar 23, 2020
    A very surprising album by Childish Gambino. This is his 4th studio album and it also his best. This album isn't narrative like songs from hisA very surprising album by Childish Gambino. This is his 4th studio album and it also his best. This album isn't narrative like songs from his previous album or doesn't have a defined genre like his previous but it is his best-produced album to date. This album feels more experimental and some of Childish Gambino fans might not like this album more than his previous. I can understand why this album would get horrible reviews by many. It is such a weird album. A lot of the sounds on this album are unexpected. A lot of noises, singing, with some rapping throughout this entire album. Full Review »
  2. Mar 23, 2020
    Easily one of the best albums of the year. Maybe it doesn't have the same fluidity of other albums but that's what makes it so great it myEasily one of the best albums of the year. Maybe it doesn't have the same fluidity of other albums but that's what makes it so great it my opinion. Each song is like a completely different musical director for Donald. There's no way you could listen to this album and feel bored. Must listen. Full Review »
  3. Mar 23, 2020
    This project is like **** in your ear for one hours, mixed with animal sounds and cringy lyrics.