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- Critic score
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Feb 6, 2014Not really a blockbuster, it’s the kind of album that makes most sense in the small hours, after the party is over.
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Feb 4, 2014After The Disco deserves to be heard and delivers a truly pleasant listening experience, rousing even, when the hooks hit the spot. But--and perhaps this is what the duo insightfully intended when they gave the album its title--don’t expect a party.
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Feb 3, 2014It is not a bad record--Danger Mouse doesn’t make those--but it does feel safe and predictable rather than fresh and exciting.
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Feb 3, 2014It might not be the craven product of a marketing meeting, but it sounds like two talented, successful guys making nice tunes, no less, no more.
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Jan 31, 2014So, yes, album number two is a step in the right direction, but once again the journey doesn't always feel worth the effort. [Feb/Mar 2014, p.70]
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Jan 30, 2014After the Disco has some memorable hooks, but it doesn't quite lift this work beyond a studied genre piece.
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MojoJan 23, 2014The disillusionment makes for downbeat and decidedly adult pop. [Feb 2014, p.88]
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Feb 4, 2014Since the driving tracks are bigger earworms than the carefully crafted, fragile ones, perhaps the duo would’ve done better to focus on the party, instead of what comes after.
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Feb 4, 2014After the Disco is a more cohesive record, and that turns out to be the problem: Mercer and Burton's eccentricities have been sanded down to a single, flattened plane.
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Feb 13, 2014Despite the immense joy of the final five songs, the prospect of a repeat play is a discouraging one when the first five brought forth a cynicism entirely unwelcome among a collection designed to elicit wonder.
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Feb 3, 2014Generic enough to have been produced by anyone, After the Disco is a yawner made by two artists whose impressive discography makes its failure that much more confounding.
Awards & Rankings
User score distribution:
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Positive: 45 out of 61
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Mixed: 14 out of 61
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Negative: 2 out of 61
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Feb 23, 2014
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Feb 7, 2014
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May 1, 2014