User Score
Mixed or average reviews- based on 74 Ratings
User score distribution:
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Positive: 25 out of 74
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Mixed: 15 out of 74
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Negative: 34 out of 74
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May 11, 2018Jared Leto needs this excessive autotune? I loved the last album, so I was looking forward to this album. What a sad surprise. I hope the next one is good, I know their talent and potential.
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May 30, 2018They used to be quite unique - releasing music that could appeal to both pop and rock fans. But this album is a misstep.
Extremely boring. Enought said. -
Apr 20, 2018
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May 2, 2018
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May 20, 2018This review contains spoilers, click expand to view.
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Apr 15, 2018
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Apr 16, 2018Anyone who claims this is "creative" needs to listen to every other pop record released in the past 10 years.
They went the easy route and look where it got them.. a 4.5 on metacritic.. but of course it's their highest selling record because the kids will eat this **** up.
they aren't a band anymore.. call it the Jared Leto's solo project. -
May 22, 2018Absolute Trash. I LOVED their first three albums. I was only 11 so I never got to see them live and sadly never will because they've turned to **** and wouldn't want to waste my money. What a cruel world.
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Jun 13, 2018It was **** I just don't know how else to put it. A complete regression. Their older stuff was way better.
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Aug 30, 2019It's 1 and not 0 bc the band (read "Jared") took a leap into doing something else entirely, leaving rock, leaving the idea of good authentic music. Yea the end product is ugh but they tried. And I'm disappointed af
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Kerrang!Apr 13, 2018America is an odd album, one that requires patience to unlock. [7 Apr 2018, p.54]
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Q MagazineApr 13, 2018Like Leto's performance in the risible Suicide Squad, the result is unsubtle, self-important and not half as good as it thinks it is. [Jun 2018, p.106]
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Apr 13, 2018America presents the most contemporary, Top 40-friendly version of Thirty Seconds to Mars to date. Bombastic drums and guitars have largely been replaced with fairly tame looped and programmed beats and ominous synths, basically reimagining Thirty Seconds to Mars as the glossy grungetronica of Imagine Dragons. Leto still screams like a banshee, but for once the sounds backing him don’t match his fury.