• Record Label: Atco
  • Release Date: May 20, 2008
Metascore
58

Mixed or average reviews - based on 35 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 35
  2. Negative: 2 out of 35
  1. Q Magazine
    60
    The album is fine enough, undeniably modish and much better than you might anticipate. [June 2008, p.136]
  2. Perversely given the record’s comprehensive musical overhaul it’s perhaps a surfeit of respect for the source material that proves Anywhere's undoing; for all its undoubted accomplishments there’s a lingering suspicion that this is too safe, too respectable a record to do justice to an artist who remains forever mid-topple from the bar stool in the popular consciousness.
  3. 60
    Johansson’s bland, flat contralto leaves you admiring the Cocteau Twins-style sonic backdrops and wondering how another singer--Liz Fraser, perhaps?--might improve them.
  4. 60
    Sonically, it's a tour de force.... But the success of this record depends on Johansson and she's not up yo the task. [June 2008, p.73]
  5. At its core, though, Anywhere I Lay My Head is a curious project that never seems to light on any raison d'etre beyond indulging Johansson's love of Tom Waits.
  6. As workarounds go, Scarlett Johansson’s collection of Tom Waits songs, Anywhere I Lay My Head verges on the heroic.
  7. Sitek’s technique is, successfully, fascinating and unexpected. But so many purposes and conceits, both avoided and embraced, collide over the course of the album’s eleven tracks that technique simply overwhelms melody and Johansson’s voice both, but mostly whatever it is about the song that Waits nailed to the wall in the first place.
  8. On several songs, Johansson gets lost in Sitek's swelling production, which may suggest a weak interpreter or a dearth of vocal personality but adds to the album's pervading dreaminess.
  9. 50
    Beyond the fact that her voice is deep enough for her to front Crash Test Dummies, there's nothing particularly compelling about Scarlett Johansson's singing.
  10. This isn’t a horrible album by any means, but it also isn’t very good. Sitek has done an astounding job of creating misty atmospheres and it’s these small touches that aid the album in becoming an interesting listen.
  11. Johansson simply lacks the intensity to stay afloat in Waits's whirlpools of ear-drummed madness.
  12. Johansson's voice is unremarkable and her pitch sometimes unsteady; she's a faintly goth Marilyn Monroe lost in a sonic fog.
  13. In burying Johansson's vocals so deeply in the druggy ambiance, producer David Andrew Sitek (of TV on the Radio) means well but ends up obscuring Waits' great tunes.
  14. Anywhere I Lay My Head doesn't quite work, but it can't quite be dismissed, either.
  15. The album itself is kind of an afterthought; what its creation says metatextually about the artists responsible for it is more interesting than any of the music it contains.
  16. She isn't a traditionally talented vocalist, which in itself can be fine. But she isn't much of an interpreter, either; she brings the flat, throaty tones of the heavily drugged to songs that beg for passion.
  17. Mojo
    40
    Much of this album's re-booting of Waits' back pages in an ambient '80s style is fussy and forgettable. [June 2008, p.112]
  18. 40
    This album isn’t a total disaster, but it’s difficult to imagine most people wanting to listen to Anywhere I Lay My Head more than once.
  19. Under The Radar
    40
    Anywhere I Lay My Head is neither laughable nor unlistenable, but what's the most disappointing about it is that producer David Sitek of Tv on the Radio is its most prominent contributor, not Johansson. [Spring 2008, p.77]
  20. The balance is tenuous, and the "Tinkerbell on cough syrup" effect that Sitek describes in the liner notes as his aesthetic brass ring sometimes comes off more like Scarlett out of her league.
  21. These songs were already so impeccably performed that Johansson didn’t have very many new places to take them, and although her effort and nerve are commendable, “not as terrible as you thought it would be” just isn’t the same thing as good.
  22. Anywhere I Lay My Head is a vanity project made by Scarlett Johansson, for Scarlett Johansson, and what's more, it sounds suspiciously like a desperate cry for credibility from a woman who doesn't actually need any.
User Score
6.6

Generally favorable reviews- based on 57 Ratings

User score distribution:
  1. Positive: 39 out of 57
  2. Negative: 15 out of 57
  1. Sep 23, 2015
    9
    I had never heard Scarlett sing before. I'm not a huge Tom Waits fan, but find his stuff to be at least interesting most of the time (this isI had never heard Scarlett sing before. I'm not a huge Tom Waits fan, but find his stuff to be at least interesting most of the time (this is almost an entire Tom Waits cover album). I found this album to be very soothing, relaxing, and eerie. Scarlett's voice fits the mood of the album very well. Thumbs up! Full Review »
  2. May 4, 2012
    10
    I know most critics aren't fond of this record, but for some reason, this is my favorite album of all times. There's something special aboutI know most critics aren't fond of this record, but for some reason, this is my favorite album of all times. There's something special about every song, and the feeling that I can relate to every bit is incredibly huge. Full Review »
  3. DejanS.
    Aug 20, 2008
    8
    Mix of Nico and Sonic Youth. Amazing! Perfect 4 lazy evening.