
- Summary: The fourth full-length release from the indie rock duo of Bethany Cosentino and Bobb Bruno was produced with Carlos de la Garza and Justin Meldal-Johnsen.
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- Record Label: Concord
- Genre(s): Pop/Rock, Alternative/Indie Rock, Indie Rock, Indie Pop, Noise Pop
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Score distribution:
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Positive: 10 out of 18
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Mixed: 7 out of 18
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Negative: 1 out of 18
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Feb 26, 2020Deeply satisfying on multiple levels, Always Tomorrow is great guitar pop and a bracing account of one person’s struggle to construct a new life. Free of sugar-coating or easy answers, it should speak to everyone who wants to take better care of themselves.
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Feb 19, 2020That there’s room for experimentation, too (see the spoken word outro to Graceless Kids, or the spacey closer Used to Be) speaks to her confidence. This is the record she wanted us to think California Nights was.
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Feb 21, 2020Their finest album, full of the tough, hooky rock that made stars of the Go-Gos, the Bangles and ‘Til Tuesday in the 80s.
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Feb 24, 2020It’s Cosentino’s musicianship and knack for melody that prevents these songs from turning to fluff.
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UncutFeb 20, 2020As always, her lyrics are unambiguous - too on-the-nose for some - but there's an admirable unfussiness to it all. [Apr 2020, p.23]
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Feb 19, 2020‘Always Tomorrow’ boasts a handful of punchy, promising songs but it’s frustratingly unambitious in scope. When the album treads old ground, the ideas are stale. Hopefully a bigger rejuvenation is on the horizon.
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Feb 19, 2020Despite it taking four years to come out, pretty much all of the songs on Always Tomorrow are forgettable, and made up of riffs so basic and hooks so anonymous that you’ll probably end up wishing they’d have waited a little longer.
Score distribution:
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Positive: 4 out of 5
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Mixed: 1 out of 5
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Negative: 0 out of 5
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Aug 17, 2020
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Mar 30, 2020
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Mar 3, 2020
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Mar 16, 2020
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Apr 15, 2020
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