- Critic score
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- By date
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Entertainment WeeklyOffers up the same taut honky-tonk, high-lonesome balladry and electric-rock snarls as Failer. But the production is more direct, and her songs are more rueful. [4 Mar 2005, p.71]
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An album’s worth of excellent songs performed with gusto.
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Edwards has a suggestively melancholy voice, a gift for well-turned phrases, and an uncanny knack for making uptempo tracks like "In State" sound as intimate and raw as her ballads.
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Uncut[An] eloquent set of songs about absence and change. [Apr 2005, p.108]
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A gorgeous collection that is equal parts country and rock, joy and (more often than not) pain.
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Q MagazineImpressively reconfirms why she's alt-country's brightest rising star. [May 2005, p.111]
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Back to Me is a powerful and affecting album from an artist who is quickly establishing herself as a major talent.
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Back to Me is a bolder album [than Failer], with Edwards figuring more prominently and actively in the more personal songs.
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It's not that Back to Me is an unsatisfying listen; quite to the contrary, there are some smashingly rewarding moments on this release. It's just that if you have heard Failer, you're basically heard Back to Me already.
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Back to Me is a solid successor to Failer, though at some point Edwards is going to have to toss aside the sour-relationship crutch if she truly wants to distinguish herself from the rest of the country-rock crowd.
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MojoFor all the band's rich resonance, she shines brightest when [producer Colin] Cripps holds the kilowatts. [May 2005, p.98]
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Los Angeles TimesToo many of the songs feel more obvious and slight than bold and revealing -- as if Edwards' true muse is really Sheryl Crow. [6 Mar 2005]
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Over the course of the album, too much of the midtempo material sounds too much the same, more inspired lyrically than musically, failing to sustain the momentum of the opening tracks.
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The roots-rock downers are blander than her admirers would hope.
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Haunting and carefully crafted as it is, the disc cries out for a few more variations of tone and pace.
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The only potentially bad thing about Edwards' style is that many of the tracks on the later half of the record tend to all bleed together.... That said, 'Back To Me' demonstrates Edwards' prowess as a top lyricist.
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BlenderThe more her follow-up slugs [Lucinda] Williams' bourbon'n'romance on the rocks, the drier it gets.... When she shakes it up just right on the sinister libido-rocker "Back To Me," she sounds familiar and like no one else. [Apr 2005, p.116]
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Edwards's lapses are largely counteracted by her sturdy melodies, her hard-hitting session drummers, and, mostly, her voice, which conveys acres of chin-up melancholy without even rolling up its heart-bedecked sleeves.
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Marred by Edwards' rather unremarkable voice.
User score distribution:
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Positive: 8 out of 8
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Mixed: 0 out of 8
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Negative: 0 out of 8
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BrianJan 20, 2007I very much enjoyed the music on this album - "Back to Me" gets me going!
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SamDMar 20, 2006
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ChadSFeb 3, 2006