Asleep At Heaven's Gate
by Rogue Wave
Metascore
67

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 16
  2. Mixed: 7 out of 16
  3. Negative: 0 out of 16
  1. Austin Chronicle
    89
    The Oakland quartet, now on Jack Johnson's Brushfire imprint, has a greater sense of urgency, sharper edges, and a more mature sound overall.
  2. Billboard
    80
    Its third and most ambitious release. 'Asleep' is notable for its beefed-up instrumentation and an overall darker tone than its predecessors.
  3. Spin
    80
    This Oakland quartet teams with Yo Ma Tengo producer Roger Moutenot to create a make-or-break manifesto that often trumps indie rock's big-leaguers. [Oct 2007, p.110]
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  5. Village Voice
    70
    Asleep at Heaven's Gate now continues that same kind of expert carnival of noise, even as its songs are longer (six of the 12 creep over five minutes) and flirt with jam-band explorations. Oddly, though, it feels like a step back.
  6. Under The Radar
    70
    Despite not being Rogue Wave's best album, it's still a lot better than what the average band produces. [Summer 2007, p.77]
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  7. cokemachineglow
    70
    It's the songs that are swollen, and Rogue Wave will likely remain a moderately successful act whose new album is slept on because its floral solidity isn’t enough to hold up the heft of its length.
  8. Drowned In Sound
    70
    Similarities in vocals will mean that Lazy Shins Comparisons are inevitable, but when Rogue Wave break out of the confines of indie-by-association they prove they are a fine band indeed.
  9. Pitchfork
    69
    The problem with Asleep at Heaven's Gate is that the second half isn't nearly as strong as the first.
  10. The A.V. Club
    67
    The quartet has continued down the big, dreamy path, but this time, it's made things longer and denser, and as a result, Asleep At Heaven's Gate ends up feeling more sluggish than it should.

User Reviews

All reviews »
User Score
7.8

Generally favorable reviews- based on 20 Ratings

User score distribution:
  1. Positive: 15 out of 20
  2. Mixed: 3 out of 20
  3. Negative: 2 out of 20
  1. VincentH.
    Dec 3, 2007
    6
    Not as solid as their 2 previous Sub Pop releases. I highly recommend getting "Out of the Shadows" first. "Descenced Like Vultures" was a Not as solid as their 2 previous Sub Pop releases. I highly recommend getting "Out of the Shadows" first. "Descenced Like Vultures" was a grower, but I now appreciate it as much as the first album. I don't know if it's the new producer (from Bill Racine to Roger Moutenot) or new label, but something is definitely amiss. The band is excellent as always, but honestly it just comes down to songwriting; the quality is just not there in comparison to their earlier stuff. I definitely appreciate the evolution of the music, but Zach Rogue is an incredible songwriter, and Rogue Wave fans can tell you, this guy has written very few unlikeable songs. While there are definitely gems here that could've easily fit on DLV (essentially the first 6 songs), but I agree with the Pitchfork review. The last half of the album is full of mostly forgettable melodies, which for Rogue Wave is very shocking. This guy knows how to write a catchy-ass pop song. Hopefully these guys can hook up with Bill Racine again for their next album. Oh well...we'll always have "Out of the Shadow".… Full Review »
  2. ThomT.
    Nov 2, 2007
    8
    There r 2 pop bands I can listen to without getting bored : Pinback & Rogue Wave. When the last PINBACK album disappoints me a bit, the RW There r 2 pop bands I can listen to without getting bored : Pinback & Rogue Wave. When the last PINBACK album disappoints me a bit, the RW 's "Asleep At Heaven's Gate" catch my ears all day long. And for a pop band it's a exploit RW manages since their marvelous "Out Of The Shadow".… Full Review »
  3. JoseG.
    Oct 17, 2007
    9
    This one's a grower, well for me it was at least. After several listens now, this has become one of my favorite albums of the past few months.
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