• Record Label: Defected
  • Release Date: Nov 18, 2022
Metascore
77

Generally favorable reviews - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
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  1. Dec 2, 2022
    70
    While the record is a joyous, uplifting listen, there are not many surprises. After hearing Dijon in full effect on her previous LP, it left me with residual disappointment about the album's untapped potential. But there are still moments to be excited about on the album's B-side.
  2. Nov 29, 2022
    76
    In the end Black Girl Magic accomplishes two very important goals of any record: reminding you Honey Dijon is an artist to watch, and being quite a fun listen.
  3. Nov 28, 2022
    77
    Dijon is in her element here, eager to expand house music’s limits. For every pulse-racing dance breakdown, there’s a surprise.
  4. The Wire
    Nov 22, 2022
    80
    Black Girl Magic is Honey Dijon’s most personal work to date. Over 15 tracks, Dijon collaborates with notable guests like Josh Caffe, Hadiya George, EVE, Mike Dunn and Channel Tres. The energy here is infectious. [Dec 2022, p.64]
  5. Nov 21, 2022
    60
    It's sexy, restless, and perfectly suited for creatures of the night to writhe their glittery, glossed-up, bejewelled bodies to for all the ungodly hours.
  6. Nov 21, 2022
    80
    Black Girl Magic finds Dijon expanding her sound to incorporate a wider range of queer Black contributions to dancefloor culture, producing a 15-track masterclass in disco, new jack swing and soulful house.
  7. 80
    Now well into her stride as a solo artist, with ‘Black Girl Magic’ Dijon has produced another collection of standout, all-inclusive house classics that’ll dominate dancefloors for years to come.
  8. Nov 21, 2022
    60
    The record ends just as the party’s getting loose, with Londoner Josh Caffé commanding us to “Work! Serve!” over a deranged synth – more in this late-night ballroom house vein would be welcome.
  9. 70
    A casual dance music fan may find the lack of variety in terms of tempo somewhat cumbersome, but if you look at this through the prism of Honey Dijon as a DJ it makes total sense.

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