
- Summary: The stadium-sized English trio returns with a follow-up to its 2004 hit 'Absolution,' again produced by Rich Costey.
- Record Label: Warner Bros
- Genre(s): Rock, Alternative
- More Details and Credits »
Top Track
Supermassive Black Hole | |
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Baby don't you know I suffer? Baby can you hear me moan? You caught me under false pretenses How long before you let me go? You set my soul... | See the rest of the song lyrics |
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Score distribution:
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Positive: 22 out of 32
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Mixed: 9 out of 32
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Negative: 1 out of 32
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Entertaining and rabble-rousing, daft and deadly serious, it's a fantastic record, with almost limitless appeal.
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A monstrously grandiose, ridiculously gargantuan and stunningly inventive work from start to end.
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In terms of sheer Freddie Mercury bravado and guitar-shredding, genre-jumping prog-rock pomposity, this stirring record is indeed (forgive me) something of a revelation.
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That’s not to say the album is a disappointment (it isn’t) or not great (it is, mostly), but after hitting their creative and commercial peak with Absolution and its subsequent breakthrough stateside, Black Holes and Revelations clearly reveals itself to be a transition record.
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Muse impresses, and continues to impress on Black Holes, not only because they have the Romantic classical harmony-fueled huge stadium sound down pat, but in the details that show a band mature and talented.
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MojoWhat this record lacks is a couple of the screamalong anthems at which Muse have become renowned. [Aug 2006, p.88]
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Give Muse credit for remaking itself over the years into a full-blown theatrical experience, and not just another echoing rock band. But that experience is, frankly, kind of shitty.
Score distribution:
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Positive: 177 out of 199
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Mixed: 12 out of 199
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Negative: 10 out of 199
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chriscAug 15, 2009
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musehatersareweirdAug 6, 2009
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NickMJul 10, 2006
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[Anonymous]Jul 16, 2006
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EarlyStormAug 25, 2006This band is exciting - this Cd is exciting. I love it!
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Dec 4, 2010
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BrandonDJul 11, 2006
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