• Record Label: Merge
  • Release Date: Jul 23, 2013

Universal acclaim - based on 9 Critics

Critic score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
  1. 95
    There’s simply not a wasted second on the record; all fourteen songs are simple and direct, immediately recorded in inglorious mono with nothing--save the cheap Casio autochord presets on ‘Blues in Dallas’--but voice, guitar and the album’s secret third instrument--the insistent hum of an increasingly-broken boombox.... The main draw of this reissue for hardened Mountain Goats fans, an obsessive breed at the best of times, are Darnielle’s new liner notes and a selection of seven bonus tracks from the same era.
  2. Aug 28, 2013
    With seven bonus tracks and an 1800-word essay included in physical copies, this is a rare treat. [Aug-Sep 2013, p.132]
  3. Aug 16, 2013
    Seven bonus cuts from the same project make it more than worth picking up even for those who've worn out the original. [No. 101, p.58]
  4. Jul 29, 2013
    Revisiting All Hail West Texas over two decades into the Mountain Goats’ existence makes a central irony in their story all too clear: it’s not a lonely record anymore. A handful of these songs remain the most iconic in the Mountain Goats catalog.
  5. Jul 29, 2013
    The gems on All Hail West Texas capture the pain and beauty of humans’ entanglements with each other.... These days it’s the loneliness of the album, and just the idea of the space that is West Texas, a vast and largely unpopulated sprawl, that hits home.

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