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- Summary: the latest full-length release for the Los Angeles-based Canadian artist was self-produced and mixed.
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- Record Label: Late Records
- Genre(s): Pop/Rock
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Positive: 7 out of 7
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UncutSep 14, 2021She immerses listeners in the remarkably wide range of textures and timbres she explores on chamber organ, Mellotron, oboe and other instruments rarely combined in such fashion since prog's golden era. [Oct 2021, p.27]
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Sep 14, 2021Free from spatial or historical associations, these songs now feel modern and ancient at once. The album's undulating textures can distort familiar surroundings and plunge the listener into heady contemplation. It's a defining work for Davachi that once again demonstrates her uncanny ability to draw new and arresting shapes and feelings from familiar materials.
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Oct 13, 2021Certainly, there is first-rate academic-historical awareness at work (Davachi is a PhD Musicology candidate), but this fine album succeeds through its ability to convey something beyond any time-defined notions of delicate beauty.
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The WireSep 14, 2021For the most part, however, throughout its undulating ride, Antiphonals transfixes and immerses, transporting the listener deep into their own psyche. [Sep 2021, p.52]
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MojoSep 14, 2021It's an uncannily beautiful listening experience. [Oct 2021, p.92]
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Sep 17, 2021While Antiphonals can’t help but seem like a comparatively minor release next to Cantus, Descant’s 80 minutes, it shares many qualities with previous Davachi highlight, 2018’s Let Night Come On Bells End The Day: refined, reflective, and uniquely moving.
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Sep 15, 2021Throughout Antiphonals, Davachi smooths out recognizable elements until they blur into the sonic landscape. Compared to the orchestral ensemble recordings of earlier albums like 2018’s Gave in Rest, these eight songs sound subdued and solitary. However, there are moments when individual instruments receive a moment in the spotlight.
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