Better Oblivion Community Center Image

Generally favorable reviews - based on 24 Critics What's this?

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Generally favorable reviews- based on 24 Ratings

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  • Summary: The surprise release for the music project of Phoebe Bridgers and Conor Oberst features contributions from Carla Azar, Anna Butterss, Christian Lee Hutson, Yeah Yeah Yeahs' Nick Zinner as well as Dawes’ Wylie Gelber and Griffin Goldsmith.
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Score distribution:
  1. Positive: 22 out of 24
  2. Negative: 0 out of 24
  1. Jan 25, 2019
    It’s full of charming melodies, carefully placed harmonies, and biting lyrics from two of the most influential songwriters around. Some days you just get lucky.
  2. Jan 31, 2019
    Recorded last summer in Los Angeles, their debut 10-track album effortlessly showcases both Oberst’s and Bridgers’s strengths as songwriters who are unafraid of literate vulnerability as they explore subjects like loneliness, privilege and estranged family.
  3. Jan 24, 2019
    Better Oblivion Community Center isn’t an obvious step forward for either artist but it’s a generous and grounded collection of songs, showcasing the complementary talents of two of America’s most talented songwriters. By the crackling close of final track Dominos, you’re more than glad they opened their doors.
  4. Mar 6, 2019
    They turn their wit into complex sentiments, making for an album that encompasses more than it delineates, even as the writing stays specific. Two voices don’t make for a proper community center, but they do make for something potent in a potentially bleak context.
  5. Jan 25, 2019
    Better Oblivion is a collection of quiet, wandering thoughts: the sound of twin souls burrowing deeper into their common ground.
  6. Uncut
    Feb 22, 2019
    If Better Oblivion Community Center has a recurring flaw, it's a reluctance to hit these higher gears more often, the best of BOCC, however, both earns its place in Oberst's already formidable canon, and further confirms Bridgers as an artist likely to assemble one. [Apr 2019, p.37]
  7. Jan 25, 2019
    Their album is mostly the sum of its parts: hushed, literate songwriting where his boyish croak meets her anguished sweetness. Occasionally, subtle touches shift the atmosphere.

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