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By producing a more polished, more accomplished sheen while The Killers have roughed themselves up and forgotten to shave, the two bands have moved towards a middle ground where they're virtually indistinguishable.
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An End Has a Start turns out to be a pupae album--it's Editors stretching their sonic muscles, poking the first spindles of whatever new form they'll take out of their gloom-rock cocoon come album three.
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Under The RadarFor all of its stadium aspirations and ggrand soundscapes, An End Has A Start runs together in a way The Back Room didn't. [Summer 2007, p.73]
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They are still too tied to their musical ancestors for any serious maturation to take place.
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Occassionally, the songwriting does contain flashes of thoughtfulness.
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The songs get puffed and fluffed up but lose the wiry edge of "Munich," burying Chris Urbanowicz's guitar until it all sounds like Coldplay. Nice tunes, but louder, please.
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An End Has a Start doesn’t have the glorious indie-disco hits of Editors’ debut, and its toned-down sheen leaves us wishing for more bite.
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It appears they have emulated themselves on their sophomore (and sophomoric sounding) effort.
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These 10 songs repeatedly strike the same dynamic and evoke the same vague drama, each sounding more perfunctory--and more soulless--than the previous.
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It's a shame that premature commercial success has sullied Editors' creativity, because An End contains its share of bright spots.
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Tom Smith's stentorian baritone, irritating in its overenunciated approximations of gravitas, is better suited to some community-theater group than a rock band.
Awards & Rankings
User score distribution:
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Positive: 73 out of 91
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Mixed: 9 out of 91
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Negative: 9 out of 91
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DW.Sep 13, 2007
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sandenosJul 21, 2007Excellent tunes. Rivals U2 for dishing up some champion stadium-filling anthems.Well done lads.
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TrekDJul 18, 2007Brilliant second album!